The Revolt Of Mother Analysis

Mallard is unsatisfied with the limitations of her marriage, however, like Desiree, she is submissive and believes that the end of her duties as a wife will come at the death of her husband and her freedom will be given to her. Also, she experiences little or no feelings because of her marriage. This is shown when Mrs. Mallard, after hearing of her husband’s death, cries, but ironically she senses a moment of euphoric pleasure at the awaiting freedom in her remaining life. “She saw beyond that bitter moment a long procession of years to come that would belong to her absolutely.” Mrs. Millard is now aware of things that were not noticeable before such as: the beginning of spring, patches of blue sky through clouds, the twittering of sparrows and the smelling of the pending rain, which may signify the nature of her freedom. Mrs. Mallard would now be able to live her life outside the home and find her identity.

The short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell compare two married women who live under the shadow of their husbands. Both of these stories were written in the late eighteenth and early nineteenth centuries during the time when women were treated unequally. Women had limited rights. For example, they could not vote, voice their opinion or work outside the home. Glaspell and Chopin were considered feminist writers who focus their writing on the struggle of women during the time when the Women’s Suffrage Movement was beginning; these short stories reflect women’s struggles under the control of men. Married women were responsible for taking care of the household, children and wifely duties while the husbands were responsible for consistently managing the title of “the breadwinner.” Married women were expected to be discreet and obedient to their husbands, which meant that the wives could not express their opinions because of society’s expectations of women. In the short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell, Mrs. Mallard and Mrs. Wright share a prominent similarity concerning the loss of their individual identity during marriage and realize that the death of their husbands allow them to regain their self-identity.-

In “The Story of an Hour” we see Mrs. Louise Mallard receives news of the death of her husband. The

In Kate Chopin’s “The Story of an Hour”, Louise Mallard is caught in a cold marriage and a constrictive house. The same goes for Sarah Penn in Mary Wilkins Freeman “The Revolt of “Mother.’” Despite the fact that both stories share the topics of imprisonment and control, physically and inwardly, the ladies in the stories have diverse responses to their circumstances. Sarah battles the confinements without holding back, taking her opportunity, while Mrs. Mallard adopts a motionless strategy and is just liberated through the death of Mr. Mallard.

The reader might question as to why Mrs. Mallard’s feelings towards her husband’s death change so quickly. Was she previously unaware of the “subtle and elusive” (227) thoughts that made her believe that this death might be a blessing in disguise? Mrs. Mallard, before her husband’s death, had a romanticized view of her marriage. While she believed she loved Brently and was happy, after his death she became aware of the freedom she would now experience without a controlling husband. The “powerful will bending hers in that blind persistence” (228) would no longer be present. Mrs. Mallard was aware of her yearnings of independence and joy, but would never voice them while locked into her marriage with Brantley. While at first, it may seem as Mrs. Mallard was unaware of these feelings, the death of her husband was just the catalyst that allowed her deepest feelings to be revealed and her dreams of independence to finally

At the beginning of the story no one wished to tell Mrs. Mallard about the death of her husband due to her heart condition. Her heart trouble is a symbol for the way she feels crushed or hurt by her marriage. During this time period women were expected to live under the control of their husbands, so while being married to Brently, she begins to lose her identity. In the story, she is only referred to as Mrs. Mallard she isn’t referred to as Louise until after her husband’s death. She is an accessory to her husband is forced to live in the shadow of her husband and as a result of this she has lost herself over the years. Louise’s character is used as a symbol to represent the women of this time period and show the sacrifices they make for their husbands and the troubles that come along with the inequalities they experience in marriage.

Kate Chopin's “The Story of an Hour” and Gail Godwin’s “A Sorrowful Woman” are similar pieces of literary work. Both stories offer a revealing glimpse of extremely unhappy marriages due to being forced into stereotypical roles. Both stories portray women, who are trapped in their marriages and trapped in their socially expected matriarchal characters. They are identified by their role as a wife and mother.

Immediately after the news of her husband's death, Mrs. Mallard races upstairs into her room where she settles into “a comfortable, roomy armchair” (para.4). The armchair symbolizes the rest from the oppressive life she had and freedom from society's expectations. Since it was tradition for women to be married by a certain age, Louise Mallard must have obligated to marry Brently. Sitting in the armchair, she gazes out of the window and starts indulges in deep thought, which establishes her as an intelligent individual.

Author, Kate Chopin, presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. Finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow: "Free! Body and soul free! She kept whispering." In her soul, the dark clouds are disappearing because she is illuminated. All the memories of her husband are now of the past. She is living in the present. At this point, she is no longer "Mrs.Mallard." She is Louise and is ready to welcome a new horizon of freedom : "Spring days, and summer days, and all sorts of days that would be her own." Overwhelmed with a new sense of herself, she feels as if she

Louise Mallard is Kate Chopin short story's protagonist. As noted earlier, Louise has a heart trouble during the time when her friends are to break her husband's death news to her. She reacts to the news despite her heart condition with a flood of grief. She quickly retreats to her room which indicates repressiveness which she is accustomed to. She briefly feels guilt out of experiencing joy at the freedom which is brought by the death of her husband. She is later faced with some complex mix of love and resentment emotions which are elicited by the thoughts of Brently's tenderness with absolute control of her life from her husband. She ultimately welcomes her independence which she has newly found and then takes on the newly self-possessed individual's life. This essay will emphasize my argument on how the story shows some aspect of mental change in character, and I will identify where this starts in the character, what happens to cause the change, what the change is, and the consequences of this change for the character.

At the time of this story many women didn’t have any source of revenue, so in order for her to gain the money she wanted to get the freedom she finally deserved; she would have to obtain it in two ways: inherited from her husband or receive it from her family. Mrs. Mallard was on her way to becoming the free woman she needed to be but there was this one thing holding her back, money, and the only the question was how she was going to get it in a respectable way. In the later half on the 19th century women looked at as the wife and mother, keeper of the household, guardian of moral purity of all who lived there. The home was to be a haven of comfort and quiet and sheltered from the harsh realities of the working world. Children were to be cherished and nurtured, and to pulling against these traditions was the sense of urgency. Women’s roles were meant to steady, but women could not help but see opportunities for themselves in this growth. Jobs opened up in factories, retail establishments and offices, giving women new options.

Next, Mrs. Mallard was a woman who suffered from the times where women were treated with less value and importance. She lost her own life because rejoice at her husband’s tragedy. Her uncontrollable desire to be free made her become a frivolous woman, who let his personal longing’s end with his own life. When she realized that her husband was alive all his plans vanished. Her happiness was a temporary happiness which lasted less than an hour.

After quickly recovering from the storm of grief which showered her, Louise comprehends her own independence; “‘Free, free, free!’” (202). Something of which she has not possessed before. Not to mention, Louise holds great passion for the future without her husband influencing her decisions, “...(the) long procession of years to come (...) would belong to her absolutely” (202). As the story continues, it becomes evident that Mrs. Mallard’s confidence and jubilance holds direction in her long life to come. Ironically, however, Louise only lives to see the next few minutes of her life. As the shock of seeing the living dead births a heart attack; “When the doctors came they said she had died of heart disease- a joy that kills” (203). Ultimately, her gluttonous behaviour and extreme state of joy lead her to an untimely death when her eyes lay upon the presumed dead, Brently

“The Story of an Hour” by Kate Chopin describes an hour in the life of an oppressed woman bound by marriage in the nineteenth century. It is only when Mrs. Mallard’s husband dies in a sudden railroad accident that she realizes she is no longer tied together by the ropes of man. At first she is shocked and horrified by the tragedy, for she did say “she had loved him – sometimes” (Chopin). However, once the tears were wept, a new bountiful life of freedom was now in the eyes of Mrs. Mallard. Chopin uses imagery, third person omniscient point of view, and concepts of relief and joy in “The Story of an Hour” to convey the true feelings of Mrs. Mallard as she is freed from the strenuous and unjust oppression of women due to society’s expectation of gender roles.

While Mrs. Mallard remembers Mr. Mallard as a kind and tender man who loved her, she also viewed him as the oppression that marriage put upon women and men. While Mr. Mallard was kind and loving to his wife, he was also controlling and overbearing. Josephine, Mrs. Mallard’s sister and Richards, Mr. Mallard’s friend is there to break the news of Mr. Mallard’s death. Richards has learned of Mr. Mallard’s death at the newspaper office, not wanting to believe the information that was received, Richards waited for the new to be delivered for a second time before enlisting the help of Josephine. They are both there to support Mrs. Mallard and their support shows that they care for Mr. and Mrs. Mallard.