The Tragedy Of Othello By William Shakespeare

Love is complicated due to the fact that there is a difference of opinion and perception and it is complicated because people see stuff in different ways and interpret things differently as well. In the 3 texts dissatisfaction or complication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings.

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

Othello’s trust for Iago enables Iago to completely discredit Othello as the good guy of the play when Iago manipulates him into thinking Desdemona was unfaithful to him with Cassio. Even though Othello must know in his heart that Desdemona would not betray him, he is so caught up by Iago's efforts and has fallen for his manipulative lies, that all rational thoughts abandons Othello and he ultimately ends up murdering his wife since to Othello betrayal was immoral. At the end of play, even Othello can hardly believe what he has done because he thinks of himself as, "One not easily jealous, but, being wrought, perplexed in the extreme..." meaning that he has acted out of character and only in the interests of honor. Iago’s betrayal to those such as Othello and Desdemona, ultimately successfully destroyed everyone, himself included.

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

Love and jealousy are powerful emotions that can induce behavior that would otherwise not normally be warranted. In Othello, The Moor Of Venice, jealousy is a very important component of the play. Iago uses jealousy to control the Moor, Othello, into committing various acts against his wife, Desdomona, and one of his soldiers, Cassio. It can be deduced that the sheer power of jealousy is the most important theme in Othello because the play shows how a strong General, such as Othello, is subject to this malicious emotion and its trickery, how the strong emotion of love can be transformed into the omnipotent emotion of jealousy, and how jealousy can shroud the truth.

To begin, one factor that causes Othello’s downfall is that he is characterized by gullibility. Firstly, Othello is tricked by Iago, who leads him to believe that Desdemona is having an affair with Cassio. After Iago tells Othello about Cassio’s dream, Othello says, “Oh, monstrous! Monstrous!" (Shakespeare. 3. 3. 427). Othello trusts and relies on Iago too much; he believes Desdemona is truly having an affair with Cassio. His gullibility makes him become very vulnerable in Iago’s revenge scheme and gradually becomes increasingly jealous. When jealousy takes over Othello, his mind and judgment are disturbed. Furthermore, when Emilia tells Othello about the death of Desdemona, Othello admits to murdering his honest wife Desdemona but says that he killed her because she is untrue to him. After Emilia tells Othello that his thought is untrue, Othello replies: “Ay, ’twas he that told me first./ An honest man he is, and hates the slime/ That

Desdemona, son of a Venetian senator, grew up as any privileged young girl would in the seventeenth century: obedient and submissive. Her mother and father, both loyal to each other, were her only exemplars of marriage and love. Thus, when she is swept off her feet by the valiant Moor of Venice, Othello, she naively dreams of an immaculate matrimony in which quarrels, dominance, and violence are absent. In Shakespeare’s Othello, Desdemona’s imprisonment by her domestic life gives rise to damaging innocence, causing her to be blind to guilt and desire a perfectly requited yet unrealistic love; she submissively forgives Othello’s every insult until her dying breath as a result.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

In William Shakespeare’s Othello, the newlywed couple was truly and madly in love at the time they’re married the couple were unable to consummate the marriage. Perhaps it is because there were a few moments for the pair to be alone together. However when a chance did arrive for the couple to finally have a “honeymoon”, some unfortunate event would happen and the immediate moment was lost. It is for this reason of this unconsummated marriage that Desdemona’s virginity is a key factor in the fall of their marriage. M. D. Faber states that “Then too, there is nonstrousness in the fact that Desdemona is placed in the posture of the sinful mortal when she is in reality not only innocent but the one character in the play who is from an