Thesis On Desire

In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.

In the play A Streetcar Named Desire, author Tennessee Williams creates a strong relationship between gender and power, and asserts that when both are unchecked and combined a force is created which leads people to have no remorse while pursuing their desires. When the four main characters of the play interact we see how this force is detrimental to the weaker characters. Being both immensely masculine and powerful causes Stanley to torment the other main characters while chasing what he wants. While Blanche possesses a domineering personality she is not masculine meaning society does not grant her the same level of power Stanley possesses, allowing him to triumph over her. Mitch is masculine but does not boast enough confidence to be powerful, and is therefore bullied and manipulated by Stanley. As Stella is neither masculine nor confident and powerful, she falls victim to repeated physical and emotional abuse by Stanley.

From the very title of the novel and beginning poem Levi implores us to consider the essence of what it is to be human, presenting to us the thought-provoking question, if this is a man? Levi this way allows us to engage on an emotional level with the events of the holocaust and examine our own consciences, and as he details in his preface ‘furnish documentation for a quite study of certain aspects of the human mind’, and accuses society of subconscious reasoning that ‘every stranger is an enemy’. In explicit stripping the prisoners depicted in the text of their humanity, making this uncomfortably apparent to us as we are consistently encourage to draw comparisons, or rather contrast, with our own lives and hence are perhaps

The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?

In Tennessee Williams’ play A Streetcar Named Desire, Blanche DuBois is thrust into a series of unfortunate events and undergoes drastic changes in an effort to come to terms with her completely changed life. Through these events, Blanche happens to be the only remaining individual left to take care of the once valuable and prestigious family belongings, and her psychological mind spirals out of control in her attempts to restore the family’s honor. In addition to experiencing loneliness and feeling isolation from humans, Blanche faced many new challenges in stressful situations, which contributed to her poor decision making skills and inevitable negative outcomes in most of those situations. Through the characterization of Blanche DuBois, Williams’ intends to display the power of significant experiences in one’s life, which serves as a warning of how the effects of significant experiences on individuals should not be underestimated. Unfortunately, in Blanche’s case, abandonment by her sister was the perfect example of an individual underestimating the result of their actions, as this action was the initiation point of the events that would eventually lead to her unfortunate fate. Specifically, Williams’ focuses on portraying the disastrous effects of human isolation, which is often the result of an individual’s mindless actions. Human isolation plays an important role in the outcome of the play, as Blanche is known to have been abandoned at a young age, and her

A Streetcar Named Desire written by Tennessee 0portray a play center and revolving around characters and New Orleans. The two settings are completely different we are introduced to Elysian Field where the Kowalski live and then Blanche from Belle Reve a high class society. Stella has written to Blanche “She wasn’t expecting to find us in such a small place. You see I’d tried to gloss things over a little in my letters” (31). Blanche meanwhile travelled to stay with the Kowalski on two streetcars which will ultimately determine her faith she longs for desire but could not bear the sign of death.

One could say that the novel is simply just how one group of people all succumb to desire, and how this leads to their downfalls. However, when viewed through the lens of Feminist Criticism, one can see that it is not that simple: Stella and Blanche are women of their time. They wish to have a happy home, with someone to love them and a comfortable life ahead of them. This is the wish that society has conditioned them to want- Stella would never strike out on her own and though Blanche does so, all it does is bring her shame and heartache. A Streetcar Named Desire displays the view of women in this society, and how, if they decide to stray from the path dictated, it will only lead them to self

What is the purpose of symbolism? In general, symbols provide the audience with a deeper and enriched understanding of the thematic development of a literary work. In Tennessee William’s A Streetcar Named Desire, light and the paper lantern, along with the action of bathing, highlight the overarching theme of fantasy versus inevitable reality.

In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.

There are nine types of heroes in this world, each of them with their own unique stories, plots, cliches etc. Among those is the classic tragic hero, one who is destined to fail no matter what. In a Streetcar Named Desire, the tragic hero is Blanche Dubois, an aging Southern Belle living in a state of perpetual panic about her fading beauty. In this essay it will be discussed what makes Blanche a tragic hero and how she compares to a typical tragic hero.

In the play A Streetcar Named Desire the tragic hero Blanche Dubois is a “Southern Belle” from Mississippi who was born to a wealthy family. Blanche is a former schoolteacher who says that she lost Belle Reve (family estate) due to cost of the funerals and deaths of family members, but she avoids the fact that she does not have a job or money when she goes to stay with her sister Stella and bother in law in New Orleans. She seems to be on the run from her past because of her husband’s suicide after she expressed her distaste on his sexuality. She later had many affairs trying to numb her grief on the death of her husband.

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

The nature of motivations is driven by an individual’s need to pursue self interest, which directs their course of action. One’s interest is dependent on their influences as well as ambition to achieve goals. In Tennessee Williams’ modern play, A Streetcar Named Desire, Stanley’s actions are directed by his need to maintain power in his relationship with Stella even when these actions are immoral or wrong. The setting of the play takes place in late 1940s of New Orleans; where relationships are predominantly patriarchal. Stanley initially lived life in a stable relationship, taking the dominant role as a man. However, when Blanche is introduced into their lives, Stella is reminded of her upper class roots, interfering the life Stanley originally had. When Stanley’s predominant role is being challenged, Stanley’s need to reattain his personal equilibrium develops, impacting his course of action and treatment towards others. Due to this, Stanley struggles with fear and uncertainty, resulting in increased violence and a short-tempered nature. Therefore, when individuals have strong motives to reach their ambitions, their actions follows, even when these actions may be morally flawed.

Marriage is of paramount importance in The Importance of Being Earnest, both as a primary force motivating the plot and as a subject for philosophical speculation and debate. The question of the nature of marriage appears for the first time in the opening dialogue between Algernon and his butler, Lane, and from this point on the subject never disappears for very long. Algernon and Jack discuss the nature of marriage when they dispute briefly about whether a marriage proposal is a matter of “business” or “pleasure,” and Lady Bracknell touches on the issue when she states, “An engagement should

In Tennessee Williams play “A Streetcar Named Desire” madness continues to get progressively worse in the lives of the main characters Stanly, Stella, and Blanche. Because of low self esteem and her delusional thought process Blanche is most affected by the madness. Blanche’s delusional life style leads her to compulsively lie, live a promiscuous life style, and alcoholism. Blanche tries constantly to deal with her own madness, but her delusional mental state is constantly effect by the people around her. Although she causes most of the problems in her life some of her madness is justifiable. By the end of the play Blanche can no longer fight off the madness and is sent to an insane asylum. Even though most of the madness that occurs