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The, Songs Of The Foxes, And Clear Autumn By Goldberg Slyly

Better Essays

Gestalt Goldberg

The sum of the parts does not always equal the whole, especially in poetry. In the anthology On the Blossoming, Lea Goldberg explores the concept of desire. On the surface, this idea seems well analyzed and discussed. However, by carefully tracking words, symbols, and images across the poems “Dialogue”, “Songs of the Foxes”, and “Clear Autumn,” Goldberg slyly elucidates the ephemeral nature of desire, the dichotomy between actions and emotions, and all the while exposes an over-arching narrative. Word choice plays a crucial role in understanding the poem “Dialogue.” The words “love”, “body”, “bore”, “shape”, and “lips” are all used in this short poem. Immediately, this keens the reader into a commentary about love between the two speakers, He and She. The conflict in the poem arises from He being bound to love full of “abundance and splendor” and She being inhibited, by an immense barrier, to love. She even exclaims how without love, She’s blind, and that if “this [love] were to occur” She’d be resurrected. Furthermore, She mentions how “currently nothing remains to survive,” that her present is banal. The poem thus takes on the form of a warning call about how a romance can only truly come to fruition through requited love. This reciprocation enables a healthy open mind, as opposed to a singular lens of a He or She. The idea of a requited romance and selection of lustful words are not unique to “Dialogue”, similar motifs and techniques occur throughout

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