Destruction Today’s society is so fixated on discovering ways to scientifically improve and create life. Researchers have dedicated their entire life to finding ways to do these unthinkable tasks. Much like the scientists and researchers, Victor Frankenstein, from Mary Shelley’s Frankenstein, has dedicated his entire life and freedom to create life by his own hands. Scientific progresses, such as the creation of life and today’s genetic developments, for knowledge should not be performed due to the fact they have destroyed and will destroy people’s lives in the future. In the novel, Victor starts creating his monster, but it is not until he looks into his creature’s eyes that he realizes it was a mistake, and becomes fearful. He exemplifies …show more content…
Victor begins to create a mate for the monster, but soon realizes it was an awful mistake saying it was “of madness on my promise of creating another like him, and trembling with passion, [I] tore [it] to pieces” (154 Shelley). The monster saw Victor destroying his mate, and vowed he would soon destroy Victor’s life! Victor decided to ignore this threat and went home to marry his love, Elizabeth. On the night of his wedding, he was walking around outside awaiting the monster’s return for revenge. All of a sudden, he hears the scream of Elizabeth and soon realizes it was not him the monster was coming for that day. He rushes in the house only to see “a grin...on the face of the monster…[as] he pointed towards the corpse of [his] wife” (184 Shelley). When his father heard of the news, he was devastated and could no longer “live under the horrors...and in a few days he die[d] in [Victor’s] arms” (186 Shelley). By creating this monster, Victor lost control of his creation and lost everything and everyone he cared most about. Little did Mary Shelley know while writing this novel, today’s society would actually find ways to create …show more content…
While this seems like it could be great and harmless, when you really think about it you are trying to create something that does not exist, perfection. Specialists say you can control the gender of your child by what is today’s most well-known method called, The Shettles Method, which involves timing a woman’s cycle to the couples position during intercourse. Though this seems like a harmless method, experts “worry that some parents will place unrealistic hopes on a sex-determination technique and become disappointed [if] they [don’t] succeed. The method could either fail to produce a baby of the desired sex, or the right-gendered kid could grow up with traits that contradict with parental expectations...ethicists worry about the welfare of the child” (Zamora). Other studies have proven that you can now prevent women from having a genetically mental child by taking “mitochondrial DNA out of eggs and replac[ing] them with healthy genes from eggs donated by other women” (Stein). Experts have not yet tried this on human embryos, but have on monkeys. This could lead to a child having three genetic parents due to the fact that the child would “inherit DNA from the father’s sperm; from the egg of the woman whose egg was fixed; and from the egg of the woman who donated some of her DNA to fix the problem” (Stein). Experiments like these could ultimately affect our future in many ways, both in a good way and bad way. Expert Ronald
Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the
Unfortunately, these lives are not the only ones taken by the monster. On his wedding night, Victor leaves Elizabeth alone to confront the creature, believing that this monster will kill him, “when suddenly [he] heard a shrill and dreadful scream. It came from the room into which Elizabeth had retired” (173). The scream implies the shock that Elizabeth was in when seeing this demon and makes the reader sympathize for the poor girl. As Shelley describes Elizabeth’s limp body, the reader learns that the creature had strangled her and left black marks on her throat.
For once the creature was given the opportunity to obtain love, but that moment was ripped away from him when Victor decided to break his promise and destroy the creature only hope for happiness. “‘Never will I create another like yourself, equal in deformity a wickedness”’ (Shelley 160). Victor action drives the creature to vow revenge and kills Elizabeth on their wedding night. Causing society to view him as vicious and evil, but in reality the true demon is
His friend from home comes to surprise Victor but he ends up consoling him for months — he does not want to confront the horrors he has single handedly created. He is such a disaster that he cannot write his family, only putting them under more stress. Finally, after months go by Victor begins to regain his mind and consciousness. He receives a letter from his father stating that his child brother was murdered. This, of all things, is what finally pushes Victor to return home to his family. Once Victor has returned to his family he realizes what exactly he had done. Victor’s creation had made its way to his family’s home and had taken the life of his brother. Not only is has the life of this young child been stripped away but Justine, a family friend, has been accused of killing the poor boy. Justine had never done anything but love and care for the child as if he were her own. He claims Justine’s innocence but he does not come clean— he cannot. If Victor were to mention that of a monster he would be institutionalized and Justine would still be found guilty. Justine is put to death, the second being stripped of life at the his monster. Victor feels “a weight of despair pressed on [his] heart,” (Shelley 111). These murders are the fault of Frankenstein and the weight he feels is overwhelming guilt. Without the construction of a new life, of a monster, these lives would not be lost… still he manages to fond great comfort in
This time Victor allows the creature to approach him. After some time the creature demands a female companion and it is only with pity and much argumentation that Victor consents. While the creature watches, Victor begins working on the female monster and then he destroys it. Victor, by doing this, is ignoring the creature's feelings and breaking his promise. Therefore, Victor Frankenstein, after much hard work, rejects his own creation due to its monstrosity.
In the book, Frankenstein by Mary Shelley, the author illustrates similarities between both Victor and the Monster he creates. She draws parallels between the two regarding their feelings on family, nature, on exacting revenge, and how they both become isolated from society. Both are able to demonstrate extreme intelligence. As the novel progresses, Victor and the Monster become more similar to each other. Their relationship turns to one in which each is consumed with getting revenge on the other at all costs.
The creature may look like a monster, but Victor’s personality and role in the novel are absolutely monstrous. Appearance and titles often deceive one point of view, but in the end, the truth always uncovers
Throughout the creation of the monster, there are several hints that can support a reader’s judgment that the degree of comprehension that Victor has in the palm of his hands is, in fact, treacherous. In chapter two of, Frankenstein, Victor says, “The raising of ghosts or devils was a promise liberally accorded by my favorite authors,
Victor feels that his relentless search for more knowledge is the cause for all of his suffering. It is true that his knowledge is what created the creature, but what made things worse is that he never gave the creature what he needed, so the neglected creature set out to find it himself. Victor’s tragic fate was not the result of his knowledge but because he did not take care of his creature. 6. Foreshadowing is seen multiple times such as the night when Victor sees lightning strike down a tree and Victor is fascinated with how much power the lighting has. The monster also foreshadows his own death when saying, “But soon I shall die.. I shall ascend my funeral pile triumphantly and exult in the agony of the torturing flames..” 7. By not giving his creation a name, Victor didn’t give his creature an identity or a place in society. In society, a person’s name is who they are, people make their own judgment of people right away. The creature didn’t have a name and people judged him right away and identified him as monster and only that, rather than an actual being. 8. During the period in which Frankenstein was written, science was growing and it was seen as anything could be possible with the new research and
Victor’s passion for the issues surrounding the works he reads is what leads to his creation of the ‘monster’. It is arguable to deduce that Victor’s treatment of his own creation is what leads to the creature being branded as a ‘monster’ to some extent; the creature is born alone and confused into an alien world, and shunned by his own creator. To an extent, the reader may be able to forgive some of the creature’s monstrous acts (such as killing William) due to the fact that the creature has both little understanding of the world and a desire to be treated fairly by the man who created him. The fact that both Victor and the creature show such devotion to texts and literature may suggest an element of Gothic doubling between the two, as if they are two sides of one ‘being’. When looking for the creature, Victor states that he sees his creation as “nearly in the light of my own vampire, my own spirit let loose from the grave”.
Victor worked continuously on his experiment, obsessed with finding the correct building material. It would seem that after all this arduous work he put into making this Creature, he would be in awe when it was finally finished. Upon the completion of the Creature, he finds himself in shock, explaining in vivid detail about the Creature’s “yellow skin which scarcely covered the works of muscles and arteries underneath” and its “shriveled complexion,” and “straight black lips” (42). In the human nature, it is known that when a person creates something, no matter how ugly, or how deformed it is, the creator is proud of his creation. Although, immediately after he sees his creation, Victor is unable to stare at the “monster” any longer, and paralyzed with fear and guilt, abandons the creature all alone in the world, like a new born baby. Although it might not seem like this, this particular scene conveys a deep sense
Victor’s blindness to what his end result will produce is immediately revealed when his final work is a hideous creature. Victor, through repulsion, neglects caring for the creature in its blank slate, gradually fuelling the ambition it feels for revenge. With the monster isolated, he begins to learn, “I learned to distinguish between the operations
Modern science has dramatically evolved over the past years, there is a concern on whether or not people will try to play God with such developments and what damaging consequences could occur. Body modifications, cloning, Genetic engineering, and various fields in biotechnology are prime examples of fields that are attaining great advancements in a swift manner that increase concerns over the consequences. Progress in science induces people to question what it means to be a human and their own human nature, just as it causes people to question the effects that scientific progress may have on their good fortune, happiness or common welfare.The protagonist of Mary Shelley’s Frankenstein, Victor Frankenstein is incited to advance the field of
The monster believed that Victor would accept him, but after he realized that not only did Victor not want to assume his position in the monster’s life, but society also rejected him, it became a transitory thought, and instead became replaced with his bloodthirst towards Victor and his loved ones, which he knew would hurt way worse than just killing him; making him lonely like himself. Both Victor and the monster partook in horrid acts, in which held horrendous actions; the main one being Victor creating the monster in the first place which in result caused the both of them heartbreak, loneliness, and pain. If Victor wouldn’t have created the monster, then his life would not be filled with so much grief and emptiness; Victor is the true monster, although they are both the primal protagonists as much as they are the antagonists because of the display of the emotions they both portray as lamenting humans/monsters, and the power they give to nature in order to destroy one another. Victor used nature to his advantage, although it was wrong; Victor used nature to create and destroy the monster; he used the