The Lorax, And Moths Of The Lim Timberlost

Rachel Carson is a noted biologist who studies biology, a branch of science addressing living organisms, yet she has written a book called Silent Spring to speak about the harmful effects of pesticides on nature. Carson doesn’t write about birds’ genetic and physical makeup, the role of them in the animal food chain, or even how to identify their unbelievable bird songs, yet strongly attests the fight for a well developed environment containing birds, humans, and insects is just and necessary. To Carson, the war for a natural environment is instantly essential for holding on to her true love for the study of biology. Thus Carson claims that whether it be a direct hit towards birds or an indirect hit towards humans and wildlife, farmers need to understand the effects and abandon the usage of pesticides in order to save the environment by appealing to officials, farmers, and Americans in her 1962 book, Silent Spring. She positions her defense by using rhetorical devices such as rhetorical questioning to establish logos, juxtaposing ideas, and using connotative and denotative diction.

The Moths by Helena Maria Viramontes is a short story about a relationship between a teenage girl and her abuelita. Although, the title seems unfitting for a story about a loving relationship between family members the significance of the moths, in this story, has a much deeper meaning than one would think. Like many other aspects of the piece, the insects have a symbolic meaning in order to convey the author’s feelings during the time of her grandmother’s death. Throughout the story we see the use of multiple descriptions, settings, as well as dialogue in order to pass a message to the audience. The Moths is not only a story about death and brokenness, but a story about cures and peace. Upon further examination of this narrative, the story presents symbolic attributes about the main characters personalities, descriptions, and religious imagery that tell the story about a cure for brokenness, a rebirth of hope, and coming of age.

Annie Dillard’s piece “The Death of the Moth”, is about Dillard being reminded of the death of a moth she observes and how it relates to herself, this piece is a great depiction of the impact of life and death. Dillard describes her surroundings living in a rural area and within her bathroom is a spider which Dillard reminds of a moth that she killed in her past when she sees the web that the spider has spun and how it has caught many bugs including two moths. She is intrigued by the dead moth’s bodies and givings a vivid description of the bodies While describing the moth’s dead torn body she relates it to a personal experience from her past where she watched a moth die with candle two years ago. Dillard described the burning moth in vivid

Everyday people all over the world try to improve the qualities of their lives. Nonetheless, they forget that what they do can have severe harms and damages on the environment and other organisms. In the excerpt “A Fable for Tomorrow” from the book Silent Spring, Rachel Carson describes the disastrous and horrific effects of pesticides on the environment and animals of the town. In the essay “Our Animal Rites” by Anna Quindlen, she shows the inhumanity of animal hunting by human. Furthermore, she argues how human migration is destroying the natural habitats that belong to the animals. In the excerpt “Reading the River” from the autobiographical book Life on Mississippi, Mark Twain describes how he loses the ability to perceive the

In the book Silent Spring, Rachel Carson’s main concern is the widespread use of synthetic pesticides and their impact on the environment. Carson concentrates on a commonly used pesticide in the 1950s called DDT. She opposes the indiscriminate spraying of DDT because it has profound consequences on the environment, humans and animals. Carson collected information about how the DDT can cause cancer in humans, harm animals such as birds and remained in the environment for long periods of time. Subsequently, the chemicals in the pesticides are extremely harmful so she tries to raise awareness and convince others that there are better alternatives.

This book was focused on the concern of pesticides that industries, along with us as individuals, have been dumping (both knowingly and unknowingly) into water. Carson was concerned that the chemicals which the farmers spread on their fields, and even the chemicals we use in our homes (among others), in the end, might come back around and harm us. The beginning of the book tells a story of a place, that was once so beautiful, turned dead and ugly due to a “strange blight that crept over the area” and destroyed everything. Later in the book, she goes on to explain that chemicals, particularly one known as DDT, are the major cause of environmental damage and the near extinction of

Rachel Carson was a scientist and author who took a topic which had hitherto been only of interest to fellow scientists and opened it up to the masses. During her lifetime, she took up many causes in support of wildlife and the protection of species and protecting the natural landscape from potential molestation from developers and others who would destroy indigenous habitats. Among her many missions was to make people aware of the hazards of certain chemicals on the environment, such as pesticides on vegetation as examined in her most famous work Silent Spring.

Nature has played an enormous part in our lives. From the childhoods of unwanted or loved trips to the country to the issue of climate change, we have all had our part to play in the matter. And yet it affects us as well. Without the presence of nature, we would not be able to survive. Both Rachel Carson and Henry David Thoreau understand the necessity of nature and humanity's lack of love for it. However, they are not without any dissimilarity. Carson's "A Fable for Tomorrow" and Thoreau's Walden are both serious, persuasive pieces that consider the current habits of the American people to be harmful and use pathos as one of their methods to convey this message. However, the differences in time periods, messages, rhetorical effects, and approaches reveal a clear rift between the two works.

The Lorax by Dr. Seuss depicts a world ravaged by deforestation and suffering from other environmental crises. In the town of Thneedville, an aspiring capitalist begins to sell his new product and as a result of booming business, the cornerstone of his business pays the price. The trees, the only natural resource used in production, are harvested to the point of extinction. The lack of trees leads to soil erosion, air pollution, and species extinction. While this is a children’s tale and Dr. Seuss’s illustration may be quite extreme, it is a reality for future generations of our planet. Human involvement in ecosystems by clearing land for urban development, logging, and agriculture have all exacerbated the rate of decline in the region’s natural systems. The deforestation of rainforests for the cultivation of palm oil is causing the possible extinction of orangutans and exacerbating air quality issues in Indonesia.

‘“One could not help watching him. One, was, indeed, conscious of a queer feeling of pity for him. The possibilities of pleasure seemed that morning so enormous and so various that to have only a moth’s part in life, and a day moth’s at that, appeared a hard fate, and his zest in enjoying his meager opportunities to the full, pathetic’” (Woolf 1). She continually pities the fact that the moth continues to make the most of his desperate and futile situation. No matter his frailty and impending doom, the moth continues to carelessly dance around the windowpane, either because he is unaware that he will soon die, or because he chooses not to care about his demise. However, Woolf begins to realize that the moth’s strength is failing him, and she comes to the cold conclusion that he is at death’s door. Not soon after that, the moth senses that his strength is failing him, but even upon knowing his inevitable death, the moth continues to fight. Woolf’s heart goes out to the insect. ‘“It was superb this last protest, and so frantic that he succeeded at last in righting himself. One’s sympathies, of course, were all on the side of life (Woolf 2)’”. She resolves to root for the moth, and applaud his final protest against death. By the use of her writing style, Woolf has caused the audience to root for the moth’s final efforts along with her. By getting so emotionally

As human beings we’re all affluent to live on this fascinating place called earth. We live everyday normally just as every other human, animal or insect. But we eradicate insects and animals as if they aren’t as important as we are. Nature is being inherently demolished by humans who are oblivious to know that all living things on the earth have a purpose . However, Annie Dillard, well-known for her ambiguous nonfiction books help support the importance of nature and why we shouldn't intrude upon it. For example, Dillard’s excerpt from “The Fixed” about a Polyphemus Moth uses countless rhetorical strategies to construct a compelling message about the peace and beauty of nature, but it also illustrates how easily mankind can destroy it. Therefore, a part of nature is to be naturally

White’s thesis in The Historical Roots of our Ecological Crisis states that in order to confront the expanding environmental crises, humans must begin to analyze and alter their treatment and attitudes towards nature. The slow destruction of the environment derives from the Western scientific and technological advancements made since the Medieval time period. “What people do about their ecology depends on what they think about themselves in relation to things around them” (RON p.7). Technology and science alone will not be able to save humans until we adjust the way of thinking and suppress the old ideas of humans power above nature. Instead, we need to learn how to think of ourselves as being

In her essay Rachel Carson targets anyone who will listen as her audience. She wants to inform human beings of the effects chemicals have on the environment. Rachel Carson’s audience had little knowledge of the effects radiation and pesticides might have on nature or to themselves. She successfully enlightened her audience to the harm man was causing to the environment not only presently, she also wrote of future ramifications. She predicts “Future historians may well be amazed by our distorted sense of proportion. How could intelligent beings seek to control a few unwanted species by methods that contaminated the entire environment…?” (Carson 615). This statement might make her audience scrutinize their actions through the eyes of future generations.

In a chilling recollection of mankind’s current misdeeds towards the environment in “The End of Nature,” McKibben’s call for action is one paramount to the survival of the human race. In essence, McKibben argues that the futures of both nature and ourselves are delicately yet undeniably interconnected. Furthermore, he urges that “we” (ALL humans) are the deciding chip in said bond. By doing so, McKibben implies that action must be situated if we are to expect any change in such bleak a situation. This argument can clearly be found when McKibben speaks out on a myriad of environmental issues in the past, present, and future. McKibben begins to accustom readers to a pattern in which human ignorance juts out from past environmental experiences.

Although “The Death of the Moth” seems to be about the struggles of life and death for a moth, it is really about Virginia’s own struggles of seizing her moment. She is caught stuck in her thoughts to write something she can verbalize. It is through these struggles as a writer coming to terms with her own unhappiness, at her abilities to write the adventures of her story. Even if she feels happy and fights to write and express herself, the moth is the picture of that lucid writing. She was visualizing her writings through the moments of seizing what she had already pictured. In this writing, we are seeing her past and present struggles for life and the future.