The, The Birds, And Vertigo Essay

“Owls” by Mary Oliver is a complex and imaginative view of nature and an analysis of its beauty and, at the same time, frightening aspects through the lens of Oliver. Throughout her story, Oliver explores the paradoxical anomalies of nature: the beauty contrasted with the fear as well as the complexity contrasted with simplicity. Using sensory language, parallel structure, and alliteration, Oliver establishes her awe-struck yet cautious view of nature as a paradoxical masterpiece.

Writing, as described by E.L. Doctorow, is an exploration. In her novel, Bird by Bird, Anne Lamott explores the writing process, providing her insight on stylistic, theoretical, and instructional points. These points are essential in the composure of a book and are prevalent in many literary works such as Tim O’Brien’s The Things they Carried. In his book, O’Brien relives his time on the frontlines of the Vietnam War, telling fictional stories of life before, during, and post war. The novels are tied together with O’Brien’s use of character development, dialogue, and design setting strategies as discussed in Bird by Bird.

Recently while watching two old film classics, Vertigo and Notorious, I found myself thinking of other movies directed by Alfred Hitchcock. Most of his movies have many things in common, while remaining completely independent of each other. These two films have different plots, actors, and most obvious one is filmed in color the other black and white. Which leads me to believe that Alfred Hitchcock really knew what he was about; as a result his films all a have a distinctive theme about them. Both films keep you in a state of anticipation as the stories unfold and reveal the twist and turns that Alfred Hitchcock was famous for. Notorious was written in 1946 a year after World War II came to an end and the

Once his heart is lifted, he sees the true beauty of nature and it’s true meaning.

Alfred Hitchcock also used cinematography in a uniquely stylizing way. Hitchcock not only uses the camera to create dramatic irony, but he also uses the camera to lie to the audience and create anxious suspense. For example, in his film Psycho, when Marion is in the shower Hitchcock frames the scenes very tightly. Marion is in a confined and very personal space. This makes her incredibly vulnerable. Then Hitchcock heightens the suspense by creating dramatic irony with the reveal of a shadowy figure closing in on Marion, unbeknownst to her. This creates a lot of anxiety for the audience, knowing the protagonist is vulnerable and in danger with no way of altering the inevitable. Hitchcock then manipulates the audience by “revealing” a brief silhouette of an old lady as our shower killer. Hitchcock uses this “reveal” to lie to the audience, he makes the audience think they have more inside knowledge confirming their already growing suspicions, when in reality the audience is misled entirely and the murderer was Norman all along. The way Hitchcock uses the camera to reveal both inside information and misleading information truly keeps the viewer engaged and not knowing what to believe until the truth is finally revealed. By using this unique technique of controlling the audience by only showing what he wants you to see, Hitchcock masterfully defies expectations and creates suspense.

What makes Hitchcock an Auteur is that he uses styles in his films in which in that if it was found in another movie the watchers would in a split second realize that he made it since he generally adheres to his one of a kind styles.

Several film theorists have used a variety of tactics and view points to analyze feature films since their inception. One of the most prominent theorists of those that analyze films from a feminist perspective is Laura Mulvey. Mulvey is famous for her essay “Visual Pleasure and Narrative Cinema,” which presents an array of theories involving the treatment of women in films. Arguably the most notable idea presented in Mulvey’s work is the existence of the “male gaze” in films. This essay will examine Mulvey’s theory of the male gaze in relation to Alfred Hitchcock’s film, Vertigo. Vertigo does not fit the criteria of a film that

The effect of the dashes in “by long-continued succession of notes and phrases, by swoops, bleats, echoes, rapidly repeated bebops-I mean rebopped bebops-...” represent the short pauses that someone would hear in Birds musc.

Margaret Laurence's A Bird in the House differentiates itself from the four other novels that make up the 'Manawaka series' that has helped establish her as an icon of Canadian literature. It does not present a single story; instead, it is a compilation of eight well-crafted short stories (written between the years 1962 and 1970) that intertwine and combine into a single narrative, working as a whole without losing the essential independence of the parts.

drives from the city to her lover and, on the way, stops at the Bates

Noted for its supernatural atmosphere and musically rhythmic tone, “The Raven” by Edgar Allan Poe was first published in 1845. Once published, “The Raven” made Edgar Allan Poe widely popular, although he did not flourish financially. Poe received a large amount of attention from critics, who not only interpreted, but critiqued his work. He claimed to have structured the poem logically and systematically, so that the poem would appeal to not only critical tastes, but popular as well.

Alfred Hitchcock is arguably the greatest director of all time. Many of his films are considered standards of American cinema and inspired many of today’s directors. Even though Hitchcock is known as timeless director, he had an understanding of philosophy that was beyond his time. Hitchcock had a brilliant perception as to how the mind works and human reaction. Hitchcock’s understanding of philosophy can be seen in his film Vertigo and illustrates how many theories can be debilitating in everyday life.

this rationalization is the basis of Stephen’s internal epiphany; she is, toStephen, “an envoy from the fair courts of life”. This wholesome bird-like girl with “long

The short story "The Birds" was written by Daphne du Maurrier and was filmed and directed by Alfred Hitchcock. It has a very interesting and suspenseful plot. The short story was well written and the film was well played, both are very similar. Although, they have a few differences the film and short story have the same mood and theme. Would the differences in the film and the short story affect the suspenseful and frightening plot?Alfred Hitchcock did an outstanding job filming the movie matching it with the short story. In both the short story and film flocks and flocks of gulls, robins, and sparrows join each other.

“The Raven” is a magnificent piece by a very well known poet from the 19th century, Edgar Allan Poe. Poe was well known for his dark and haunting poetry. Along with writing poetry, Poe was also recognized for his Gothic-style short stories. “The Raven” is one of Poe’s greatest accomplishments and was even turned into recitals and numerous television appearances. “The Raven” tells a story about an unnamed narrator whose beloved Lenore has left him. A raven comes at different points throughout the poem and tells the narrator that he and his lover are “Nevermore.” Poe presents the downfall of the narrator’s mind through the raven and many chilling events. By thorough review and studying of Edgar Allan Poe’s work, one can fully understand the