Clayton Eshleman’s poem, “The Power Room”, in his book, Juniper Fuse, is a walking poem travelling in and out of nature, and in and out of the mind, suspending itself in a moment (a moment Eshleman discusses within the introduction of Juniper Fuse) of elevated consciousness or the act of becoming more self-conscious (xvii). The poem begins with acknowledging the “spiritum” of the path. This is a reference made to the spirits of those whom inhabited the land prior to the speaker’s arrival. In Gary Snyder’s essay, “The Place, The Region, And The Commons”, he wrote, “The sum of a field’s forces becomes what we call very loosely the “spirit of the place” (38). In Eshleman’s poem, these “forces” include, the sum of “the rockface” and the …show more content…
This image of a hybrid saturates the walls of the Cro-Magnon caves, an image that would inevitably reveal its self in Eshleman’s poetry. The hybrid imagery within Eshleman’s poem is a representation of the bizarre and distorted image. Eshleman, when discussing Rimbaud’s, “I is another” within his book, Archaic Design, states, “whoever wants to be an artist, in Rimbaud’s formula, must make material in his subconscious available to his consciousness, and let the consciousness become distorted and bizarre with this new material” (48). The introduction of the images in the caves to Eshleman’s subconscious allows access for his conscious to create with the distorted bizarreness seen in the creation of “Wrights corpse” and “Wright’s warm liver.” Kenneth Warren makes the claim that Eshleman’s, “engagement… generates an underworld poetics that activates conscious understanding…” (176). It is through his physical interactions with the caves that Eshleman gains his conscious in connection with the “spiritum” and produces the poetic language of Juniper Fuse.
After a highly descriptive perspective of a swarm of flies, algae, and bees, the speaker mentions the scent of sewage in the nearby river. The application of this sensory imagery draws the reader deeper into the poem where we then enter into the power room. In here, it is the exhibition space, which Eshleman tells us, he favors and where he would often, “observe and write” (261). In his book, Archaic Design, Eshleman writes,
Eric Cropp is a hospital Pharmacist convicted of involuntary man slaughter after the two year old received a fatal injection of saline solution.A pharmacy technician working under him accidentally mixed the clear saline solution incorrectly and he didn’t check if it’s correct.Three years after the death of Julie’s patient the hospital published an independent study of revealing multiple system issues including Julie’s error an honest mistake anyone could’ve made.Julie is now a TMTI patient’safety fellow to help saves other lives.The Story Power: The Secret Weapon ,is an article targetting all the healthcare leaders and in it is a secrets of a power of connecting the head to the heart to a prompt action. The end result of this war is basically
In the essay, “A Literature of Place”, Barry Lopez expresses the importance of nature as it applies to human life. Through this he states that humans’ imagination are inspired by the scenery around them. Lopez revolves around a central perspective; Ancient american literature has always been rooted in nature. By acknowledging that modern human identity has been interpreted by nature, Lopez describes how the landscape of an area can shape the structure of the communities and how it can help with spiritual collapse. Nature writing has often been summarised by being one of the oldest threads in american literature. With our nation's aging one needs to reflect on their literary past; therefore, Lopez insists that we find our path to nature that
George Szirtes article “Formal Wear: Notes on Rhyme, Meter, Stanza, and Pattern” from the Poetry Foundation opens with opinions which focus on limitations of poetic form. As a counter to these common arguments, Szirtes claims, “Verse is not decoration: it is structural. It is a forming principle and words at depth” ("Formal Wear: Notes” 2). He then develops an argument explaining, “the constraints of form are spurs of the imagination: that they are in fact the chief producers of imagination” ("Formal Wear: Notes” 2). Taking these ideas into consideration Szirtes incorporates the idea of language explaining how language connects to memory and imagination which come together to form poetic images. Additionally, when poets use form it develops
In William Barney’s article, “The Quest for Room,” he analyzes the differing opinions between the North and South regarding the expansion of slavery into the newly acquired Western territories. The author argues that the West would have been important to slaveholders as a place to expand slavery if the territories had not been free-soil. The reason for this article was to show us how prominent the sectional differences were in the nineteenth century because of the argument over slavery. This, in turn, led to the secession of the Southern states from the Union as they formed the Confederacy; this dug the nation into a deep-pitted civil war.
Thereby, individuals can forget all the stress from the society and free their soul in nature as Macfarlane references to another author’ quote “life great herron-like wings and fly with little effort to other points of view”(293). The most prominent representative of nature’s fantasy is Ravilious’s artwork. Macfarlane comments his artwork by describing “ looking at two overlaid acetate sheets of the same image, imprecisely matched, or of two intercepting paths that never achieve their vertex”(296). Ravilious’s artwork has many different interpretations, and its purpose is to encourage individual to think forward and expand its imagination. Therefore, Macfarlane chooses to reference this artist and to bring out the theme of “ life is created by the onward rush of life over the curved wing of the
The Hollow Hope by Gerald Rosenberg is based on one research question. That question is: Can the Court bring about significant social change? In examining this question Rosenberg presents two different views of the Court. The dynamic court view believes that the court is an excellent catalyst for social change while the constrained court view believe that there are constraints in place that prevent the court from making significant change. The constrained court believes that it is only when these constraints are lifted and certain conditions met that the Court can have an effect on social change.
The looming tower by Lawrence wright is a nonfiction book that covers the decades that lead to the growth of Islamic fundamentalism in the Middle East, and around the world. This book described the how the lives of men from different backgrounds and countries came together and organized the most fear terrorist organization in the modern history. This book goes on to show the lack of understanding that the United States intelligence community had when dealing with the Islamic community, and how all of this culminated into what most remember as 9/11.
Social change comes from a societies understanding and acceptance of controversial topics, laws that enforce social norms and the politics that play a role in such change. The author Gerald Rosenberg of “The Hollow Hope” believes that the Supreme Court is able to bring about social change. Rosenburg main argument seemed to be questioning if a courts ruling that had once been accepted and had standing for several years were to be over turned, would the environment outside of the courtroom suddenly change and be accepting of their division.
Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.
“When a rule is enforced, the person who is supposed to have broken it may be seen as a special kind of person, one who cannot be trusted to live by the rules agreed on by the group. He is regarded as an outsider.
Throughout The Handmaid’s Tale, Margaret Atwood utilizes various elements of fiction to develop and question the concept of power and control in the patriarchal society of Gilead. Offred, the main Handmaid, is the instrument of which Atwood delivers her message about corruption and power. Offred’s vague diction, unreliable characterization, and erratic tone illustrate the distress of this transitional society (Abcarian 1403-1404). In the beginning of Chapter 23, the role of memory in the novel expands, and the readers test the narrator’s creditability. Offred concludes that all of her memories are “reconstructions”, and that she will continue this practice even if she escapes Gilead. She continues to relate fluid memories to forgiveness and forgiveness to an unnaturally complacent and obedient population (Atwood 134-135). Identifying a powerful relationship between memories, forgiveness, and power, Offred suggests that the main source of Gilead’s totalitarian power is the regime’s ability to manipulate its citizens’ will to forgive past transgressions.
“The image suggests a ruin in a classical landscape painting, a symbol of a broken-down system of belief” (Bloom 61). The “hollow men” do not have the faith to be judged and move on to “death’s other Kingdom.”
“The Power of One” by Bryce Courtenay is a novel which illustrates the harsh truths of the systematic racism faced during South Africa’s apartheid. Showing the oppression and abuse of African people Courtenay contrasts the injustice with the individuality of the main character Peekay. Courtenay uses Peekay’s unprejudiced and independent spirit to show how one person can help to heal the tensions between the oppressed and the oppressor.
I just can’t. Ya’ll. (It’s bad when this not-so-southern girl has to say, “ya’ll.”) Don’t you feel like there is just too much? For instance: I have a compressor in my bedroom.There's a Compressor in My Bedroom You know, one of those things that inflates tires or shoots nails into boards? Yeah. In my bedroom. It’s still in the box from Christmas and is something my husband has wanted for a loooonnngggg time and he was so excited to get it and… it is in the room where I sleep. Not one of the TWO storage sheds in our backyard. (Before you comment, this is not a husband bashing. I promise. I know he just had a heart attack! I know this month has been a bit crazy. I know he’s perfect in every other way. Just hang on.) I just need to know something…why can’t we just finish stuff?!
Through intricate construction the poem, Moffett’s form and tone reveals the timeless nature of the power of Earth and its elements. “Route 62” is a free verse poem, reflecting how nature is free from any patterns mankind may want to impose on it. Moreover, the first few lines of the poem establishes a tranquil tone as the mountains are “lying slumbering,” evoking a peaceful image (2). As the mountains sleep, little action occurs, allowing them to match the static image many people would contemporarily associate mountains with. Furthermore, the heat of the landscape drapes its own “spines and ribs” (5). The metaphor of a skeleton reflects how the mountains are merely a shell of what they once were, as described in their formation. Nevertheless, this is not to say they are invariable nor no longer powerful. In a line that transitions between the mountains being described in the present with a serene tone, and the fierce tone that follows, the author says, “history has folded these ranges” (6). The personification of a powerful force like