The Levels Of Sinners In Dante Alighieri's Inferno

In Dante’s Inferno, Dante is on a journey through hell in which he sees the different versions of sins and what consequences come after the immoralities. The person who commits a sin usually has to suffer in some way that would show revenge for the law of God. Dante threatens the people and tells them that they basically have nothing to look forward to except for having to suffer being separated from the will of God. Since these works were written by Dante, he had the power to judge others and decide how they will be punished for their sins. These visions that he had could very well be all false prophecies and may not be believed by every person. One thing that Dante did was to give enlightenment to sins that people did not know and made people

Most Christians these days see every sin as equally bad. In other words, no one sin is worse or should draw worse punishment than another. In Dante's The Inferno, however, this is not the case. In The Inferno, the deeper one delves into Hell, the worse the sin that has been committed. The punishments that the souls incur are representative of the sins they committed in their corporeal state of being. Sins that affect others are considered worse then those that only affect ones self by Dante. The Wrathful in Canto 8 are lower down then the Hoarders and Wasters in Canto 7 because according to Dante, The Wrathful commit violent acts, or sins against others, while the Hoarders and wasters only against themselves. This is how one sin is

limbo, 2. lust, 3. gluttony, 4. greed, 5. anger, 6. heresy, 7. violence, 8. fraud, and 9. treachery. Dante journeys through hells layers and as he gets closer to the center of hell, the sins, and their penalties get crueler. In the first level, limbo, all the individuals who died before becoming Christians reside, including famous philosophers Plato, Aristotle, and Socrates. After limb, arrives the part of hell which is comprised of sins of the flesh: greed, anger, gluttony, and lust. In the last remaining circles, Dante witnesses’ souls that have committed severer sins such as; violence against God, fraud, false prophets, violent against nature, thieves, and hypocrites. The punishments for these sins are extremely painful, including souls being submerged in boiling blood and fire. The last circle of hell is treachery. This round is separated into four compartments corresponding to the gravity of their sins and all of the sould are stuck in the frozen

I think Dante’s description of Hell is a wonderful work of literature. Dante uses numerous literary techniques to describe his vision of Hell to the reader. In my opinion, one of the most affective techniques used by Dante is symbolism. It would be a very difficult task to compile a brief list of significant symbols from the Cantos that we read in class. Dante utilized many symbols throughout each canto. Some of the symbols that Dante used in Inferno are well defined and easy to interpret, while other symbols are much more difficult to recognize and understand. For this paper, I will be analyzing multiple symbols from Dante’s Inferno. Some of the symbols came from the Canto’s that were included in class

Dante’s The Inferno is his own interpretation of the circles of hell. The people that Dante places in hell tried to validate their offenses and have never seen the injustice of their crime or crimes. They were each placed in a specific circle in Hell, Dante has nine circles in his hell. Each circle holds those accountable for that specific crime. Each circle has its own unique and fitting punishment for the crime committed. There are three different main types of offenses; they are incontinence, violence, and fraud. These offenses are divided into Dante’s nine rings of Hell. Each of these rings has a progressively worse punishment, starting with crimes of passion and

Solely based on moral beliefs Dante's poem is obviously a deeply Christian standpoint. One might be surprised, then, to find that it is filled with allusions to pagan mythology and is populated not just by biblical figures, but also by characters of Greek and Roman myth and history. However taking place in hell on the evening of Good Friday through the morning of Easter Sunday in approximately the year 1300. The Inferno is an evil that is a contradiction to God's will; as most of the punishments of the sinners correspond symbolically to the sins they committed themselves. The walk through a dark and confusing world represents the life journey of men and women. Dante’s extensive literary treatment of death and afterlife aims to both comfort and warn; envisioning rewards for the

“The Christian church … conceived of hell as a place where the good were separate from the evil, and the deeds on earth were weighed and judges.”(Bondanella XXXIII) Hell is a place that was created as a punishment for those people who died with mortal sins and did not ask for forgiveness. In this case Dante’s hell in the Inferno is divided into three sections and nine circles. These circles within hell were based off of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Along with the seven deadly sins Dante’s Catholic religion also influenced him in his choices about who to put and where to put people in Hell. According to his beliefs, if you were not a Christian, you automatically went to Hell. (Trotter) As well even though Dante's hell affected all people no matter their religion, the representation of how Hell

Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The

In the first place, Christians of the new and old age primarily believe that after death their souls live on in the grace of God's presence. For example, in the Bible it states, “Jesus said, ‘I am the resurrection and the life. He who believes in me will live even though he dies.”’ In Dante’s Inferno, Dante is shunned by God’s grace and is trying to find his way back. In the concluding lines of inferno; “...and beauteous shining of the Heavenly cars. And we walked out once more beneath the Stars” (Alighieri 287). These last words represent Dante climbing out of the nightmare he called Hell and he is gazing upon the beautiful stars of Heaven. Which represents a sense of hope as if his sins are forgiven. Heaven and hell in the Bible have a rather vague description of the details embedded in the experience you will face in the afterlife. All that is very well known and established is Heaven is a place of light and God's love and Hell is the land in which you experience eternal suffering for your sins. These loose interpretations of hell are greatly represented in Inferno because Dante takes these thoughts and roughly based Christian ideology of the after life into his own “Visions of Hell” Henceforth, the Christian faith and ideas are the base to many other religions. Dante’s Inferno a like Christianity has multiple representations of faith including an abundance of Christian Beliefs.

Passing through the Hellgate and the surrounding area, which was an ante-inferno to torment people who were neither good nor evil, Dante and Virgil come upon the Acheron River where the boatman Charon ferries souls into Hell. Dante uses the Greek figure Charon to represent the 14th century religious belief that St. Peter held the keys to Heaven. When Charon questions Dante and Virgil’s mission into Hell, Virgil tells him that God has willed it, and Charon steps aside and allows Dante and Virgil to enter the boat. Just as Charon acted as chauffer between one world and the next, Christians at this time believed St. Peter held the keys to Heaven and moderated who entered. Dante draws on both of these perspectives when describing the people who were not accepted by either Heaven or Hell because they were neither good nor evil. Just as Charon can refuse neutral souls from entering Hell, St. Peter can prevent lukewarm Christians from entering Heaven. By creating an ante-inferno area where in-between souls experience constant agony and torture, such as being attacked by insects and eaten by worms, Dante encourages people to choose either salvation or sin, but not live heretical lives. The linking of Charon and St. Peter, especially regarding neutral believers, demonstrates that although there may be some gray areas, like the ante-inferno,

In Dante, we read of the "wicked city" which represents hell (22), but it would be fair to say that human beings in Dante's conception are subject to temptation, sin, guilt and the loss of innocence wherever they are on earth---in the city or in the country. Heaven is the only locale which offers human beings respite from such corruption.

In Dante's Inferno, Dante places people of all types into one of the nine different circles depending on what they had done in their life and what punishments they deserve. His religion is what said which sins made someone have to spend eternity in Hell and what sins were worse than others. Some of the sins Dante chose to be included in his own version of Hell are wrath, sloth, greed, lust, and gluttony. These sins were seen as some of the worst in the Catholic religion, which influences Dante’s decision to have them in Dante's Inferno. Some of the other sins Dante chose also exemplified his strong Catholic faith. For example, the people who fall in Limbo did not believe in God and in the Catholic religion, this means they were not saved and would therefore end up in Hell (Brantl 208). Dante, just like all catholics, believed that going against God was a sin. In Dante's Inferno, there are punishments for people who go against the catholic religion and the Lord as well as betray them. Dante’s religion also influenced his choices for whom he put in hell and where. According to Dante, no madder how good of a person you are, if you didn't believe in God and Christianity, you were sent to hell. Hawkins says that “…Limbo, the first circle of hell. It is beautiful, refined, civil, and dead. Knowledge may well be perfection, but it is the knowledge of God, the beatific vision, that is the journey’s true end” (107).

Dante’s Inferno is an epic poem that is clearly centered on his hate for Pope Boniface VIII. Dante’s “circles of hell” described so vividly in his poem are the result of Dante’s angst toward Boniface as he was once on top of the world until Boniface exiled him only because of his political opinions. Although, he does not clearly name Boniface in the epic he makes sure to include him in five obscure allusions. The first instance alludes to the incumbent pope before Boniface, Pope Celestine V, as the one “who made the great refusal” in the circle of neutrals; as he allowed Boniface to plant seeds of doubt in the months before he suddenly and unexpectedly resigned, leaving Boniface the Pope. The second allusion would place Boniface perfectly in the eighth circle, sixth pouch as the fraudulent sinner he was to prey on Celestine with his utter gift of fraudulent gab to gain a political position of power. The third, fourth, and fifth instances all point to his questionable practice of selling indulgences or absolution. So, therefore, just because he cannot directly mention Boniface in his epic due to him still being alive during the time of his writing, he still manages to make it a point to let him know there is a place for him in Hell.

     Dante Gives off a obvious bias in the story that he is a Christian. One way he shows that is that fact that the story is a journey through hell which shows a obvious relationship to the bible. Another clue that he has a Christian bias is the he believes that people in limbo “were born without the light of Christ’s revelation” (Ciardi 49). This show that he obviously believes in Jesus Christ. Another way that he leads the reader to