The Nature Of The Sirens In Greek Culture

The portrayals of the Siren in The Odyssey and “Siren Song” can be compared through point of view, tone, and imagery. In Homer’s poem the Siren is seen as an irresistible desire, a toxic aspiration that manipulated and captivated men to come closer. In “Siren Song” the Siren is portrayed as merely a taunting boredom. She herself tells us that to her it is boring, “But it works every

    In ancient Greece the females were considered to be conniving and deceiving whisperers, and men almost never trusted their wives.  The ideal woman was an obedient and placating wife.  They believed that the female should be strong but still yield to the power of the male in charge, whether it was older brother, father, or husband.  Euripides often used females in uncommon ways; he did not simply show them as complacent animals.  Women in Euripides' plays were used for social commentary.  They were not just simple characters; they could be both agathos and kakos.  The females in the works of Euripides were extremely strong and devious and they were loyal but at the same time

The Sirens in the Odyssey represent more than just a maritime danger to the passing ship. They are the desires of man that he cannot have. The Sirens can also be construed as forbidden knowledge or some other taboo object. Whatever these singing women actually are, the sailors are wise to avoid them. As usual, the wily Odysseus cheats at the rules of the game by listening to their song under the restraints constructed by his crew.

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the

Although men are the Epic characters of Gilgamesh and The Odyssey, women also play a very important role in both stories. In general, these two stories portray women as being overly sexual, deceptive, and having a power over men. Women use their sexuality to hold control over men, to confuse and deceive them.

Greco-Roman mythology displays a tendency toward depicting women as either radically weak and submissive or radically monstrous. In this way, Greco-Roman mythology reflects the ambiguous position of women in Greek and Roman societies. Female weakness reflects the overwhelming power of men, while monstrousness and rage seem the only ways women can rebel against the existing social order.

Hesiod leaves no doubt that the existence of women is on balance a terrible thing for men. Zeus ordered Hephaistos to create women as a punishment for his having been decieved.. Women were to be a poisoned gift for men, which "all shall take to their hearts with delight, an evil to love and embrace" (W&D, 57-59). In the Theogony women are called "a great plague" because they are "ill-suited to Poverty’s curse, but suited to Plenty" (592-93), among other flaws. While Hesiod offers some well-turned phrases in praise of womens’ good qualities, it is unmistakable that these positive attributes are all put there by Zeus for the sole purpose of making woman an "inescapable

The Odyssey, by Homer, was written with the Greek mindset that women were supposed to be submissive. If the woman in question was not submissive enough, she was depicted as cruel, selfish, a monster, or a whore. This is true for both mortal women, such as Penelope, and immortal goddesses, such as Calypso. Mortal women were expected to be good faithful wives who listened to everything the head of the household said, while goddesses were expected to follow the gods every order and were called sexist slurs if they ever got involved with a mortal man.

In the poem written by Homer, "The Odyssey", there is evidence of these views as pointed out by Sue Blundell. In her book, Women in Ancient Greece, she gives many examples but I would like to just touch on a few. Sue suggests many of the monsters encountered in The Odyssey are unmistakably female. Woman are to be seen as having a sexual power to engulf and obliterate men if they become to closely involved with them (Blundell, 51). This might explain why women are kept in check in Greek society and why men are not to be blamed for their

The Greek and Roman societies were a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the many pieces of literature involving Greeks and Romans we will see that the roles women portrayed are very different from women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the qualities of Greek and Roman female gods and looking at the roles women play in the myths.

   Ancient Greek society treated women as secondary citizens. Restrictions were placed on the social and domestic actions of many aristocratic women in ancient Athens.  The women depicted in Homer's Odyssey, on the other hand, are the ideal.  Penelope, Clytaemestra, Athena, and Helen are all women with exceptional liberty and power.

Greek creation myth highlights how men and women differ in their status and roles. Women were the inferior sex when compared to men, they were seen as intellects, and child

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.