Both The Road and Riddley Walker present post-apocalyptic worlds. However, within the narrative of a post-apocalyptic timeframe, The Road is set right after such an event, whereas Riddley Walker is 2000 years into the future. Points of comparison between the texts are the usage of quasi-religious imagery and ideas of youthful forbearers (the son and Riddley) of a new light after devastation.
The physical and societal backgrounds of the two texts are quite contrasting. The Road is set in a society very shortly after a large, apocalyptic event. The language used by McCarthy to depict the world around the man and the son is continually referential towards the colour grey. Societally, the last few humans have denigrated into acts such as cannibalism
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Contextually, this links to ideas of an increasingly nihilistic world, a theme seen in many vestiges of popular culture today. One example of such would be Eugene Thacker’s book In The Dust Of This Planet, a reference within the title to humanity destroying itself and having nothing to live for, which is seen in The Road. Ashley Kunsa’s Maps of the World in Its Becoming labels The Road as nihilist, arguing that whilst there is always grace and redemption as a possibility for characters, “such redemption requires more of McCarthy’s characters than they seem capable of giving.”, highlighting a lack of empathy in what is, figuratively and literally, a dog eat dog world. In Riddley Walker, the Kent Riddley himself walks around is not seen to be affected by the event in the way The Road is, though socially and culturally it has changed the world around him. The people of Kent in the future are much more averse such as savagery and cannibalism, and death is described, and sexualised, in an almost …show more content…
In The Road, fire and light are the only clear colours in an otherwise grey world, and take metaphorical symbols of hope. For instance, on p.137 the son asks the father a confirmatory question; “And we’re carrying the fire”, to which the father responds “And we’re carrying the fire. Yes.” The idea of the pair “carrying” the fire is repeated throughout the text, possibly alluding to the son as a “last hope”. However, it is also arguable that the idea of fire is a substitute for religion throughout the whole text, something that the father and son must cling onto in order to have a sense of “being”, rather than just give up hope. Indeed, the son is frequently seen as similar to a Christ-like figure, one last hope in an age where there is little to hope for. George Monbiot’s article in The Guardian suggests McCarthy to describe a “collapse of the protagonist’s core beliefs”, meaning fire would be one of the last few things the man could truly cling onto. Ideas of fire resonate with the usage of ash as a metaphor to describe the world around them, with the “ashes of the late world” implying a demise, and metaphorical cremation of the society which existed prior to the catastrophe. In Riddley Walker, fire is mentioned in the first myth of the text, called “The Hart of the Wood.” At first, the word “Hart” simultaneously seems to refer to the centre of the wood, a stag found in the
The Road portrays the journey of the father and son across a black and white world that is analogous to my experiences of the quest of survival in Afghanistan and the refugee camp in Pakistan. Where many have abandoned their beliefs and morals to survive the hellish situation. Those who survive with their beliefs and values still in intact are constantly challenged on a day-by-day basis. Their survival must be persevered to keep the fire burning, however small for their own children. There must be some goodness that remains for their children to carry into the next generations. They must always remain
Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.
In The Road, a father and son are living in a post-apocalyptic world filled with burnt buildings, melted bodies along the road, and an abundance of ash that has polluted the air, fighting to survive and travelling a long road to get to the coast. The father and son are stricken with fear and are constantly faced with near death experiences. Throughout the novel, the two look for food in all places they can while trying to escape “the bad guys” who attempt to kill the two on multiple occasions. When they finally arrive at the coast, they find more
In The Road by Cormac McCarthy, the man and the boy are on a constant journey towards survival. Limited visibility is prevalent within different aspects of this novel. One is within the man, as he has a limited view on humanity itself. Throughout the novel, the man is
The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.
Cormack McCarthy’s novel, The Road, is set in a post apocalyptic world, where humanity is struggling to survive. Through his simplistic writing style and powerful symbolism, McCarthy tells a story about the human condition as well as what it truly means to be human. Though it is set in a wasteland this novel still manages to project hope through the love of a boy and his father. The following passages are quotes that spoke to me stylistically or symbolically while I was reading.
Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.
We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.
The setting of each of these books is of a world gone awry. In the book The Road the world is bleak and gray there is no sign of anymore life besides the few humans that remain in the aftermath. “With the first gray light he rose and left the boy sleeping and walked out to the road and squatted and studied the country to the south. Barren, silent, godless,” (McCarthy 4). The world in McCarthy’s book is gray both in the visual sense and the metaphorical one. The Road is metaphorically gray as the entire world has gone to ruin and is left rot losing its glorious colors that it once held. The world is also literally gray, as it is covered in a layer of ash due to the end of the
The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.
In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the
The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son
“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.
In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.
For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.