The Mind of Kurt Vonnegut

In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become “unstuck in time” in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel.

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

Vonnegut includes himself in scenes within Slaughterhouse-Five to portray an “author-as-character” unique style. It is in the tenth chapter when Vonnegut switches points of view to reveal himself as one of the soldiers alongside Billy.

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

Again, Matheson points out the problem immediately by saying, “the first… [problem] is encountered in the unusual opening chapter where Vonnegut, apparently speaking as himself, gives an account of the novel’s genesis that cannot help but strike us initially as being carelessly written”(Matheson 1). Matheson is not fond of Vonnegut’s work, he not only dislikes the fact that there is not a single meaning to the book, but also the creative and eccentric style Vonnegut used in writing Slaughterhouse-Five. Slaughterhouse-Five is semi-autobiographical; the first and the last chapters are written in first person, and there are many similarities between Vonnegut’s life, and Billy Pilgrim’s life. In the first chapter Vonnegut identifies himself as the author when he is speaking to his friend on the phone by saying, “‘Listen— ’I said, ‘I’m writing this book about Dresden’”(Vonnegut 4). Critics seem to dislike the use of first person and the identification of the author because it is “irrelevant…[and leads] nowhere”(Matheson 1). The first person point of view comes back in the last chapter when Vonnegut says, “Robert Kennedy, whose summer home is eight miles from the home I live in all year round, was shot two nights ago”(Vonnegut 210). Vonnegut uses first person not to be annoying to critics, but to remind the reader that he experienced all of the events in his book, “more or less”(Vonnegut

The main event in the novel was the fire-bombing on Dresden during World War II, which both Vonnegut and Pilgrim took part of. Billy Pilgrim was constantly traveling back in time to WWII already knowing this tragedy was going to take place. But again, he went on with life because he knew he could not stop the bombing from

Kurt Vonnegut did a great job in writing an irresistible reading novel in which one is not permitted to laugh, and yet still be a sad book without tears. Slaughterhouse-five was copyrighted in 1969 and is a book about the 1945 firebombing in Dresden which had killed 135,000 people. The main character is Billy Pilgrim, a very young infantry scout who is captured in the Battle of the Bulge and quartered to a slaughterhouse where he and other soldiers are held. The rest of the novel is about Billy and his encounters with the war, his wife, his life on earth, and on the planet Tralfamador.

Slaughterhouse-Five has two narrators, an impersonal one and a personal one, resulting in a novel not only about Dresden but also about the actual act of writing a novel - in this case a novel about an event that has shaped the author profoundly. The novel's themes of cruelty, innocence, free will, regeneration, survival, time, and war recur throughout Vonnegut's novels, as do some of his characters, which are typically caricatures of ideas with little depth. Another mainstay is his use of historical and fictional sources, and yet another is his preference for description over dialogue. These aspects of Vonnegut's literary style make the adaptation of Vonnegut to the screen all the more difficult. Ironically, many Vonnegut novels flow with a cinematic fluidity. As described in Film Comment, "Vonnegut's literary vocabulary has included the printed page equivalents of jump-cuts, montages, fades, and flashbacks.

     Those who write on the human condition are often philosophers who write with convoluted language that few can understand. Kurt Vonnegut, however, focuses on the same questions, and provides his own personal answers with as much depth as that of the must educated philosopher. He avoids stilted language typical of philosophers, using shorter sentences, less complex vocabulary, humorous tangents, and outrageous stories to get his point across. With this style, Vonnegut presents the age-old question "How do we as humans live in this world?" in a manner appealing and understandable to the less educated mass. When offering advice to writers on how to write, Vonnegut said, "Our audience requires us

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

The war parts anyway, are pretty much true. One guy I knew really was shot in Dresden for taking a teapot that wasn't his. Another guy I knew really did threaten to have his personal enemies killed by hired gunmen after the war. And so on. I've changed all the names.

For the most part, Slaughterhouse Five follows this pilgrim throughout different parts of his life (again, not in chronological order), with the exception of the first chapter where Vonnegut removes himself from the story and reminisces on his own life. The story bounces between the bombings in Dresden, the optometry school in New York, and Tralfamadore, highlighting significant points in Pilgrim’s life that make him who he turned out to be before being shot under Paul Lazzaro's

The book Slaughterhouse-Five, written by Kurt Vonnegut, is an anti-war book about Vonnegut’s exposure to the vivid events that unfolded during his time at the slaughterhouse in Dresden, Germany and how it affected him. The story is told by Vonnegut through the perspective of the main protagonist, Billy Pilgrim. Billy was a survivor from WWII and the Dresden bombing, but after returning he claims to have traveled through time to explicit memories from life and had been abducted by Tralfamadorians (aliens). However, in the film Slaughterhouse-Five, directed by George Roy Hill, viewers see slight changes to the storyline. Viewers notice that in the opening scene that Vonnegut’s friend Bernard O’Hare and his wife, Mary O’Hare, are never

Kurt Vonnegut’s personal experiences of World War II and the firebombing of Dresden were important factors in determining his writing style and the political and philosophical views that it conveyed. Throughout his works, the overarching message that Vonnegut delivers is the need for love and compassion in a world where humans are helpless against an indifferent fate.

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian