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The Statue Of Liberty: Metropolitan Museum Of Art

Decent Essays

The Statue of Liberty combines architectural revivals in its pedestal, which was designed by “[t]he Paris-educated American architect” Richard Morris Hunt was named with neoclassical features (Bell and Abrams, 47). The pedestal “fully complemented – without rivaling – the majesty of the statue itself” (Bell and Abrams 47) although it is almost as high as the statue itself. The Statue has a height of X feet [confers X m] and the pedestal is eighty-nine feet [confers X m] (Baker 319) high. Besides it is “another truncated pyramid of concrete, faced by granite” (317), which in no way affects the statue’s guise moreover it harmonizes with it.
“Like the founding of the Metropolitan Museum of Art, the original impulse for the Statue of Liberty came …show more content…

This time period applies to the erection of the monument. Its design offers neoclassical features whose “elaborations found on Early Classical Revival and Greek Revival houses also occur in Neoclassical examples” (McAlester 344). Neoclassicism therefore is a mixture of both styles that have European architectural origin. The Statue of Liberty is designed with Néo-Grec characteristics, as the panels, Dorian pilasters, shields, and other decorations. The pedestal is decorated with the help of its staggered brick stonework and round stone plate details, which emphasize the transition from the second to the third …show more content…

On a modern construction historical design is attached. The Statue itself was built by the famous architect, Gustave Eiffel, of the Eifel Tower in Paris, which likewise shows the European influence on New York’s architecture; not only one, but also some important European architects participate in shaping the American continent.
The entrance to the pedestal’s inside and stairs to visit the statue is small but protruded, which clarifies and emphasizes the monument’s height. It is incorporated in an executed pedestal consisting of gigantic stonework

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