Oscar Wilde explores the theme of outsiders in his 1890 novel, The Picture of Dorian Gray. He infuses what it means to be an outsider in almost every character in the story. The most important of these characters are Dorian Gray, Henry, and Basil. Each show what it means to be an outsider in his own individual way; whether it is an outsider among society, among a group of friends, or from a person’s own self. The main character, Dorian Gray, possesses most attributes of being an outsider. The most obvious way is being an outsider from himself. The picture of Dorian ages, while he doesn 't, thus he is outside of himself or his soul. Dorian is torn between doing what is right and giving into his desires, making him has conflicting emotions and causing him to be an outsider from his own self. He can also be considered an outsider among his peers. Whereas they thrive in being mean and uncaring, he tries to be good. For instance, Henry pressures Dorian to not let on that he knows Sibyl, although Dorian feels badly about this at first. Another prime example of this is in chapter 19, when Dorian announces to Henry that he will change his ways and be good, claiming he has already changed a little. Throughout the novel, Dorian behaves like an insider by constantly conforming to Henry, but in reality he doesn’t want to. He tries very hard to resist giving in and believes by completing a few good deeds, such as leaving Hetty alone and not corrupting her, will set him back on the path
MWDS : The Picture of Dorian Gray ! AP English IV Title of Work: The Picture of Dorian Gray Author: Oscar Wilde Date of Publication: 1890 Genre: Gothic Biographical Information Oscar Wilde was born on October 16, 1854 to Sir William Wilde and Jane Wilde, the second of three children.
Oscar Wilde’s only novel, The Picture of Dorian Gray, revolves around a young man who has his wish of eternal youth granted. His age and sins are absorbed by his portrait, while he remains youthful and physically untouched. Ultimately throwing immortality away by not living as a proper human with morals, but by sullying his soul, demonstrated by the growing hideousness of his portrait throughout his his life. Wilde by using foil characters, choice of diction to employ emotional response, and an allegory within his novel, showcases human nature’s susceptibility to corruption. Surrounding the protagonist, Dorian Gray, are two juxtaposing characters: Basil Hallward and Henry Wotton.
There is an old saying that declares: “Beauty is in the eye of the beholder”. This suggests that beauty is subjective, and lacks a concrete contextualized definition; what is perceived by one individual as attractive, may be, by another, considered unattractive. Regardless of the subjective nature of beauty, society still conforms to beauty ideals, which are propagated and fueled by the media. The beauty ideals that are self imposed by society are problematic because they are unattainable, and galvanize society to reject or promote people based on their outward appearance and hold people’s inner beauty in less regard. The imbalance between physical (outward) appearance and inward is a key theme in both The Picture of Dorian Gray, and The Phantom of the Opera. In both novels, the main characters are subject to judgment that is overwhelmingly directed at their outward appearance, and we see an over-emphasis of the superficial, which ultimately leads to their downfall. Another important thematic element present in both novels is that the main characters have conflicting dual personalities that have changing roles as the story progresses. A contrasting thematic element in both books is the excessive praise that the main character in The Picture of Dorian Gray received, and the excessive criticism that the main character in The Phantom of the Opera received, both leading to negative outcomes, and the characters’ ultimate demise.
As the novel goes on so does Dorian's life. He begins to be under the control of Lord Henry to some degree. He also begin's to spend more time with Lord Henry, who is
The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.
“England is bad enough I know, and English society is all wrong” (Wilde, 145). The Picture of Dorian Gray and The Importance of Being Ernest are both ingenious literary works by the witty Oscar Wilde. The lead roles Dorian Gray and Jack Worthing are the perfect examples of how the Victorian society was phony. Although one is tragic and the other comedic both works by Oscar Wilde offer a social comment on the hypocrisy of the Victorian Era. Through the protagonist’s superficiality, deception and consequence of living a double life such comments are presented. While their superficiality and ability to deceive people are quite similar their consequences for their actions differ a great deal.
Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become
The Picture of Dorian Grey as a novel in the Victorian Era was shocking to readers of the time due to the open nature of topics like: sexuality, greed and corruption. A Freudian perspective of the characters: Basil, Lord Henry and Dorian can be seen as the Id, Ego and Super Ego. Basil is the Super Ego, he conforms to a certain extent and tries to make Dorian lead a moral life when it comes to desperate times of the loss of the 'real Dorian'; Lord Henry can be seen as the Id, the immoral character who tries to convince Dorian to submit to his natural urges and passions; Dorian is the Ego, one who in the beginning is in between the two and has a power struggle within as to how he should act as a character in the novel. In answering this question and exploring the conflicts shown in the novel one must look at the gender, identity and sexuality.
In The Picture of Dorian Gray, Oscar Wilde is able to show how possessions can change a man so drastically. Over the course of the book the readers examine how many items such as the painting, the yellow book and much more, shape and alter Dorian from being outgoing, likable, and overall good to secluded, manipulative and most of all deceitful. Dorian gray has many motives for being deceitful that help develop the characters, and change the way they interact with each other.
In the book The Picture of Dorian Gray by Oscar Wilde the three main characters Dorian, Basil, and Lord Henry all have their wants and desires. But the undisputed protagonist is Dorian himself, Dorian in the beginning of the book is an impressionable young man who seems almost pure like a child was changed dramatically through the book. He was changed by things like events and people around him,most notably Lord Henry who pushed his own hedonistic views upon Dorian.
Art, what is Art? It is an ambiguous matter: without an exact form, an exact meaning. Does it have any rules or restrictions? However, it can be a great influence on the lives of people. In the novel, The Picture of Dorian Gray, two lovers have fell in and out of love due to Art!
Throughout his life Oscar Wilde had many strong influences exerted upon him. During his early childhood his mother influenced him and into college some of his professors and certain philosophers left a substantial impression upon him. Into adulthood these influences leaked out in his writing. These influences gave him ample ideas for writing The Picture of Dorian Gray. Wilde's study of the Hellenistic ideals of Epicurus, his coddled lifestyle as a child and his devotion to the movement of Aesthetics and Moral Ambiguity have produced one of the most astounding works of horror fiction.
Wilde describes the younger Dorian Gray as a stunningly handsome young man, pure inside, untouched by corrupt influences and unaware
In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)
Dorian Gray is introduced as a shy, innocent young man, but signs of moral corruption initially emerge following his introduction to Lord Henry. When Lord Henry explains how important youth