The Psychoneuroses in Hamlet
The play Hamlet, by William Shakespeare, is about Hamlet, the Prince of Denmark, who is a scholar and heir to the throne. However after Hamlet’s father’s death, his uncle, Claudius, takes the throne and happily marries Hamlet’s mother. A ghost who resembles Hamlet’s father reveals that Claudius murdered him by pouring poison in his ear while he was sleeping under a tree. Hamlet’s quest is to avenge his father’s death by murdering his uncle, however he faces various obstacles while trying to do so which ultimately lead to the death of Hamlet and most of the other main characters. Psychoanalytic theory is based on Sigmund Freud's theories on the development of the psyche. He proposed that humans are controlled
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The id controls human desires, which includes things like eating and sleeping. The superego controls the id by choosing socially right behaviour, and doing the right thing. Last but not least, the ego acts as a referee between the id and the superego by trying its best to balance between doing what the id wants, and doing the right thing. Freud also proposes that if humans repress their emotions, they have a higher chance of developing psychoneuroses (mild mental illnesses: anxiety, neurotic behaviour, and depression). An unpopular theory of Freud’s, based on the story of Oedipus Rex, called the Oedipus complex states that baby boys are sexually attracted to their mothers, and want to murder their fathers. Hamlet’s personality changes throughout the play and they are not all positive changes. The Freudian literary theory illuminates Hamlet’s personality by showing that he has an unbalanced psyche which can be seen in his relationships with Gertrude, Ophelia, Claudius, …show more content…
An example of this is when Hamlet says "A little more than kin, and less than kind." (1.2.67). Even in Hamlet’s first line in the entire play, it is evident that he does not like Claudius, who is also his stepfather. Although Hamlet says this line before his meeting with the ghost who resembles his father, Hamlet still shows a clear dislike towards Claudius. Freud believes that “our first impulses of hatred and violence [are] toward[s] our fathers” (Freud 2). This explains why Hamlet hates Claudius from the beginning of the play, and not just after he was told that Claudius is the one who murdered King Hamlet by the ghost. Another example of this can be seen when Hamlet murders Claudius. Hamlet says “Here, thou incestuous, murderous, damned Dane, / Drink off this potion: is thy union here? / Follow my mother." (5.2.315-317). Hamlet is furious because it has been made clear that Claudius murdered Gertrude and did not make any serious efforts to save her. Hamlet stabs Claudius and makes him drink the same poison his mother was killed with. Hamlet’s quick decision to stab Claudius is not something that Hamlet would typically do. This could be because Hamlet already has an unstable psyche, which means his id must have been in control of him. It could also be a way of letting Hamlet come into terms with his Oedipus
In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.
William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to
The relationship between Claudius and Hamlet had many hidden meanings. The first time that Hamlet insults Claudius when someone else is around is when Claudius was supposed to help Hamlet cheer up. "A
Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.
Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.
In Shakespeare's play Hamlet, there are several questions that come to the reader's mind regarding the emotional state of Hamlet. Was Hamlet really suffering from madness, as many of his friends and family thought? Was he mad or just pretending to be mad? Did Hamlet start out pretending to be mad, and his obsession drove him to madness? The reader gets insight into Hamlet's mental status through other characters and through Hamlet himself. If the characters had the information that Hamlet had about the murder of his father, would they have thought differently of his actions and his sanity?
What is madness? Madness to most appears like a complex double-cross between reality and fantasy of the mind. William Shakespeare creates the use of madness throughout his play Hamlet, he portrays the sense of it as the breakdown of the mind, but also the breakdown of society. Within the play, two main characters welcomed madness into their lives, one is fake for personal reasons, and the other is real. Hamlet, prince of Denmark, had a plan to act mad to confuse Claudius. On the other hand, Ophelia the daughter of Polonius, goes insane due to many factors, such as grief, isolation, and distrust.
Shakespeare also exemplifies contrast of mental illness and wellness between characters in the play Hamlet. As the characters, Ophelia and Hamlet both endure the stress of a father's death their actions begin to change. This makes it easy for a reader to perceive the difference between Hamlet, Ophelia, and the other characters in the play. Hamlet is one of Shakespeare’s most complex characters, his insanity is often a subject of debate. The article “Mechanics of Madness in Hamlet, Macbeth and King Lear” states that “he is an apt example of the complexities of the human psyche which are often beyond comprehension” (Ebsco). To find out the answer to the ultimate question of whether Hamlet is insane, comparing his actions to those of other characters would be helpful. At the beginning of the play both Hamlet and Horatio are trusted when the ghost appears to the guards. However, soon after Hamlet begins to spiral into insanity. In Act Two, Scene Two Hamlet talks with Polonius and this is the first time a reader can see Hamlet start to act unstable. Hamlet begins with “You are a fish monger” (190), and after Polonius corrects he continues to act deranged, by the end of their conversation Polonius is convinced “though this be madness” (223), meaning that he believes Hamlet is mad. However, Hamlet seems to be able to control his madness, which is why people often think that he is just acting. But by the end of the play Hamlet, similar to Macbeth and Lady Macbeth, has hallucinations. He sees his father’s ghost again, but this time no one else can see it. Hamlet asks his mother, “Do you see nothing here?” (3.4, 150), and she answers with “Nothing at all” (3.4, 151). Comparing Hamlet’s actions to his Mother’s in this scene creates a sense that Hamlet’s acting mad and need for revenge has caused his to change his mental state. Ophelia, also driven mad by her father's death, plus Hamlet's twisted love for her can also be compared to Hamlet throughout the play to see that she is sane at the beginning, but just as mad as Hamlet, if not more, by the end. Ophelia at the start of the play is trying to help the King and her father to catch Hamlet, what she thought was to help him. However, after her lover, Hamlet,
There were various ‘treatments’ used in the span of history to treat those who were affected by anything regarding mental health. Psychology, despite being one of the youngest sectors of science has a very undeveloped, horrific history when it comes to participants. “Madness is a generic term that includes behaviors considered deviant. Deviance is always culturally defined, and varies markedly from society to society.” ("Madness and Culture."). In the play, both Hamlet and Ophelia are affected mental health disorders deriving from the deaths of loved ones yet they both dealt with it differently. Arguments regarding Hamlet’s mental state are made based off his encounter with his father's ghost as well as his general behaviour. Hamlet’s friends often worry that when Hamlet and his father meet “there [King Hamlet] assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness?” (1.4.71-73). Nonetheless, this worry was often disproved throughout the play. Being described as having a ‘crafty madness’ by Rosencrantz disproves his madness theory. Moreover, there are various instances where Hamlet confesses to faking his apparent decent. With statements such as “I am but mad north-northwest” (Shakespeare 2.2.386) or “...am not in madness, / but mad in craft” (Shakespeare 3.4.188-189) show that Hamlet is fully aware of himself and how others think of him, showing that his acts are done on purpose and he is, in
The term consciousness refers to "one’s awareness of internal and external stimuli. The unconscious contains thoughts, memories, and desires that are well below the surface of awareness but that nonetheless exert great influence on behavior."(Weiten) The core of the Freudian perspective is centered around Hamlet’s relationship with his mother, and the relationship of Hamlet and King Claudius. According to the Freudian view, Hamlet is driven by unconscious sexual desire and aggravation. This sexual aggression is directed towards his mother and Claudius.
Freud suggests that hamlet is unable to avenge his father due to the fact that he has a stigma against himself in relation to his father’s murderer. This stigma being that Hamlet is unable to bring himself to the actual task of vengeance because he views himself no better than his father’s killer. With a deep internal belief that, who is he to take another man’s life in the name of vengeance when he would be just as bad by doing so and since he is already just as sinful based on prior experiences. This argument itself is a sound one and relates to the human nature aspect that Shakespeare tends to focus on; therefore, Freud’s argument is believable.
Claudius is only acting out what Hamlet secretly wants to do, take his father’s place as his mother’s lover. This would explain why Hamlet puts off the revenge instead of carrying it out immediately after seeing his father’s ghost. It would also provide a reason for Hamlet’s later insanity.
When reading Shakespeare’s Hamlet as a class, the first thing that most teachers or professors point out is the argument/idea of sanity, specifically Hamlet's sanity. I believe that Hamlet is, in fact, feigning his madness. What I do not know is if I believe this because it is what I was taught or if I came up with the idea myself based on my own interpretation. When I was taught Hamlet there was no argument it was just fact that he was faking his madness. Because of my confusion, I came to find that it may be interesting take out of the play any moment in which Hamlet makes the audience aware that he is only pretending that to be mad. I want to take out any proof that his madness isn’t real. The argument for legitimate madness is always
From the beginning of the play, Hamlet is labelled as a heavy hearted and unhappy man. This is seen as “Hamlet’s Transformation” as the King called it. He has not always been like this. In Shakespeare’s play, Hamlet, Prince Hamlet experiences many dilemmas that lead him to revenge and his transformation form good to evil. Shakespeare displays that revenge leads to insanity. Hamlet’s mother, Gertrude, Hamlet’s uncle also known as his step-father, Claudius, and Hamlet’s dead father, King Hamlet, all drive Hamlet to lose his mind and become insane. This change in Hamlet is brought to him by devastating and life changing events that have recently happened, and did not only cause a mental reaction, but specifically a moral reaction.
The World Health Organization estimates that there are three hundred and fifty million people living on this planet with depression. Due to this there has been countless research projects done on the individuals who suffer from this illness. From the research it has been shown that mental illness and extraordinary intelligence are linked in an interesting way. Professors and Doctors have coined the term “Tortured Genius” to describe those who struggle from mental illness because they are intellectually gifted. In the Medieval society that Hamlet lives in, he can be considered a tortured genius. Unlike most men, Hamlet would rather study abroad than fight in a war. His intellectual abilities have led him to become disillusioned with the society around him. Due to this, people around him make him feel like an outsider. Moreover, Hamlet’s intelligence is put to the test when he is visited by the ghost of his father and is instructed to seek vengeance for his father's death. This bothers Hamlet throughout the play because he must deal with the internal strife of being an intellectual while also trying to partake in a primitive activity. The world of Denmark in which Hamlet resides is full of distrust, disloyalty, and corruption. This is starkly contrasted with his internal beliefs and his high regard for education. These conflicting moral values lead to Hamlet’s initial inability to kill Claudius and ultimately results in his depression.