The Revelation Flannery O Connor Analysis

Though this Southern Christian white woman is superficially pleasant and well-mannered, she conceals her ugly thoughts of class stratum cognizant of what is below her pedestal. A church going woman who treats slaves fairly, she believes her time volunteered and philosophy of doing things for others are enough to sanctify her ugliness on the inside. The omniscient narrator observes that “Mrs. Turpin felt at awful pity… it was one thing to be ugly and another to act ugly” (473) Ironically, Mrs. Turpin is the one who acts ugly. Arrogant about her station in life, when faced to choose between “a nigger or white-trash” she would plead with Jesus to “let [her] wait until there’s another place available” (472). Silently judging others she is pleased to not be anything less socially acceptable than she already is, and often occupies herself at night classifying people. Mrs. Turpin believed that you “had to have certain things before you could know certain things;” this consequently places her on a higher plane (474).

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the

The short story "Greenleaf" shows us some of the central themes of Flannery O'Connor's literary work.

does not think she is a bad person, and she cannot comprehend why she is

"Revelation" is a short story by Flannery O'Connor. It was published in 1965 in her short story collection Everything That Rises Must Converge. O'Connor finished the collection during her final battle with lupus. She died in 1964, just before her final book was published. A devout Roman Catholic, O'Connor often used religious themes in her work.

Turpin’s standards in her eyes. The readers can see through Mrs. Turpins thoughts and views how brutal and harsh she really is for example, when Mrs. Turpin is talking to herself and asks herself a question “If Jesus had said to her before he made her, there’s only two places available for you. You can either be a nigger or white trash, what would she have said?” Mrs. Turpin answers with “All right, make me a nigger then- but that don’t mean a trashy one. And he would have made her a neat clean respectable Negro-woman, herself but black.” (416).

Among many diseases, judgment is an epidemic virus within the human mind; more dangerously with the lack of discernment can create a toxic atmosphere and such intoxication is highlighted within the short story, Revelation, by Flannery O’Connor. The story is set in the south, and revolves around an irrational yet religious character, name Mrs. Turpin, who overlooks her own flaws to cast judgments on others. The author uses language, irony, and archetypes within the story to present that judgement is a form of unconscious self deception that causes hypocritical behavior and ultimately self agitation. The author demonstrates this by having the characters cast judgment upon each other, which makes the act of passing judgment on to others an infectious disease fed by society.

Flannery O’Connor was born Mary Flannery O’Connor on March 25, 1925 in Savannah, Georgia, as the only child to Edward F. O’Connor, Jr., and Regina (Cline) O’Connor. Later in 1941, Flannery O’Connor’s father dies of lupus while O’Connor is in Milledgeville, Ga. After her father’s death, O’Connor rarely speaks of him and continues to be active in school projects such as drawing, reading, writing, and playing instraments. Further, in the summer of 1942, O’Connor graduates and enters Georgia State College for Women as a sociology and English major. Moreover, O’Connor took on the name Flannery O’Connor, dropping Mary from her signature.

Flannery O'Connor remained a devout Catholic throughout, and this fact, coupled with the constant awareness of her own impending death, both filtered through an acute literary sensibility, gives us valuable insight into just what went into those thirty-two short stories and the two novels: cathartic bitterness, a belief in grace as something devastating to the recipient, a gelid concept of salvation, and violence as a force for good. At first it might seem that these aspects of her writing would detract from,

     Mrs. Turpin’s Revelation in the end of the story causes her to see the truth behind the beliefs she has had throughout her life. As her Revelation begins, “a visionary light settled in her eyes.”(352) With this light, the beliefs Mrs. Turpin had surrounded her life upon, are suddenly proved false. She sees people of every race and status lined up before the gates of Heaven. To her surprise, she finds Claud and herself at the end of the line, making it evident that nothing she had done in her life would assure her a place in Heaven. She then understands that everyone is equal and “we are all God’s children.” Mrs. Turpin also, “recognized at once those, like herself and Claud, had always had a little of everything, and the God-given wit to use it right.”(352) Mrs. Turpin

O’Connor borrowed these characteristics from her life and used them in the complex characters she would later create. Her Catholic faith is another point that drove O’Connor’s writing, especially given that she grew up in a Protestant-majority region. “Flannery O'Connor put much conscious thought into her dual role of Catholic and fiction writer” (Galloway). Her devout faith plays a huge role in her writing, as most of her characters grapple with salvation and grace. O’Connor’s influences in life were so powerful, they became the same topics that impacted her philosophy in writing.

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

Many had their own opinions of O 'Connor 's work. "The literary works of Flannery O 'Connor often contend that religious belief can only be consummated by direct confrontation with evil and for those uncommitted and unprepared, tragedy seems inevitable." (Cook Online). Many of the early critics never realized that O 'Connor 's worked with revelation, which at the time, others did not (Reagan Online). As Frederick Asals once said, "Conflict, often violent conflict, is the very center of Flannery O 'Connor 's fiction"(93). Although O 'Connor 's work was awarded greatly, it was also often "dismissed" because of its "Gothic Violence" (Reagan Online). I have to agree with Dorothy Walters when she says, "...nothing is more striking than her remarkable capacity to blend the comic and the serious in a single view of reality." (13).

Flannery O 'Connor is a Christian writer, and her work shows Christian themes of good and evil, grace, and salvation. O’Connor has challenged the theme of religion into all of her works largely because of her Roman Catholic upbringing. O’Connor wrote in such a way that the characters and settings of her stories are unforgettable, revealing deep insights into the human existence. In O’Connor’s Introduction to a “Memoir of Mary Ann,” she claims that Christians live to prepare for their death. This statement is reflected in her other works, including her short story “A Good Man is Hard To Find.” After reading “A Good Man is Hard to Find,” many questions remain unanswered