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The Things They Carried by Tim O’brien

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The Things They Carried by Tim O’Brien

Plot:
1. RISING ACTION • In the summer of 1968, Tim O’Brien receives a draft notice. Despite a desire to follow his convictions and flee to Canada, he feels he would be embarrassed to refuse to fulfill his patriotic duty and so concedes to fight in Vietnam.
CLIMAX • During their tour of duty, the men of the Alpha Company must cope with the loss of their own men and the guilt that comes from killing and watching others die.
FALLING ACTION • After he returns from war, O’Brien grapples with his memories by telling stories about Vietnam.
2. MAJOR CONFLICT • The men of the Alpha Company, especially Tim O’Brien, grapple with the effects—both immediate and long-term—of the Vietnam War.

Characters …show more content…

O’Brien gains a new perspective on his experiences in Vietnam when he thinks about how he should relay the story of the man he killed to his impressionable young daughter.
Kathleen also stands for the gap in communication between one who tells a story and one who receives a story. When O’Brien takes her to Vietnam to have her better understand what he went through during the war, the only things that resonate to the ten-year-old are the stink of the muck and the strangeness of the land. She has no sense of the field’s emotional significance to O’Brien, and thus does not understand his behavior there, as when he goes for a swim.
Linda
Linda represents elements of the past that can be brought back through imagination and storytelling. Linda, a classmate of O’Brien’s who died of a brain tumor in the fifth grade, symbolizes O’Brien’s faith that storytelling is the best way for him to negotiate pain and confusion, especially the sadness that surrounds death. Linda was O’Brien’s first love and also his first experience with death’s senseless arbitrariness. His retreat into his daydreams after her funeral provided him unexpected relief and rationalization. In his dreams, he could see Linda still alive, which suggests that through imagination—which, for O’Brien, later evolves into storytelling—the dead can continue to live.
Linda’s presence in the story makes O’Brien’s earlier stories about Vietnam more universal. The

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