Stanley Kubrick, already a renowned filmmaker, permanently left a mark on the face of the horror genre with the release of one of his most iconic films, The Shining. Though many themes, motifs, and theories have circulated since the films release, as a whole Kubrick’s film serves primarily as a commentary on how desperate isolation can heighten an individual's descent into insanity; whether that insanity is the product of supernatural forces or one’s own psychosis, is heavily debated. Many cinematic elements are employed to achieve the tones of isolation and insanity experienced throughout the film, including acting, cinematography, and directorial choices, but the power of editing in The Shining cannot be overstated. In the following paragraphs, three scenes will be discussed which highlight the editing techniques used by Kubrick and film editor Ray Lovejoy to create a foreboding sense of isolation and insanity.
First and foremost, though the principal characters of Jack, Wendy, and Danny Torrance, are pivotal to the film, one cannot help but feel that the films setting at the Overlook Hotel, in many ways, is a character in an of itself. Throughout every shot in the film, the hotel casts and ominous and disturbing supernatural presence, constantly serving as the driving force behind all actions in the narrative. It is as if the true villain of the film is the hotel itself and that the only hope for the characters is to escape far beyond its grasp. In addition to the
King begins this article with the attention grabbing statement, “I think that we’re all mentally ill: those of us outside the asylums only hide it a little better—and maybe not all that much better, after all.” (King, 2013, p 641) Even if his readers immediately disagree, he has accomplished capturing their attention. Next he describes a few crazy behaviors that are common to most people: talking to oneself; making faces when no one is looking; and giving in to irrational fears of snakes, the dark, tight places, and things lurking where we cannot see them. Most people can relate to these behaviors and can reason this is true. He then moves on to explain how we face these fears and give our emotions a break by watching a horror movie. He likens this to a roller coaster that is a mixture of fun and delicious terror as it takes its participants by surprise with a 360-degree loop or, “plows through a lake at the bottom of the drop.” (King, 2013, p 641) The next example pulls on the emotion inside his readers to measure up to the perfect standard of beauty. He says horror films tend to make people feel more normal because the comparison is so grotesque that the readers know, “we are still light-years away from true ugliness.” (King, 2013, p
Unexplainable singularities are inevitable. Society does not have the solution to every dilemma or anomaly that transpires. Undeniably, two fields of study that still has unidentified surfaces are the human psyche and supernatural activity. Scientists and researchers, regarding the psychology of the mind and supernatural happenstance, uncover new data and statistics every day. A psychological disorder can develop at any junction in a person’s life and encompass peculiar behavior in the way a person feels, thinks, and acts. In the novella, “The Queen of Spades” by Alexander Pushkin there are several key elements that provide the reader with enough data to formulate that the main character’s mental stability triggers the manifestation of the late Countess. Conversely, Stanley Kubrick’s movie adaptation of Stephen King’s novel, “The Shining,” demonstrates strong indications of the supernatural.
What I Learned Since I Stopped Worrying and Studied the Movie: A Teaching Guide to Stanley Kubrick 's Dr. Strangelove
Stephen King wrote the short story “Why We Crave Horror Films” explaining why our mind gets so excited during horror movies. He continues to make the statement “the horror film has become the modern public lynching” (paragraph 6) showing that no matter what generation a person is in the excitement of gore will always exist. King proves this statement discussing emotions and psychiatric points in his work.
Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.
Stephen King’s The Shining has maintained its cult status since its release in 1977. The Shining begins with Jack Torrance receiving a position as the winter caretaker for The Overlook Hotel, an isolated hotel in the Colorado Rockies. Jack hopes the stay will be therapeutic and allow him to focus on writing, family, and less on alcohol. As time progresses, unsettling events begin to transpire for Jack, his son Danny, and his wife Wendy. The intensity of the gothic novel came to life by the legendary Stanley Kubrick in 1980. The book was admired by fans, but Kubrick’s reimagining made it the iconic classic that it is today. Stephen King was not as fond of the movie. Although some of Kubrick’s take on The Shining complements the book, King
In the end of the novel, Jack’s frail mind caused from his extreme thirst for alcohol and his abusive childhood from his father end up being his inevitable downfall. Jack’s mind becomes completely filled with hatred for his family and the yearning for them to suffer, he becomes blinded with rage. The reader’s begin to root for Wendy and Danny as they escape Jack’s grasp; leaving behind the exploding remains of the Outlook Hotel and a once beloved member of their family.
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but
Throughout cinema, there has always been space in our hearts for the gore and intrigue that come from horror films. Though they come with different plots, there remains “the monster”, the character that brings along disgust, horror, suspense, and even sympathy. In Alfred Hitchcock’s Psycho (1960), our monster is Norman Bates, the boy next door. This was one of the first times in American cinema that the killer was brought home, paving the way for the future of horror movies. According to Robin Wood in “An Introduction to the America Horror Film” (183-208), Bates follows the formula of the Monster being a human psychotic. This is conveyed through his normal façade portrayed with his introduction, the audience’s ambivalence, the use of
Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.
As the population continues to grow the challenge of sustainably feeding the population increases. Countries like India, china, and Africa are some of the most agriculture abundant locations in the world yet they are the ones suffering the most from hunger. Currently 1 in 7 Americans struggle to eat enough food everyday. Poverty in Africa however is very different from America in regard to hunger. In America 40 percent of Americans from age 25-60 will experience at least a year below the poverty line. This quite the contrary to Africa where most people spend their whole life under the poverty line. The major difference is resources, many Americans can overcome poverty and find a steady job to support themselves. In Africa there are limited jobs, most people have to cultivate their own food and supply their own drinking water. It is an endless cycle of hunger with no real way out unless outside help is given.
These days scary movies have many things in common, including events, settings, and characters. Of course, there are just as many differences used to keep the audience interested. Two horror movies “Let the right one in” and “twilight” are taken for comparison and tried to prove that “Let the right one in” has more depth and meaning of human spirit, invokes feelings and thoughts that stay with you, long after the movie is over. These two movies have many similarities, but they also have characteristics to make them unique. Both movies are based on superficial acts, but “Let the right one in” has much better effects as compared to Twilight. “Let the right one in” is life changing in composition to “Twilight” because it shows remarkable acting
As reported by Shaul Magid, the most significant element of Judaism is that there is only one God, who wishes for the people to do what is right and just. The Jews believe that God made a covenant with Abraham, whom is considered the founder of the religion, in which God promised to praise Abraham and his followers, but only if they were to be committed and loyal to Him. This covenant makes Jews responsible for their wrongdoings and actions (par. 3-6). According to Paul Mendes-Flohr, Jews view themselves as chosen people held together by the covenant with God (423). Shaul Magid also reports that people of the Jewish faith also believe that God has yet to send a Messiah to save and rejoin the Jews with God. The Ten Commandments, which the Jews believe were given to Moses by God, outline how the Jews should go about living their lives (par. 3-6). As stated by Jason Levine, the Ten Commandments are:
The Faults of Forces Within each and every human being on earth, there are internal forces that drive them to make important choices, affect how they act, and sometimes cause asinine mistakes. There are also external forces that affect one’s actions and decisions such as societal standards and the people that set those standards. Pride and Prejudice is a television series based on the novel by Jane Austen. The main character, Elizabeth Bennet, is the second of five daughters.
Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).