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The Negro Speaks Of Rivers

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Langston Hughes was an American poet, novelist, and playwright whose African-American themes names him a primary contributor to the Harlem Renaissance of the 1920s. After moving from several cities, Hughes and his mother finally settled in Cleveland, Ohio. During this time, Hughes began to write poetry. One of his teachers introduced him to the poetry of Carl Sandburg and Walt Whitman, both whom Hughes would later cite as primary influences.
By the time Hughes was enrolled at Columbia University in New York, he had already launched his literary career with his poem “The Negro Speaks of Rivers” in the Crisis, edited by W.E.B. DuBois. He also committed himself to writing mainly about African Americans. Leaving Columbia in 1922, Hughes spent the next three years in a succession of menial jobs and traveling abroad. He returned in late 1924, but by then he was well known in African American literary circles as a gifted young poet. Early on he was heavily influenced by the works of Walt Whitman and Carl Sandburg. Black poets Paul Laurence Dunbar, a master of both dialect and standard verse, and Claude McKay, a radical socialist who also wrote accomplished lyric poetry influenced Hughes as well. However, Sandburg, who Hughes later called “my guiding star,” was decisive in leading him toward free verse- a radically democratic modernist aesthetic.
Langston Hughes rose to prominence during the Harlem Renaissance. His first two books, The Weary Blues (1926) and Fine Clothes to the

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