The Land Of Open Graves Summary

In Ruth Gomberg-Muñoz’s book, Labor and Legality: An Ethnography of a Mexican Immigrant Network, she allows us to enter the everyday lives of ten undocumented Mexican workers all living in the Chicago area. Ruth Gomberg-Muñoz refers to Chuy, Alejandro, Leonardo, Luis, Manuel, Omar, Rene, Roberto, Lalo, and Albert the ten undocumented Mexicans as the “Lions”. This book shares the Lions many stories from, their daily struggle of living as an undocumented immigrant in America, to some of them telling their stories about crossing the border and the effects of living in a different country than their family, and many other struggles and experiences they have encountered. Ruth Gomberg-Muñoz’s book delves into

In the novel Enrique’s Journey, Sonia Nazario demonstrates the onerous journey of illegal immigrants. Sonia Nazario aims for the readers to make them understand what most of the immigrants go through during their journey to the United States. By appealing to ethos and pathos throughout the book, Sonia Nazario portrays the path that Enrique undergoes to reunite with his mother.

One believes that the border is attacked by the ghost. Hundreds of people die each year while running away from border patrol, and violence from smuggling. The immigrants move here and there of borders to find a way to wealth of the America and sometimes find their way to death. It shows the heart rending situation of poverty and people fighting for death to earn. Some immigrants go back when there is problem in their home, and can never come back due to border security. This

apprehend lawbreakers, it was equally their duty to save the lost and the dying” (Urrea 18). The Border Patrol is the antagonist for the immigrants because when they get caught they send them back to where they came from. “Now they had a choice. Cross the road and stagger along the front range of the mountains, or stay on the road and hope the border patrol would find them” (Urrea 14). Throughout the story some Mexicans were wishing to get caught by the border patrol yes their enemy.

Acclaimed American author Richard Rodriquez’s autobiography “Days of Obligation” conveys that his feelings for both Mexico and the United States can be expressed through contrasts. Rodriquez uses pathos, tropes, and schemes to articulate his feelings. His purpose for writing about the contrasts between Mexico and California is to help readers understand the differences that affected his life. Rodriguez’s relationship with his literate audience is personal, since he is opening about his personal life and his views on it.

In his essay “The Country Just over the Fence,” Paul Theroux describes his trip to Nogales, Mexico. He begins his essay by illustrating the physical appearance of the wall separating Nogales, Arizona and Nogales, Mexico. He calls it “an unintentional masterpiece”. Theroux feels the wall is somewhat informal. He discovers that crossing the border into Mexico is not too difficult itself. He marvels over the appearance of the wall and also the underlying call to action it places on a person, “Do you go through, or stay home?” Theroux decided he needed to see for himself. After deciding to cross the border, he met many different people. They told him about the celebrations that used to be held between the two neighboring towns which are now divided by the wall. Theroux also met people who had attempted to cross the border illegally into America only to get sent back to Mexico. On his adventure, Theroux also learned about all the medical tourists who travel to the country for cheaper treatments, specifically dentistry. I am interested in discussing Theroux’s presentation of the his decision to cross the border, the people he met, and the medical tourism Nogales, Mexico draws in.

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

In the reading land of open graves by De Leon, discusses the dangers that millions of Mexican and central Americans face when trying to get into the United States undocumented. These people include people who have the dream of living in America and creating a new life where they can support their families. Also for those who have been deported back to Mexico being separated from their families and are in hopes of being reunited with their loved ones. These people face a hard battle ahead of them because they have to travel through the Sonoran desert of Arizona that is one of the largest deserts in North America. And have to deal with not only fighting the harsh desert elements, while only caring as many supplies as they can. They also have to deal with the structural violence that goes under looked that thousands of Mexicans have to face while migrating to the United States.

Throughout life, every individual must face obstacles; some more difficult than others. In the story “The Trip” by Laila Lalami, poem “Exile” by Julia Alvarez, and article “Outlaw: My Life as an Undocumented Immigrant” by Jose Antonio Vargas, there is a main character who has to face many challenges because of the fact that they’re immigrants. In all three texts, it is evident that being an immigrant has many affects on their lives. However, this label and the obstacles that come with it didn’t stop each character from pushing forward.

Jose Antonio Vargas, a Pulitzer Prize winning author, shares his life-long journey as an undocumented immigrant in his text, “My Life as an Undocumented Immigrant.” As the title suggests, Vargas attempts to convey to his audience, who likely never has and never will experience anything similar to what he has, what it is like to live as an immigrant in the United States of America. Skillfully, Vargas details the perfect number of personal stories to reach the emotional side of his audience, which is anyone who is not an immigrant. Through the use of his personal accounts Vargas is able to effectively communicate that immigrants are humans too while simultaneously proving his credibility, as he has experience and a vast amount of knowledge

In his essay Bajadas, Francisco Cantu explores the physical and emotional landscapes that shift during his time as a United States border control agent. He candidly writes about his experiences, using imagery to describe the physical landscape of New Mexico in a way that mirrors his own emotional landscape and answers the question that he grapples with most. Cantu writes, “There are days when I feel I am becoming good at what I do. And then I wonder, what does it mean to be good at this? I wonder sometimes how I might explain certain things…” (7). This important question is what drives Bajadas; it is what compels Cantu to write so vulnerably. Through a journal-like structure, Cantu details what his job requires of him and the way he treats

But what is a real American? A piece of paper? If not that, than how far back do you have to be able to trace your lineage to claim the right to live in this country? Author Jason De Leon aims to answer questions like this in his book, 'The Land of Open Graves: Living and Dying on the Migrant Trail '. De Leon, an anthropologist and expert in the field, took it upon himself to study the paths of immigrants coming into America through the Sonoran desert region in southern Arizona over the course of the last decade.

The article focused on a very interesting topic which is how owners of migrant labor camps determine who is allowed to see the residents of these facilities. Some instances they keep out unions, organizers, priest, lawyers, and program workers (Sherman and Levy 1971). This way these individuals will not interfere with the workforce of the individuals that own those labor camps. Controlling who is allowed to visit migrant homes is an injustice on the people who reside in those homes. Although this is an old article, this is important because it can be used in the background and touch on historical conditions these workers have faced living in farmworker labor camps, like prisoners and their rights violated.

The border between the United States of America and Mexico always had been always a theme for a lot of discussions. And, in the book “Sunshine/Noir II” Juanita Lopez and Michael Cheno described, through texts, their point of view about the topic. Both authors represent that the control of the border has become way more restrict and militarized. In that sense, Michael Wickert presents his idea in a poem form, text named “The border Is a Fight”, that describes the dramas of a Mexican family that has to cross the border every day in a hope to get a better future. Whereas, Juanita Lopez demonstrates it through an essay that uses personal narratives of the author’s relatives to illustrate her point of view. Therefore, the both authors exploit their point of views using different text forms, and figurative images, like metaphors and personification, for delivering their ideas in the way they do.

The Border Patrol may ask the immigrants about why they crossed the border illegally or they may not ask. Truthfully, what do the Border Patrol do after they ask? Often, we believe, the job is being taken care of regarding immigration and who could be cruel to women and children. However, these border patrol agencies are groomed to hunt immigrants like animals and criminals. In the article, “Looking Beyond the Wall,” author Robert Neustadt depicts a conversation with a border control agent, “I’m a junior agent, so I don’t get to go out to play as much. That’s what we call going out on Patrol, explains Wilson” (Neustadt, 2013, p.623). Leaving their home to