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The Power Of Tension In The Crucible By Arthur Miller

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Throughout this play Arthur Miller reveals his expertise in creating very tangible tension, resulting from frustratingly easily avoidable circumstances, within which he expertly manipulates his readers to experience the desperation of his character’s first hand. This extract, in particular, is important because it is the climax of the play’s more prominent themes; the epitome of desperation and hopelessness which establishes the play’s tragic and bittersweet ending. The Crucible revolves around the pre-established relationship of the three central characters: John Proctor, Elizabeth Proctor and Abigail Williams. Act 3, is the only time all three characters are present together, therefore it is unsurprising that this should be the play’s climax, as the three struggle to resolve their prior disputes. What is particularly interesting however, is that there is shown to be several power shifts between the characters which are ultimately pointless, as they do nothing to change the narrative’s trajectory. The power arguably begins with Abigail, the stage direction “Danforth [weakening]” shows Abigail’s authority over the most powerful man in Salem as she effortlessly breaks his resolve, moreover she is not afraid to give “an open threat”. Miller places stress on the “you” of “Let you beware, Mr Danforth” by italicising the pronoun. This is significant because Abigail is directly addressing the leading judicial figure in the witch trials without fear of what he might do to her;

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