As an impoverished black male in Newark, New Jersey thoughts of the future seldom form and when they do arise they revolve around prison or a cemetery. Just six short years ago I was on the fast track to destruction. I was a member of the notorious United Blood Nation known to many as the "blood" gang and had been for several seasons. The chance of me getting accepted to college seemed as probable as snow in mid-July and I had no time for wishful thinking. My life was austere; I had an excess of nothing but problems. My house was getting foreclosed on, my dad lost his job, and my "Big homie" (leader of my set of bloods) was just released from jail. I was truly in the worst place of my life; my mind was plagued with the crimes I would soon
I was born on October 6th 1992 in Modesto California. I was raised in the West Side, which is predominately known for its poverty, gangs, and violence. The neighborhoods that I grew up in were heavily populated by minorities such as Cambodians, Mexicans, and African Americans. Within these minorities there were separate gangs that would all fight amongst each other. For example the Cambodians had the Asian Boyz and the West Side boys, Mexicans had the Norteños and Sureños and the African Americans had the Crips and Bloods. I never affiliated myself with any of these gangs but was often exposed to their lifestyles either through my oldest brother or by simply living on the wrong side of town. My oldest brother was gang affiliated and he
Herlihy: The Human Body in Health and Illness, 4th Edition Answer Key - Study Guide Chapter 1: Introduction to the Human Body Part I: Mastering the Basics Matching—General Terms 1. D 2.
In his play Where the Blood Mixes, Kevin Loring casts light on the rippling effects of the trauma caused by residential schools on generations of Indigenous peoples in the twenty first century. Loring's play, which is set in the twenty first century, illuminates the present-day legacy of residential schools and residential school survivors. Loring strives not to minimize the experiences of residential school survivors, but to reconstruct how residential school survivors are viewed and represented. Loring achieves this task through his depiction of characters that are sad but loving and funny people with hobbies, people who are not consumed with and defined by their residential school experiences but continue to feel its painful
In Blood Meridian, Cormac McCarthy describes a lawless and godless group of men ordained to cleanse the West of lesser people. This group wanders through the West leaving a trail of slaughtered people in their trail. The emptiness and ruthlessness of their hearts is reflected in the harsh and unforgiving landscape. McCarthy uses reoccurring themes of war, religion, and dance to paint a graphic picture of the savageness of life in the West.
The Strongest Blood tells the story of two cousins in an Indigenous setting, living in the Northwest Territories. Anyone who has read The Strongest Blood knows how it centers in on the teachings of Indigenous peoples and the struggles and conflicts that they face involving their land, spiritual beliefs, and economy. Van Camp’s extensive use of literary techniques directs the spotlight on the two major themes of Indigeneity, and economical conflict while creating an interesting environment for the reader.
Bloodsworth described the torments he faced while confined in the Maryland prison. Other inmates would yell through the pipes, “were going to get you Bloodsworth and do to you what you did to that little girl” (2013). He described being confined to a very small cell, while being kept locked away in isolation. He eventually went on to become the prison librarian. In prison he would keep up a healthy habit of reading. One day he came across a book that a guard had passed along. It was titled The Blooding, by Joseph Wambaugh. It was in this book that he learned about DNA evidence being used to secure convictions. He also realized that DNA evidence could also be used as a tool to exonerate.
Living in poverty with "slut" painted on her reputation, her children’s future begins to look dim. Hester takes chances with opportunity’s to receive help from Doctor, social services, her children’s fathers and her only friend. The play circles around Hester’s interactions with the other characters ' and their stories (confessions). Each of character has had an involvement with Hester 's struggling predicament and yet each character only ruminates at helping themselves instead of the woman that’s helped them all. The modern-day play In the Blood by Suzan-Lori Parks exposes the hypocrisy and prejudice of the privileged members of society toward the less privileged. The play shows that the richest and most respected people in society are not always worthy of the status they are accorded.
Often times war is depicted in a victorious, triumphant manner when in reality war is chaotic; full of destruction and death. In Stephen Crane’s “A Mystery of Heroism” and Ambrose Bierce’s “An Occurrence At Owl Creek Bridge,” we witness the harsh reality of the war and the common human reaction to the havoc. Fred Collins simply wants water, but the well is on the other side of the battlefield. Peyton Farquhar, a loyal civilian to the South, just wanted to help in the war but instead was hanged for his good-intentioned attempt to destroy the bridge to help the Confederates. Ambrose Bierce and Stephen Crane wrote “An Occurrence At Owl Creek Bridge” and “A Mystery of Heroism” to show the natural human condition in adverse situations.
From the start of independence, the question of career selection has stumbled teens across the globe. Whether the outcome be based on the amount of money, the location, or even the very few who find their true passion, no one has a definitive idea on what they will pursue at an early age. Richard Van Camp’s main character, Leo, is faced with this same dilemma. Van Camp's short story, “The Strongest Blood”, explores the use of symbolism, brought through by money, the conflicts in which influence career decision, and the use of pathos to evoke an emotional connection to the reality of the world.
In Crips and the Bloods we see multiple examples of labels continuing crime. First off, most of the children born in this area are black and poor. Already they are labeled and stereotyped as being dangerous to communities, useless to society, and destined for failure. One man says “I grew up in the hood, I was born in the hood, I was raised in the hood, and I’m going to die in the hood. I didn’t choose my destiny, my destination chose me” (Peralta, 2008). This phrase demonstrates the power of a label. He was born into a community of violence and gangs and there is no way for him to escape it. Because he was born into this particular setting, this man now considers himself a person from “the hood,” he behaves in ways that are congruent with society’s idea of what some from the “hood” would behave like. In order to uphold his label, the viewer notices that this man dresses and speaks in a manner that is consistent with the “hood” label. Of course these things are not criminal, but this example demonstrates the unescapable power of a label.
On the streets of Chicago gang violence is common. 72% of people who die are murdered. Children everyday are affected by this atrocity. Schools are filled with drugs and violence. This was the everyday life of me, Jazmine Harper. My 18 year old brother Demaris was in a gang, the Reds. My mother was a construction worker and my dad left me the day I was born. My family lived in Riverdale, one of the most dangerous neighborhoods in Chicago. Things haven’t really changed since I left.
The late 15th century marked the beginnings of a period of discovery and expansion for Europeans. During these years of discovery, great forces behind drive for expansion existed. The Spanish and Portuguese's main forces included: the lust for the wealth of gold and silver, the acquisition of new lands which brought nobility, and the spread of their Christian based religion. The Spanish and Portuguese conquest of Latin America provides us with insight of these drives in the ultimate search for power. Unfortunately, these motives caused a European-Indigenous syncretism that virtually changed the native peoples way of life. Ultimately, syncretism meant survival for Native Americans in a world where their way of life did not suit the life
The documentary Crips and the Bloods: Made in America tells the dramatic story of the perpetual gang violence that runs the streets of Los Angeles, California. Gaining an inside look at how and why this violence is continued, the video focuses on the individuals that are affected by the gangs. Families are torn apart due to endless murders, children are taught to hate and act violently towards their neighbors, and people lose their soul to the gangs that they call their families. Of course every person must make a choice to engage in this sort of life, but sometimes these people are put into situations where there are no other options. In order to further think about what has caused and maintained the violence in the LA area, we can look towards Agnew’s General Strain Theory and the Labeling Theory.
In the United States it is not uncommon to hear the question, “What are you?” This seemingly simple question stems from the American belief that individuals can be divided into different biologically defined racial groups. However, anthropologists have long argued that U.S. racial groups are a product of American cultural constructions, meaning that racial groups are not genetically determined but only represent the way cultures (in this case Americans) classify people. For example, in the U.S individuals are classified into different races based on their heritage. However in Brazil, people are classified into a series of “tipos" based on their physical appearance. In the article “Mixed Blood”, Jeffrey Fish supports the claim that race is nothing more, but a social construct by demonstrating the cultural basis of race by comparing how races are defined in the United States and Brazil.
prison. I struggled no more, but the agony of my soul found vent in one loud,