The Man Who Was Almost A Man

Racism is an issue that blacks face, and have faced throughout history directly and indirectly. Ralph Ellison has done a great job in demonstrating the effects of racism on individual identity through a black narrator. Throughout the story, Ellison provides several examples of what the narrator faced in trying to make his-self visible and acceptable in the white culture. Ellison engages the reader so deeply in the occurrences through the narrator’s agony, confusion, and ambiguity. In order to understand the narrators plight, and to see things through his eyes, it is important to understand that main characters of the story which contributes to his plight as well as the era in which the story takes place.

The setting of the novel is a rural plantation in Louisiana in the Deep South. Most of the story takes place on Henri Pichot’s plantation. He is a wealthy influential man in Bayonne who can influence many decisions. Being set in the 1940’s before civil rights, the whites reigned supreme, and the blacks were still seen as inferior. Gaines uses characters such as Sheriff Guidry, Henri Pichot, and Mr. Joseph Morgan to demonstrate the white mentality towards African Americans (Poston A1). The white mentality causes many negative feelings. Folks says, “Part of Grant’s bitterness stems from his negative feelings about the black population in his hometown” (Folks B1). Grant is always mad and discouraged by the vicious cycle the blacks are put through. “The reader is able to gain insight into Grant’s thoughts and frustrations through his conversations with Vivian, his girlfriend. He feels trapped in his present situation” (Poston A1).

The story “The Man Who Was Almost a Man” was written by Richard Wright. Wright was born near Natchez, Mississippi. When Wright was five, his father abandoned the family so wright was raised by a series of relatives in Mississippi. Wrights education never went further than junior high school. Wright then moved to Chicago, where he joined the WPA Writes Project. Wright wrote many story’s in his time and was well known for them. “The Man Who Was Almost a Man” is about a kid who thinks is a man, so he goes out and buys a gun, then practice’s shooting it while working and ends up killing a mule then runs away. The theme of “The Man who was Almost a Man” symbolizes the coming of age, racism and self-deception of the kid.

In Richard Wright’s “The Man Who Was Almost a Man,” Dave finds himself throughout the course of the story. Throughout the story, Dave is constantly seeking the pleasure of obtaining and then eventually shooting a gun in order to be a man and find himself. However, Dave does not expect the consequences that are to follow the pursuit of pleasure. The moral of the story pertains to the role pleasure and its consequences have in development and finding oneself. The story narrates a common, but little talked about problem, that runs rampant in today’s society. In the story “The Man Who Was Almost a Man,” Richard Wright illustrates Dave’s development, or lack thereof, through the symbols of the gun, the train, and the mule.

In life, there are many decisions that everyone must make. And with decision-making comes consequences, some that we are ready for , and some that we may not be ready for. The author of ' The Man Who Was Almost a Man,' Richard Wright, portrays a young man who wants to be a man, but shows that he is clearly unprepared for manhood and the consequences that come with that responsibility. Through decision making based on self interest, wanting to gain respect from his family, and wanting to prove his dignity, Richard Wright brings forth the main character, Dave, a seventeen year old boy, whose actions show that he is only 'almost a man.'

Written in a brilliant way, Ralph Ellison’s “Invisible Man” captures the attention of the reader for its multi-layered perfection. The novel focuses an African American living in Harlem, New York. The novelist does not name his protagonist for a couple of reasons. One reason is to show his confusion of personal identity and the other to show he is “invisible”. Thus he becomes every Black American who is in search of their own identity. He is a true representative of the black community in America who is socially and psychologically dominated everywhere. The narrator is invisible to others because he is seen by the stereotypes rather than his true identity. He takes on several identities to find acceptance from his peers, but eventually

The Man Who Was Almost a Man is a fictitious short story about an uneducated black boy's quest to become a man. Growing up in the early 1900's was a very hard task for most black people. The lack of education was one of the hardest hills they had to overcome to

Throughout all of the history of the United States of America, race has been a prevailing issue. Although the ways in which racism presented itself has changed, the prevalence of the problem has not. Ralph Ellison’s The Invisible Man does an excellent job of allowing some insight into the way racism has and still does impact the life and self identity of affected individuals. In this book, the narrator is faced with the challenges that come with being an African American in mid 1900s. The struggle first becomes something the narrator is aware of when his grandfather utters some troubling advice on his deathbed. He said in order to succeed in a white man’s world, you have to

The short story, “ The Man Who Was Almost a Man”, by Richard Wright, clearly speaks to the reader that age does not define maturity through Dave Saunders’ thoughts, actions, and interaction with others in his environment. The events and dialogue that unfold within the story clearly communicate that the mule and the gun are representative of the conflict between Dave’s current lack of power and the power he hopes to achieve. In the story, the gun symbolises Dave’s will power and how he wishes to be, powerful and well-respected; Dave almost idolizes the gun, “Lawd, ef Ah only had tha pretty one! He could almost feel the slickness of the weapon with his fingers”(4).

The Man Who Was Almost a Man, tells the story of a young seventeen year old teenager, named Dave Saunders, who finds himself struggling with the need to be taken seriously as an adult, while still being seen by his community, as merely a boy. Published in 1961 and written by Richard Wright, this short story focuses on the common struggle of young African American men in the South trying to find their identity outside of the box that the United States society put them in at the time. Dave felt that in order to prove that he was a man; in order to receive the respect he thought he deserved from Black and White Americans alike, he needed to purchase a gun. This, of course, proved to be of more harm than good, as Dave found himself incapable of using the gun correctly, and what resulted was the death of his employer’s mule. Dave then, after creating a nonsensical lie that does not convince anyone, decides to skip town in order to avoid the responsibility of taking up for his actions. When taking into consideration the story line and its relativity to the South during the 1920s, when the story is set, it’s clear to see that Dave Saunders’ story is more than what it seems to be on the surface. Dave Saunders’ story is a reflection of common coming-of-age struggles, and even more than that, the common African American struggle of trying to find power when everything surrounding you, and society as a whole, is telling you that you’re powerless; a struggle that is still very

What does it mean to be a man? This question is an abstract, complex, and profound inquiry into the essence of manhood that humanity may never truly discover a conclusive understanding. The various facets that encompass the concept of manhood are numerous, but the often unexplainable connection amongst power and manhood seems to be a mainstay in the opinions of men regardless of race, gender, or sexual orientation. In Richard Wright’s short story, “The Man Who Was Almost a Man”, Wright addresses the relationship between power and the desire to become a man. Throughout this literary piece, white men and black men engage in conflicts of power both within their ethnic communities and across racial groups. However, the aspiration of a young black boy named Dave to obtain power in order to ascend into manhood is the focal point of this short story. Dave’s attempt at transitioning from a boy to a man is an arduous journey that arguably concludes in failure (Wright, 3-18). Although written to supply Dave a means to achieve power and manhood in a new environment, the conclusion of “The Man Who Was Almost a Man” could have been fashioned in an ironic and heartbreaking manner which would ultimately grant Dave the intangibles he seeks. In this same thought, composing an alternative ending in which Dave shoots at Mr. Hawkins’ house accidentally killing his own father, Bob Saunders, would have further addressed the dynamics surrounding boyhood and manhood hopefully revealing the

1. In what ways does Dave, the central character in "The Man Who Was Almost a Man", fail to come of age? How do we, as readers, know that he is a privileged individual for his place and time? (Think about education and socio-economic class.)

What does it mean to be a man? How does one qualify for the title? Is the term "man" simply referring to male human beings, or does it hold a greater measure of meaning in society. In order to get more insight into this subject matter, I consulted, " The Tormont Webster's Encyclopedic Dictionary". As I anticipated, the first definition for man stated as following: "An adult human being as distinguished from a female". This definition, did not surprise me, but what did ,was what followed it , it stated: A male human being endowed with such qualities as courage, strength, and fortitude, considered characteristic of manhood". To be a man in our society one must posses such qualities, along with honor, reliability and endurance. This

Power binaries are a prevalent feature in all societies, past and present. One group in power holds the position at the top of the binary and, in doing so, pushes those who do not fit into the group to the bottom, socially and politically powerless. During the 1930’s in America, the most significant binary was the division between whites and people of color, specifically African Americans. (“Historical Context: Invisible Man”). Ralph Ellison’s novel Invisible Man explores this time period through the story of an unnamed narrator struggling to find his individual identity as a young black man in a world that is constantly holding him down. The trials and tribulations the narrator endures and the people he encounters on his journey exemplify how the imbalanced power structure of a racist society will not truly allow even successful people of color to obtain substantial power unless they twist the definition of power itself.

When writing fiction, there are certain rules that authors need to follow in order to create good fiction. Good fiction would be one that follows these 3 rules: character’s behavior is consistent, character’s words and actions spring from motivation, and characters are plausible or lifelike. For a character to be lifelike or plausible it means that the character in the story is presented as someone who you could meet in the real world. In good fiction, the reader will be able to immerse themselves into the book so well that the reader will forget that they are even reading a story. An example of good fiction would be “The Man Who Was Almost a Man” by Richard Wright. Wright’s main character Dave possesses the three necessities that would