Henry James called his short story, “The Turn of the Screw,” a “fairytale”. He also said that the story wasn’t supposed to mean nothing more than a little ghost story. It doesn’t matter what he originally intended, James’ “The Turn of the Screw” is a main topic of debates when it comes to literacy. They all have that one question: Are the ghosts real or is it just the governess’ imagination of twisted apparitions and illusions. There are critics who have come up with their own arguments with a lot of textual evidence from James’ story and I think both sides made a good point.
In my opinion, the ghosts the governess sees are only apparitions in her twisted, distraught, mind. The ghosts posed no threat on Miles and Flora, only on the governess because she was so obsessed with them. The governess is an infatuated, blameless, and selfish character. She tries to show self-value to her boss by potentially “saving” the kids’ well-being from the oh so evil Quint and Jessel. Because the governess was entirely too obsessed with keeping the ghosts from harming the children, she caused Flora to have a drastic mental breakdown and caused Miles to eventually die.
The story is overall told through the governess’ eyes and so she basically takes us through the story. Her over character base is far from sympathetic. I would describe her as arrogant, very dramatic, hopeless, snobby, and imprisoned by her erotic fixation with an employer. When the governess makes it to Bly, she immediately
The governess has a deep obsession for the little boy Miles. He is charming, handsome, and so many other things she desires in a man and an obvious sexual tension is present between the two throughout the entire novel. The governess says, " everything but a sort of passion of tenderness for him was swept away by his presence. What I then and there took him to my heart for was something divine
Henry James's Turn of the Screw was written in a time when open sexuality was looked down upon. On the surface, the story is simply about a governess taking care of two children who are haunted by two ghosts. However, the subtext of the story is about the governess focusing on the children's innocence, and the governess trying to find her own sexual identity. Priscilla L. Walton wrote a gender criticism themed essay about the Turn of the Screw, which retells certain parts of the story and touches on the significance they provide for the sexually explicit theme. Walton's essay is accurate because James purposely put an undertone of sexuality and identity confusion in the Turn of the Screw.
One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a
Miles and the Governess also resemble extremely ambiguous behavior. The scene of the governess’s questioning due to Mile’s appearance outside in the middle of the night seems elliptical. His kiss that the
The Turn of the Screw is one of the most controversial works in literature and the text has provoked a variety of critical interpretations from its publication in 1898. In this novel, the governess tells her experience with two apparitions that no one but she could see. And the governess accuses the ghosts of servants for corrupting the children, Miles and Flora. Critics concerning about the truth of the story are divided two basic camps based on their acceptance or rejection of the governess's credibility as a storyteller. Some critics believe that the ghosts are real and the governess is a rational and credible narrator, while the others believe that the ghosts are hallucinations of the governess and regard the governess as an incredible and mentally abnormal narrator. Also, we could speculate the author’s intention on the basis of his life experience and other works of Henry James. This essay will examine the reliability of the governess on the basis of the text and interpret Henry James’s intention on the basis of other sources.
The children In Nathaniel Hawthorne’s The Scarlet Letter play a major role in the Puritan society. With their honest opinions of Hester and Pearl, the children are presented as more perceptive and more honest than adults. Due to their innocence, children are capable of expressing themselves without constraints; there are no laws or regulations that they are bounded by. As an adolescent go through the stages of life and grow older, they begin to be more conscious of the how they act as they are more aware of society and the things that are occurring in the world, creating a filter for their actions. When they remain as the children, on the other hand, are adventurous; they are still exploring the universe that seems to fill with mysteries that are bound to be solved. They tend to attach to the truth and they are not afraid to speak it freely. Children differ from adults in their potential for expressing these perceptions. With their obliviousness to the things that are actually going on around the town, children therefore react differently compared to the adults, who are more knowledgeable. Perceived to be immature, young children are presented as more perceptive and more honest than adults due to their innocence, how they are unaware of the reality and the crimes that are presented in society by the adults enables them to be blithe and not afraid of saying what they feel like. Due to their naivety, when they express what they perceive to be true, they do not get punished,
At the time the book was written it was the late 19th century, Victorian era; and at the time Victorians were fascinated by ghosts - a perfect reason to write a psychological ghost story.
name is in the village and how hard it is to give some respect to a
The Governess is somewhat shocked when she hears that “her” angelic Miles was bad in the past, according to Mrs. Grose. Mrs. Grose explains that in the past Miles was “bad” and had lied often to cover up his relationship with Peter Quint (192). When she first noticed that “Quint and the boy had been perpetually together” she went straight to Miss Jessel (193). However, instead of Miss Jessel being professional and putting a stop to their relationship she tells Mrs. Grose to “mind her business” (193). Mrs. Grose also mentioned earlier that "It was Quint's own fancy. To play with him, I mean—to spoil him." She paused a moment; then she added: Quint was much too free…too free with everyone!” which exemplifies Quint and Miles’ relationship but also suggests that something inappropriate must be occurring (182). These are some of the quotes that make it so difficult to understand their peculiar relationship. The reader is left wondering what exactly the relationship between Peter Quint and Miles was; and what would Miss Jessel’s reason be for being rude to Mrs. Grose for Miles. If Miles and Peter Quint were simply friends, then Miss Jessel should have had no reason to hide it from Mrs. Grose. The Governess responds with “You reminded him that Quint was only a base menial?” which is odd because instead of her being stunned that there is a chance that Miles might be involved with an older man, she cares more about their
Douglas clearly cares about the governess, and maintains personal connection to the story even though it’s been sitting in a drawer for twenty years. Douglas feels attached to the story because he lived the story so many years ago.(as Miles) “Nobody but me, till now, has ever heard. It's quite too horrible.”(p. 292) This shows that the manuscript isn’t just a good ghost story for him to tell people because he’s never shared it before. He also finds that Douglas’s audience is more perceptive than he appears ready. They make inferences about he and his love, and Douglas reveals bits and pieces about her. “I liked her extremely and am glad to this day to think she liked me, too. If she hadn't she wouldn't have told me.(p. 293) In the story, she mentions several times that Miles was the most beautiful boy that she had ever laid eyes on, and over infatuation with the boy like that would easily lead Miles to believe he was the object of her utmost affection. To add to the fact that the woman he was in love with was the governess was when one of the guests mentions that
Every time the governess is conflicted, her mind turns and is unstable. Even before Miles arrives at Bly, the governess questions his demeanor and is paranoid about his reason for dismissal from school. She assumes that he has done something evil and "that he 's an injury to others." (page 10). Mrs. Grose tries to persuade her that he wouldn 't be that way. However, she is yet unsure of Miles ' character and further discusses him with Mrs. Grose. The governess is still concerned about Miles ' wrongful ways, but when questioned if she 's afraid of him, she "gave way for the time to the apprehension of ridicule." (page 12). It is her paranoia that opens the door for negative thoughts and images to enter her mind.
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
No sleep could pass the governess's eyes without continually casting thought to the mere beauty of the child she had met only days earlier. The meeting with the young master Miles only stringed the governess's infatuation with the physical features of the young children. After receiving by letter that Miles was expelled from school, the governess herself found malcontent for the boy, but her first glance at the boy on meeting him cast away all previous distaste.
In Henry James’s The Turn of the Screw the governess believes that the ghosts of Peter Quint and Miss Jessel, the past governess, haunt Flora and Miles. The governess believes that they contribute to the poor behavior of Miles and Flora. The ghosts appear to be real to her when in all reality she is only imaging them. Whenever she sees Miss Jessel or Peter Quint, Miles, Flora, and Miss Grose do not seem to see them. The governess may be seen as a heroine in this story, but her insanity appears in many examples throughout The Turn of the Screw.
Henry James was one of the famous writers during the nineteenth and early twentieth centuries. He was known as an innovative and independent novelist. One of James' novels, The Turn of the Screw (1898), has caused a lot of controversy among many critics, and each of them has had a particular interpretation. James' creative writing built a close connection between his novel and his readers. The reactions of the readers toward The Turn of the Screw can be researched psychologically by analyzing how James developed his story using questionable incidents, an unreliable narrator, unexpected changes, an interesting prologue, and effective images and words.