The Use Of Religion In The Novela Pedro Paramo By Juan Rulfo

To begin, Márquez exaggerates the uselessness, negligence, and general poor performance of Father Amador as a Catholic Priest of the village, and uses him to represent Catholic establishments and explain their malevolence, malpractice, and insignificance. Father Amador performed the autopsy on Santiago Nasar because the primary doctor was absent from the village at that time, and because Father Amador was the only one with the appropriate experience and qualifications to do so; however, it is extremely ironic that a religious authority figure who is supposedly meant to be a deeply devout Catholic performed the autopsy; Catholicism strongly forbids the performing of an autopsy. By having Father Amador conduct the autopsy, Márquez focuses on how Father Amador does not regard traditional Catholic values in a high manner; as a result, he demonstrates to the reader irresponsibility and insignificance of Father Amador as a priest.

Luis Jimenez’s piece titled El Buen Pastor (The Good Shepherd) from the Winthrop Rockefeller Gallery represents the react against the seminal post-war American movement. The works of art were chosen by a Contemporary and Modern collection created during the past century. The commonality amongst the works of art that lead to them being displayed together was the abstract expressionism; all the paintings reacted against the seminal post-war American movement. This piece was made in 1998 as a depiction of the murder of Esequiel of Redford, Texas while he tended his goats. The piece’s present location is the Arkansas Arts Center, and its original location is the Lawrence Lithography Workshop in Saint Louis, Missouri. The piece is water color and crayon on paper, and it can only be seen from one side by looking up because it is hanging on the wall. The subject of the work of art by Jiménez is a young man tending his goats

Tomorrow is the day we're going to the new land. The journey to New Hampshire to Texas this journey is going to take about 2 months!

In defining one’s identity, many different factors are considered; such as one’s nationality, characteristic, personality, ability, experience, religion, and etc. Especially for those people who live in America, so called country of immigration, has much more complicated identities than those Asian country people where mixed people are rarely noticed. Thinking about the concept of identity, some people easily categorized themselves as simple factors and terms which could describe their surface; white, black, Asian, European, pretty, ugly, nice, mean and so on and so forth. And that is the most point where majority people stopped to list their identities from exploring more in complicated range. However, there are many people who dig more than common people; one great example would be Denise Chavez, who is the author of the novel called Loving Pedro Infante, who kept asking herself about her identity to approach more accurate and clear ideas. In her work, reader could see the confusion of Tere, the main character of the novel, went through her life as Latin-American female in dealing with finding one’s true identity and how she accept her as who she really is. Denise Chavez, who is obviously Latin-American lady, mirror her own life experience through the character she created and introduce to readers about tough life she lived in America as Mejicana. The main character of this novel have a clear understanding and strong idea about herself throughout the novel, even if

On June 17, 1527, Cabeza de Vaca set sail on the order to conquer and govern the lands from the Rio Grande to the cape of Florida. However, during his journey he encountered much devastation such as the wrecking of his ship which resulted in his separation from the majority of his Christian companions. Praying to God after every ordeal, Cabeza routinely sought after his Christian religion to guide him through his unexpected journey. While traveling through the interior of America, he also encountered many native tribes which inhabited the land. While most of the Spanish conquistadors in the sixteenth century spread their religion through warlike ways and rearranged societies

This is highlighted in the beginning of the book where Antonio has a dream of his birth where his mother and father’s family begin arguing about who he will become. “This one will be a Luna, the old man said, he will be a farmer and keep our customs and traditions…” (Page 5) Maria’s family believed that Antonio will become a farmer also later on the old man even stated “Perhaps God will bless our family and make the baby a priest”(Page 5) On the other hand, Gabriel’s family stated “He is a vaquero...His forefathers were conquistadors, men as restless as the seas they sailed and as free as the land they conquered..” This dream foreshadowed the conflicts that Maria and Gabriel’s relationship would face since their way of living are completely different. Although they have a family, although they are a couple they do not take the time to understand each other and find common ground to do what is better for the family as a whole. For example, Gabriel wants to move to California but what awaits for them over there? A better home? A better lifestyle? happiness? or is it just to be able to move from where they have been so long? On the other hand, Maria puts this expectation on Antonio to become a priest but how will this make Antonio happy, how will it help him face the obstacles as an adult or is it just to fulfill Maria’s longing for a priest in the family? They have their eyes set on these perfect outcomes of life without knowing how they will get there and

. . one can’t help but wonder what form the author/protagonist’s life will take in the aftermath of his exorcism” (261). In this quote, Gonzales-Berry asserts that Miguel Chico’s has been exonerated of his repression through the art of writing. As stated by Marquez, serving as an inner historian has provided Miguel Chico a different perspective on life. Moreover, Gonzales-Berry’s curiosity is insightful because now that Miguel Chico has released his repression, he can now enjoy what he was encouraged to repress—his body. Lastly, in the article, “Sinners Among Angels, or Family History and the Ethnic Narrator in Arturo Islas’s The Rain God” written by David Rice, adheres to the idea of repression as he writes, “Through his vision of Felix’s return, Miguel Chico realizes that the family can only be saved if it is reconnected to the past which it represses and denies” (184). In this quote, Rice claims that the Angel family suffers from repression. His viewpoint is coming from the inner historian—Miguel Chico—as Marquez refers in his article. He refers to the salvation of the Angel family because the burden of their past is preventing the family from living their lives, hence not function as a family. In order to proceed, Rice suggests that the Angel family must acknowledge the past and learn to accept it.

Religion has had a profound effect on human culture; unfortunately, the trouble with it is faith, which creates skepticism in many individuals. In order to accommodate the issue of faith, religions have regulations, values, and ceremonies, making religion a belief system, hence creating clarity to support faith. Catholicism has become a belief system that feeds its follower with answers; however, these answers are only assumptions. There are no factual answers, and as a result, religious leaders have created an expectation in which religion is supposed to fit; nonetheless, its accuracy is unknown. In Gabriel Garcia Marquez’s short story “A Very Old Man With Enormous Wings,” the values of religion are the center of

In Juan Rulfo’s Pedro Páramo, various forms of oppressive behavior are manifested in the town of Comala – these range from the simple, readily apparent abuse of power to keep a population in line, as Pedro Páramo, having complete control over Comala, regularly does, to the very sinister use of religion as a means of reinforcing the patriarchal ideal held by contemporary Mexican society. In describing the oppression of society-at-large, Rulfo shows the sinister relationship that exists between power and the corruption of one’s moral standards through Pedro Páramo and Father Rentería.

Location also tells us that it is economically and socially underdeveloped, and is reinforced with the image of isolation given to us when Garcia Marquez writes of Father Gonzaga having to write and send a letter to the bishop. The time period of the story is established as modern day when it is written “…in determining the difference between a hawk and an airplane…(Garcia Marquez 442).” The town’s people are portrayed as simple, primitive and crude as demonstrated when Garcia Marquez writes  “…they did not have the heart to club him to death.” and then instead Pelayo “…dragged him out of the mud and locked him up with the hens in the wire chicken coop (441).” After the child’s fever breaks Pelayo and Elisenda “felt magnanimous and decided to put the angel on a raft with fresh water and provisions for three days and leave him to his fate on the high seas (441).”

Pedro Paramo is a novel that cannot be fully understood without consideration of its rich cultural background. It is this Mexican background, which informs so much of the novel, providing the main conflict. The narrator of the tale remarks “some villages have the smell of misfortune” while describing the locale of Pedro Parámo, the small Mexican town of Comala where the story plays out on many levels (83). On the surface level, this story is merely about a tyranical man who ruins his hometown of Comala. But in reality he does much more than that, his presence detroys the town completely, driving everyone out and converting the town to a type of purgatory. This deeper harm that he causes, by damning the rest of his townsmen is the evil

Imagine walking into a deserted town, exhausted from the scorching rays of the sun. It becomes more and more difficult to muster up the last ounce of energy to take another step, and eventually you drop to the ground. In this example setting is enhanced in a way that a tone of hopelessness for the character is developed. First, the setting is developed in a manner that places a hardship on the character. Furthermore, the town is devoid of life ensuring that any help to the character is out of the question and the sun itself is creating the hardship for the character. Similarly, Juan Rulfo uses the setting of his novel, Pedro Páramo, in order to influence the tone, which ultimately leads to his purpose of writing the novel. Comala, the

Although prostitution may be one of the world’s oldest professions to this day it is seen as a degrading and disrespectful career especially when regarding female prostitutes. In Chronicle of a Death Foretold, the town is very critical and strict about chastity and premarital sex. Maria Alejandrina Cervantes is the town madam which by society’s standards makes her to most marginalized, but ironically she is not brought down by her society’s rules. Gabriel Garcia Marquez uses characterization and irony to demonstrate Maria Alejandrina Cervantes’s contradictory role and to develop the theme of going against society in Chronicle of a Death Foretold.

Characters are made to present certain ideas that the author believes in. In Gabriel García Márquez’s Chronicle of a Death Foretold there are many characters included that range from bold, boisterous characters to minuscule, quiet characters but one thing they all have in common is that they all represent ideas. Characters in the novel convey aspects of Marquez’s Colombian culture.

In Gabriel Garcia-Marquez’s Chronicle of a Death Foretold, the concept of appearance versus reality is manifested in three of the major characters around whom the novel revolves. The surface impressions of Santiago Nasar, Angela Vicario, and Bayardo San Roman are deeply rooted in Latin culture; underneath the layer of tradition, however, lies a host of paradoxical traits which indicate the true complexity of human nature.