The Relationship Between Humankind And The Gods In Homer's The Odyssey

In ancient Greek culture the gods were seen as taking a very active role in the development and course of human history.  The entire Olympian pantheon, as well as many other less important divinities, meddles in human affairs to no end.  The people of the many city-states that composed Greece firmly believed that every aberration from normalcy was due to an act of the gods.  Homer, the author of The Iliad, coined the prevalent religious beliefs of the time in his epic poems, showing the gods as temperamental and willful, meddlesome and dynamic.  Homer’s entire poem is replete with instances of divine intervention in mortal lives, and no single major occurrence comes to pass unless it is the will of one of the many Olympian gods.  Few major decisions are made without consulting the gods first, and the handful of instances in which one leader or another takes initiative almost always fails miserably.  Life, according to the Greeks, is almost entirely rooted in their religion, as there is a god or goddess governing every aspect of the universe, and also because the gods so actively involve themselves in the everyday lives of mortals.

In the Epic, “The Odyssey", spoken by Homer, conveys a heroic tale of an epic hero named, Odysseus, who faces many challenges as he sails to get home. One of the tasks Odysseus faces is, "The Sirens", who challenge Odysseus 's will power. Another challenge Odysseus encounters is, “The Cyclops", who torments and slaughters some of Odysseus 's men due to his curiosity. One of the hardest threats he had to confront was, “The Land of Dead" which tested his self-restraint, and revealed his human weaknesses of sorrow. The Epic Hero, Odysseus, struggles with many challenges such as, the taunting Sirens, the brutish and cruel Cyclops, and one of the arduous territories Odysseus has ever crossed, The Land of the Dead.

The sum of all human traits is defined as human nature, meaning the excuse for our vices, and the flaws of mortal life. In Homer's The Odyssey, the main character Odysseus demonstrates these flaws throughout his journey, constantly struggling through the eternal fight for realization of life and death, and is weighed down by the never ending power struggle of nature versus mankind.

1. In a world governed by the gods, is there any room for human will?

In the “Odyssey”, Odysseus goes through obstacles throughout the book that a normal man couldn’t subside. One example is in book 9, his main obstacle that he is trying to face is to escape from being held hostage in a cave by a Cyclops better known as Polyphemus. Odysseus is a archetypal hero, he is also a role model, with an ambition to get to his homeland Ithaca. He goes through resisting temptation and using his intellect and physical strength to get him there, no matter the obstacle nor the negative flaws that he faces. Odysseus put himself and his men in that situation by being curious and wanting to know what kind of land his ship and the winds led him to. This was selfish of him because it cost him some of his men, but a leader and hero has to play that role and some lives will be dealt with on the way. Odysseus says, “The rest of you will stay here while I go with my ship and crew on reconnaissance. I want to find out what those men are like, Wild savages with no sense of right or wrong Or hospitable folk who fear the gods” (Homer 429). Saying this quote alone makes Odysseus a humble man due to the fact that not even a piece of land is going to slow him down on his journey back home.

The gods play an important part in Odysseus’ journey home, bringing him closer and farther from his homeland. They constantly intervene in the lives of the many characters in The Odyssey. Though Odysseus is a hero, the gods control his life. It is as if he were the main character in a video game and the gods are fighting over who controls his life. Personal responsibility is overshadowed by the gods’ eagerness to grab the controller.

Many authors have employed the religious beliefs of their cultures in literature. The deities contained in Homer’s Odyssey and in the Biblical book of Exodus reflect the nature of the gods in their respective societies. Upon examination of these two works, there are three major areas where the gods of the Greek epic seem to directly contrast the nature of the God of the Israelites: the way problems are solved, the prestige and status that separates the divine from the masses, and the extent of power among the immortal beings.

“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of

Homer’s epic poem The Odyssey follows Odysseus on his long journey home. The Epic also includes the stories of Odysseus’ family left behind: the travels of his son, Telemachus, and how plenty, of what we would now call “home wreckers”, suitors pressured his wife, Penelope, into marrying one of them. The characters are beautifully crafted and the story is truly epic. All the elements presented can bring in any reader from any century, the Cyclops, the Gods, the trickery of Penelope, and the disguises of Odysseus, are all legendary literary hooks . There are many things to learn—about writing, about the world around us, the world ahead of us, and the past behind us—from The Odyssey. (26) It is undeniably evident that this ancient text has

The belief in gods has played a major role in the foundation of Greek culture and custom. For example, it was a custom to treat travellers and strangers with kindness and hospitality. The justification behind this principle was that gods disguised themselves as beggars or travellers to test the kindness of mortals. Since trading and travel were common among the regions of greece, many took this principle seriously, granting travellers food and shelter. This would become an unspoken principle that would be followed by many greeks.

There has long been a fashion among critics and historians, including Sir James Frazier and Graham Hancock, to insist upon taking the account of Odysseus' voyage to Hades in Book XI of the Odyssey at near face-value as a description of people and places familiar to a Greek audience of Homer's day. Both linguistics and comparative history have been employed to discover exactly how accurately this originally oral epic conveys this gritty realism. Something, however, is not right with this purely empiric approach. What is missing is an examination through the lens of ancient religious practices. Surely a literary work so teeming with deities-wise Athena, spiteful Poseidon, impish

Ancient Pantheons and their Languages The English language is thought to have over 200,000 words. As one of the world's newest languages, its origins are very complex and evolved. Unlike English, Egyptian Hieroglyphs and Ancient Greek are both some of the world's oldest languages. With no other culture preceding them, Greeks and Egyptians had to create languages by scratch, so they turned to religion.

    Through the personification of the forces or in other words gods, Homer’s characters helped themselves feel more connected with both mortal and immortal worlds. Humans straddled two worlds, that of the animals and that of the gods. Homer’s humans came from the world of the animals a world of a non-questioning existence, and these humans were striving to reach the world of the gods in which lay the understanding of their inconceivable existence. By personifying the governing forces of both animals and humans, Homer’s characters were creating a link to both animals and gods, for the "...[gods’] power is over all"(140) . The gods helped the characters in The Odyssey feel comfortable with their position in between two worlds.

Lucian is creating a scene of a twisted marital relationship that has nothing pure or divine to it. None of the depicted behavior of the spouses would be expected as a behavior of a god. Human created gods as a better, stronger and a cleverer version of themselves. Lucian smashes those high expectations of gods and makes them look human and by humanizing them he passes judgment. Narrator seems to mock Homeric idealization of Great gods in his interpretation they are involved in countless love affairs, scandals, and revenge- they live disgraceful lives. Zeus’s resolution to his wife’s assault is not punishing the wrongdoer, but fooling him into believing he was with his wife and making him brag about, and by doing so Zeus shows no dignity or

Q1.Describe the relationships between the gods and mortals in The Iliad .What are the Greek gods like?