The Man Of The House Character Trope In The 1950's

The Twilight Zone and Full House are both two family sitcom television series expressing one group as a family to meet or reflect society. Full House, produced by Jeff Franklin, is a family who faces many struggles and obstacles that reflect many American’s in today’s society. The Twilight Zone, produced by Rod Serling, is a five season television series taken place in the 1950’s. This shows provides multiple genres in each episode followed by an unexpected plot twist leaving audiences thinking more in depth about the present time. Both television shows demonstrates family values and social norms to meet modern societies expectations through rationality.

Full house is an American sitcom television series that’s about a widowed father named, Danny Tanner, his brother-in-law Jesse Katsopolis, and his best friend Joey Gladstone, who help Danny raise his three children, D.J, Stephanie, and Michelle. Full House came out around the late 1980s, unfortunately, due to the the increasing costs of producing the show the series was cancelled on May 23, 1995. As a young child, Full House may have seemed as your ordinary American sitcom that is about love, friendship, and family. But that is not the case in this show, as young adults and re-watching the show again, you may stumble upon the deeper meaning and messages behind the show that is significant to society today. Such as, Full house breaks gender stereotypes and it has strong, real, and important life lessons for children.

The setting is a lower class Melbourne suburb, adjacent to an airport. The head of the Kerrigan household, Darryl Kerrigan (Michael Caton), is simple, but a man of incredible pride. He is a typical Aussie bloke who is adored by his family yet disregarded by society. Nonetheless, seemingly oblivious to reality, Darryl lives and rules in his own home, which he calls his castle. "A mans home is his

As society has continued to evolve socially, politically and culturally, so has the persona of television. Societal transformations have shape and reshaped television throughout its history. Programs ranging from ethical series to variety shows to family sitcoms mirrored not only the audience taste of entertainment, but also the change of values within society during the increase in television use. Gender roles and a strong sense of family intimacy were among the most prominently highlighted transformations reflected in television. Women and family contribute significantly when analyzing the antiquity of the television. Television programming was designed to emphasize family togetherness through illuminating the importance of domestic household maintenance. Domestic sitcoms, such as The Donna Reed Show exhibited these liberal roles in which women were expected to subjugate to subordinate statuses and confine their

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the

Everyone is entitled to their own opinion, and when it comes to the television series, Family Guy, everyone does. A person either loves the series or absolutely hates it. Antonia Peacocke voiced her opinion on the hit series in her article, Family Guy and Freud: Jokes and Their Relation to the Unconscious. At first she was just another addition to the other Family Guy haters, but she eventually came around and saw the humor after the hard to swallow punch lines. “Family Guy does not aim to hurt… creators take certain measures to keep it from hitting too hard.” Peacock says (307). What the creators are reenacting in the shows are not exactly, socially

The television shows from 1950 to the present are connected in many ways. The characters showed in the 1950s television show called Leave It To Beaver all have white coloured skin and portrayed as a happy, perfect family. As the decades increased, the nuclear families turned into blended families, and the television shows started to have coloured characters. The families started to have problems and social situations. The viewer sees the conflicts inside the family begin as the years progress. For example, in the 2000's we examined a television show called Arrested Development. The show portrays the characters as if they are troubled and have problems. The children do not listen to their parents but instead have

As early as 1950, television families have depicted not only the way we live today, but also the way we ought to live (Tueth, 2003). Hence, television has continued to present comedies about family life that ranges from the didactic model of domestic conventionalist and gradually to non-conventionalist ways of life. By conventionalist, I mean the depiction of the “nuclear” family that consists of clear roles, responsibilities, and gentle lines of authority that flow from the wise dad and understanding mom to the obedient children (Kutalas, 2005). Examples of these types of shows between 1947 to 1990 that constructed more than 60% of family sitcoms included: The Cleavers, The Cosby Show, Father Knows Best, Family Ties, and Growing Pains

However, it can be observed and said that they have always lived up to the image of “housewife” material or as a constant collaborator of a male role, instead of being the main character. According to Elasmar, M., Hasegawa, K., & Brain, M, on their essay the portrayal of women in the US prime television, “TV has portrayed females in many ways, studies have shown that women have been underrepresented and stereotyped in TV programs.” Women have been living under that invisible stereotype that has cornered them and does not allow them to grow professionally or socially. TV has been the master-mind behind a stereotype that has left women without the chance of demanding equality or credibility on shows, a stereotype that will always be mentioned and enforce if TV shows do not start producing real-world programs based on true stories or true qualities of

The 1950’s had a male dominant tone. Although wives were seen as the people who “ran the house” the husbands were going to work early in the morning and not coming home until night. A perfect example of what marriage supposedly looked like was the popular TV show “I Love Lucy” starting in 1951. Within months the show had millions of viewers becoming a

Sitcoms reflect the changes going on in the world to show what society is like. Sometimes it’s a show about nothing and oftentimes sitcoms actually affect the world. Sitcoms created gender role stereotypes for society and they did not always show an accurate representation of life. Early on, sitcoms were family focused and they eventually begin to shed light on different problems in society. Throughout the sitcoms The Trouble With Father, Sex and the City, The Mary Tyler Moore Show, and Bewitched women transitioned from being in the traditional role to being an effective part of the workplace. Women were portrayed differently throughout these sitcoms; they portray women to be leaders, submissive, or the fool.

The character trope of an independent woman in television has changed dramatically over the past 60 years. Women played minor roles and were never seen as a main character. They were used as props and were always seen with their husband and perfect children. The woman would play the perfect housewife and would make their man look good. Between 1970’s and now television has shown a wide variety of independent women such as single mothers, older successful divorced characters and happily married successful working mums. Television shows now depict relatable everyday female characters not picture perfect Stepford Wife types. This report will discuss and compare the past 50 years of independent women in television, from

It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.

During the 18th and 19th century, patriarchy has been responsible for designing women’s role in society. Throughout history, men have been deemed as superior while women have been regarded as inferior. Society has this ideology that women are the sole laborers of a household; they were not granted the same privileges as men. In addition, women have been negatively affected by stereotyping. Women have been portrayed on television as being submissive to men. The depiction of women on television portrays the implications of a societal view of women. From a man's perspective, an ideal woman is a housewife who does all the household duties herself. However, over the years, studies have shown that gender roles have slowly advanced. Women began

House is one of the most favorite American TV shows which has seen its twists and turns and has managed to keep its viewers mesmerized for several years. The very theme of the drama originates from the fact that everybody has a tendency to lie in given circumstances and also other humans cannot be trusted. This same theme is reflected in every action of the lead character Dr. Gregory House. House can be seen as a detailed analysis of how humans react to each other's actions when there relations are doubt driven and also, it is the curiosity in human's nature which acts as the basis for many inventions and diagnosis.