Transformation in Literature
Greek Philosopher Heraclitus once said “There is nothing permanent except change”. In Oscar Wilde’s The Picture of Dorian Gray, the theme of transformation is constant throughout the novel; however it is not portrayed as something that is permanent. Through the protagonist’s transformation, Oscar Wilde 's novel is suggesting that the hedonistic lifestyle, a lifestyle where gaining pleasure is the main goal of a person’s life, may seem like it is an exciting and wonderful way to live, however a person will slowly be corrupted if they are not careful in the way they carry out their lifestyle. Their life must be taken into their own hands and they must choose the people to be around and what they will do with
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Furthermore, Dorian Gray 's transformation wasn 't the only transformation in the novel; Painter Basil Hallward and actress Sybil Vane transform in different ways, while still conveying Oscar Wilde 's idea that in order to stay pure and keep one’s life in control one must choose carefully where and with whom one spends their time.
In the beginning of the novel Dorian Gray 's transformation is slow and he is not aware of what is happening to him. Only when his transformation is presented in front of his face does he even consider the fact that he is changing. After Dorian comes back from the theater, where he rudely “breaks up” with an actress he had been in love with, he looks at a portrait of himself that his good friend Basil Hallward had painted for him a few years back. He sees a change in what had been a flawless face; he thinks he sees what might be cruelty. He questions what he sees and asks "Had [I] been cruel?” (Wilde 81) He then realizes that he had been cruel to his “girlfriend,” the actress Sybil Vane. He finally sees that he is changing and he needs to stop being friends with the Hedonist, Lord Henry, the man who is corrupting him.
While Dorian Gray needs to have the proof in front of his face to be able to understand that he is slowly changing, it is clear to other characters that the innocent young man that was presented at the very beginning of the novel is no longer the same. Basil Hallward realizes Dorian’s change before anyone else.
In the society that Wilde has established, beauty is everything and is the only thing that matters to anyone in the story. Consequently, the need to be forever young changes Dorian for the worse as he descends down a road that he later ends up regretting at the end. His youth has led to “terrible beauty” (110) that has been “[defiled]” (132) as he has defied the law of nature, causing his true self to be
Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.
What good does it do a man to gain the whole world yet forfiet his soul? None, perfection, the goal we all reach for, yet is it really attainable to become perfect without giving something in return, possibly your soul. This is a theme challenged in the novel The Picture of Dorian Gray by Oscar Wilde. We see the tragedy of a young beautiful Englishman, Dorian Gray, who becomes a vain sinner dedicated to pleasure. Dorian's inner secrets and weakness of mind becomes his downfall. In this novel Dorian Gray's apparent perfection is destroyed by his weakness of mind and naiiveness, which becomes the downfall of his soul as his mind is opened to sin and Hedonism by Lord Henry Wotton.
In The Picture of Dorian Gray, Dorian, during the novel changes from innocent to deceptive. With the help of minor characters Lord Henry and Basil Hallward, Dorian’s evil desires are revealed to readers. Dorian’s relationship with Basil and Lord Henry reveals how certain people can bring different things out of you. As undergo different situations Basil and Lord Henry offers advice in two different point of views that helps Dorian make careful decisions based on deepest desires. Writer Oscar Wilde’s satirical tone in the novel makes fun of people who are caught up in their social class that expect the entire world to fall at their feet as they possess their claim to fame.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.
Dorian is introduced to Lord Henry Wotton. Lord Henry Wotton seems at the beginning of the novel to be the most corrupting character in the book, being the catalyst of Dorian Gray?s change in character, or realization of true character. Wotton is a cynical character, and is somewhat of a hypocrite, as Hallward rightly says (paraphrasing Charles 2nds epigram), "You never say a moral thing, and you never do a wrong thing" (4). For all his talk, Lord Henry remains a married man who chooses a life as a spectator rather than a carouser (Miller 385). From the instant of their acquaintance, Lord Henry causes an instantaneous difference in Dorian. "Lord Henry lives vicariously on the emotions and experiences of other people" (Shewan 376). Lord Henry awakens in Dorian feelings and thoughts Dorian has never had before, and Dorian feels overcome with awe. When asked about his negative influence on people, Lord Henry says," There is no such thing as a good influence, Mr. Gray. All influence is immoral?Because to influence a person is to give him one?s own soul?" (17). Dorian immediately develops an attachment to Lord Henry, one which Henry claims will be everlasting. Jeffrey Meyers explains, "If Hallward is the masochistic creator of Dorian?s aesthetic glorification, Wotton (who manipulates the vanity stimulated by the portrait) is the sadistic catalyst of his moral degeneration"(372). In fact, Ted Spivey claims that
However, in Greek days an intimate relationship between such a pairing was not uncommon. This idea is furthered by the way Basil speaks. On many occasions, he speaks to Dorian. On one such occasion, he says “It is quite true, I have worshipped you with far more romance of feelings than a man should ever give to a friend, somehow I have never loved a woman… From the moment I met you, your personality had the most extraordinary influence over me” (Wilde, The Picture of Dorian Gray). The subtext in Dorian Gray played a part in Wilde's lasting significance. The story is one that can be read and reread a million times. Some people identify with the characters; others are fascinated with the grim transformation that Dorian Takes throughout the story. No matter one's initial cause for reading the story one fact that is undeniably true is The Picture of Dorian Gray is a story that can be analysed in a million different ways to get a million different answers. This ability to be interpreted a million different ways from Sunday in the beautiful thing that helped Wilde create an influence after his passing on November 30, 1900. It helped turn him into the legend he
One conflict shown in Dorian Grey is the conflict of identity portrayed in the novel by Oscar Wilde. The character Basil describes Lord Henry to be a very influential character to another’s identity, for example, ‘Don’t spoil him. Don’t try influence him. Your influence would be bad.’ Spoiling Dorian shows that he is pure, and should not be tainted by Lord Henry’s character; this shows that Lord Henry is impure in thought and in his actions and this impacts his approach towards others. As Basil says this, it shows that he understands the flaws in Lord Henry’s character, but also his power in manipulation, especially towards someone like
Basil begins to notice this corruption in Dorian's face right after Dorian meets Henry. When Basil is painting Dorian, he notices a change. Basil "...deep in his work, and conscious only that a look had come into the lad's face that he had never seen there before" (Wilde 13). Dorian is loosing his innocence and purity due to Henry's influence and Basil can detect
In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.
In The Picture of Dorian Gray, Oscar Wilde is able to show how possessions can change a man so drastically. Over the course of the book the readers examine how many items such as the painting, the yellow book and much more, shape and alter Dorian from being outgoing, likable, and overall good to secluded, manipulative and most of all deceitful. Dorian gray has many motives for being deceitful that help develop the characters, and change the way they interact with each other.
In the book The Picture of Dorian Gray by Oscar Wilde the three main characters Dorian, Basil, and Lord Henry all have their wants and desires. But the undisputed protagonist is Dorian himself, Dorian in the beginning of the book is an impressionable young man who seems almost pure like a child was changed dramatically through the book. He was changed by things like events and people around him,most notably Lord Henry who pushed his own hedonistic views upon Dorian.
In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)
Finally, Wilde says that he would like to be Dorian but in another time. Dorian starts out as a handsome, wealthy gentleman that's innocent. He is quickly seduced by Lord Henry's words and starts to live life for all its pleasures. These acts are obviously not accepted by the public and with his picture taking all the flaws, his image is never damaged. In my opinion, I believe that when Wilde said he wants to be Dorian, it's because he wishes that he could "get rid of a temptation" by yielding to it,