However, it is not only the women in the narrative that besmirch the mother figure. Dracula himself defiles the image of motherhood when he not only "births" the texts vampires, but he also gives blood to Mina in one of the more gruesome scenes of the novel:
Kneeling on the near edge of the bed facing outwards was the white-clad figure of [Mina]. By her side stood a tall, thin man, clad in black. His face was turned from us, but the instant we saw we all recognized the Count […]. With his left hand he held both Mrs. Harker's hands, keeping them away with her arms at full tension; his right hand gripped her by the back of the neck, forcing her face down on his bosom. Her white nightdress was smeared with blood, and a thin stream trickled down the man's bare breast which was shown by his torn-open dress. The attitude of the two had the resemblance to a child forcing a kitten's nose into a saucer of milk to compel it to
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At the beginning of the novel, he holds all the cards. He knows the riddle's answer while all the other characters can only guess and imagine what his objective might be. They are able to defeat him only after having solved the riddle of what Dracula is. Van Helsing summarises all that he has learned about vampires (Stoker 208-213) and after his speech he proposes: "And now we must settle what we do. We have here much data, and we must proceed to lay out our campaign" (Stoker 213). They have solved the riddle of the vampire and so the hunter becomes the hunted. It is also true that like the sphinx Dracula is not actually killed by our male heroes. The way they kill him in the end with a bowie knife and the way the count "crumble[s] into dust and passe[s] from [their] sight" (Stoker 325) is not how one is supposed to kill vampires as illustrated before with Lucy (Stoker 146/147). Like the Sphinx, Dracula might have "destroyed" himself rather than being killed by the male
The political cartoon I chose was drawn by Henry Payne. The political cartoon depicts President Obama playing golf. I chose this cartoon for many different reasons and I feel this relates to how I feel about the current politics. I will show how this cartoon applies to the current situation the government is facing.
Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.
In Dracula, Stoker portrays the typical women: The new woman, the femme fatale and the damsel in distress, all common concepts in gothic literature. There are three predominant female roles within Dracula: Mina Murray, Lucy Westenra and the three vampire brides, all of which possess different attributes and play different roles within the novel. It is apparent that the feminine portrayal within this novel, especially the sexual nature, is an un-doubtable strong, reoccurring theme.
Dracula uses his supernatural powers to feed his fascination with youth and innocence. In the beginning of the novel, when Dracula is first encountered, he is described as old, although “His face was strong… [his] lips, whose ruddiness showed astonishing vitality in a man of his years… The general effect was one of extraordinary pallor.” (27). This description of the Count shows that while he is old, he still possess some attributes and features of the young. Once Dracula finds that the men have made a bond against him, he makes a bond to take all of their women. He succeeds in transforming Lucy and scaring her mother to death, although Mina is stronger and the men save her by killing Dracula. Also, the three women vampires in his home are past conquests of beautiful, young women. Dracula only sucks the blood of young women in the novel reflecting his hunger for youth and innocence. As the
Dracula is a novel written by Bram Stoker during the late 1800’s. The book starts out with Jonathan Harker, who is a smart young business man, who wants to travel to Count Dracula for a business ordeal. Many locals from the European area warned Jonathan about Count Dracula, and would offer him crosses and other trinkets to help fend against him. Mina, who is at the time Jonathans soon to be wife, visits to catch up with an old friend named Lucy Westenra. Lucy gives Mina an update on her love life telling her how she’s been proposed to by three different men. The men are introduced as Dr. Seward, Arthur Holmwood, and Quincey Morris. Unfortunately for her she will need to reject two of the men, and Lucy ends up choosing to marry Holmwood. Later on after Mina visits Lucy, Lucy starts to sleep walk, becomes sick, and then finds out she has bite marks on her throat. Due to this incident, another new character is introduced who happens to be Van Helsing. As the novel progresses, lady vampires are introduced and Lucy is eventually turned into one of the lady vampires as well. With the introduction of female vampires, the novel Dracula turns into a sexual and sensational novel by Bram Stoker. The female characters in the book are overly sexualized to where we can compare it to how women are viewed from back then in history to today’s world.
In the late 19th century, when Dracula by Bram Stoker is written, women were only perceived as conservative housewives, only tending to their family’s needs and being solely dependent of their husbands to provide for them. This novel portrays that completely in accordance to Mina Harker, but Lucy Westenra is the complete opposite. Lucy parades around in just her demeanor as a promiscuous and sexual person. While Mina only cares about learning new things in order to assist her soon-to-be husband Jonathan Harker. Lucy and Mina both become victims of vampirism in the novel. Mina is fortunate but Lucy is not. Overall, the assumption of women as the weaker specimen is greatly immense in the late 19th century. There are also many underlying
Wicca, Shamanism, Ásatrú, Neo-Druidsm, Celtic, Native American, you know about all of them, or if not a few, but there is a path that combines them all.
In everyday life, as in literature, there will always be an opposing force to evil. In the novel “Dracula,” by Bram Stoker, Professor Van Helsing acts as Dracula’s main antagonist. An antagonist is the character who acts against the main character, which increases the conflict of the story and intensifies the plot. Through the use of theme, characterization and specific events, the author shows readers how Dr. Van Helsing effectively fits the role of Dracula’s most threatening adversary.
After Lucy’s death, Van Helsing tried to convinced Quincey Morris, Seward and Arthur Holmwood that Lucy has turned into “Un-dead” by bringing them to her tomb. They eventually find a solution by plunging a stake into Lucy’s heart. They chop off her head and stuff her mouth with garlic. After Jonathan and Mina’s returning to England, they joined forces with the others. Mina helps Van Helsing by collecting various journals and dairies to retype them. Their efforts were useless went one of Seward’s patient has let Dracula into the asylum to prey upon Mina. These men divided forces among them tracks Dracula across land and sea. Van Helsing takes Mina with him and he killed three female vampires by using sacred objects. Quincey and Jonathan use knives to destroy Dracula went Dracula is about to reached his castle. In 1992, Francis Ford Coppola has released a Dracula movie based on Bram Stoker’s novel. I would prefer watching a Dracula movie rather than reading a book because Coppola evokes the origins of Dracula before he turn into a vampire, twisted the subplot where Mina is the reincarnation of Dracula’s greatest love and the movie ends with Dracula’s soul
The theme in Dracula is that classic Gothic theme of the epic battle of good versus evil. In this novel this is expressed in a very direct way, there is never any question as to who is right and who is wrong. As it can be clearly seen the protagonists on the side of good have many endearing qualities while the antagonists on the side of evil have a pact with Lucifer and are of the purest evil. The main antagonist in this story, Dracula, has
One of the main depictions of women in the novel is that are either both sexually promiscuous and overtly sexual, or they are pure and chaste. In Victorian society, you were either a virgin or a married woman, if women were neither then they were not of much moral worth to society. Much like this Victorian ideal, the overtly promiscuous and sexual females of Dracula are depicted as evil and monstrous, while the pure and chaste women are displayed as strong and heroic.
In the novel's world, Dracula has many mystical powers, some which has been shown only on several occasions and some which he uses for his daily life. Dracula also has a very unique personality, which could tempt women and make them vulnerable. This means, Dracula could dominate every human being individually, not as a group. His powers and personality has something in common. Count Dracula uses his powers and unique abilities as a tool to ridicule religions and God's decisions and as a great threat to the mainstream society.
There is a power struggle in Dracula over what gender is dominating the events and the characters in the novel. These first two critics believe that the women of the novel primarily control the plot and even take the role a man usually plays. Eric Kwan-Wai Yu says that women in the novel, such as Mina Harker are not given as much credit as they should be in regard to their influence on the plot and male characters in the novel. Mina makes significant contributions, if not more significant than the males in the novel, in the destruction of Dracula. In his criticism, "Productive Fear: Labor,
Therefore, it becomes quite obvious that Dracula’s wives are never really considered as “beings” but rather objects; the objectification of women was one of the main criticisms that arose from a feminist analysis of many popular texts like Dracula.
“Let the one among you who is without sin be the first to cast a stone.” (Jesus Christ) The Scarlet Letter by Nathaniel Hawthorne is a novel that tells that story of Hester Prynne, a woman charged with the sin of adultery in a small Puritan community during the 1600s. Over the course of the book, Hester who has repented for her sins is constantly kept in isolation from the rest of the community, whereas her partner in sin who is guilty of the same crime and has not publicly repented is held in the highest regards in the community. Hawthorne juxtaposes Hester and Dimmesdale’s sins and willingness to repent to exaggerate the unjust hypocrisy and judgment of the Puritans in the novel.