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The Theory Of Symbolic Interactionism

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Introduction
The last theoretical perspective I have applied to my movie selection, Dead Man Walking, is the symbolic interaction theory. The theory was primarily established by American philosopher George Herbert Mead in the 1920’s and the term was later coined by American sociologist Herbert Blumer in the 1960’s (McClelland, 2000). Symbolic interactionism examines society on a small scale and focuses on interactions between individuals and how these relations impact social order (Brown, 2013). To comprehend human behavior, we must understand what the idea or situation means to the participant (Dubose, 2015). The same situation can have different meanings to different people and therefore affect people in different ways (Dubose, 2015). Throughout this analysis, I will apply the theory of symbolic interactionism to explain Poncelot’s behaviors and interactions with other people in his life.
Background Information
Poncelot was an inmate on Death Row in a Louisiana Prison in the 1990’s. He was incarcerated for six years while awaiting his execution by lethal injection. He was convicted of killing two teenagers as well as brutally raping the female victim. At the beginning of the movie, Poncelot denied the allegations against him and blamed both crimes on his partner. Throughout the movie, he portrayed himself as an arrogant, racist, sexist, and condescending man. He was shunned by nearly all of the people he came in contact with and enjoyed the negative reaction his behavior

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