The Kneeling Statue Of Hatshepsut

A woman becoming Pharaoh had been almost unheard of in ancient Egypt until Hatshepsut was born. Hatshepsut was the second daughter of the pharaoh, Thothmes I. After her sister, Neferu-khebit, died, Hatshepsut was the next heir to the throne unless a male married her and became Pharaoh. After Thothmes passed away, Hatshepsut fearfully, yet confidently, claimed the throne and commenced one of the most successful She-Pharaoh reigns ever recorded. Pauline Gedge’s Child of the Morning explained the social, political, economic, and cultural aspects of ancient Egypt’s society during Hatshepsut’s reign as Queen and Pharaoh.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

The seated statue of Hatshepsut is dated around ca. 1473-1458 B.C. around the 18th dynasty in Deir el-Bahri, Upper Egypt. This statue is made entirely out of indurated limestone and has a height of 195 cm, width of 49 cm, and diameter of 114 cm. Many statues like this were found in her mortuary temple that has been ransacked and destroyed by bandits and pharaohs. I consider this statue to be in very bad condition because of its age and the history behind it. From first glance I noticed the statue has significant damage in many places. There are noticeable chips in the headdress, nose, and left eyebrow. The left hand placed upon left knee has completely fallen off while half of her right arm is missing. The

Throughout history, men typically dominated societies. Men have always appeared to have more respect and rights than women, depending on certain civilizations. In societies like Egypt, men were frequently pharaohs and today, are considered to be great rulers. Women were often expected to take the job of motherhood in Egyptian society. Although this was their anticipated responsibility, women, usually upper class and royal, were still permitted to get an education, to possess property, own businesses, have a job and be involved in military control. Women could also rule as pharaoh, which was an infrequent occurrence but did sometimes happen. Hatshepsut, for example, is one of the few women who became a pronounced leader in the ancient

In one respect, Hatshepsut is viewed as the female pharaoh who had a particularly unsuccessful reign that was devoid of any real achievements. Historians writing in the 1970’s and 1980’s often made sexist and unfounded assumptions about Hatshepsut’s rule, including her apparent scheming to take the throne from the

Hatshepsut is not only known for being a rare woman ruler during this archaic time period, but also for the representation of her in art- blending imagery of a male king with presentations of herself as a woman. During the early years of her reign, Hatshepsut had herself portrayed in the traditional garb of a woman. However, in the seventh year of Thutmose III’s reign, the year that Hatshepsut took over, she began to be portrayed in male attire, still attempting to further her legitimacy as Egypt’s ruler. The surviving representation in art varies on this masculine and feminine

Hatshepsut, also known as the king herself, was an extraordinary woman that ruled for many years. She had the audacity to portray herself as a man (Brown 2009). Her impact was mostly associated with the choice of declaring herself as a king and ruling in such manners for over 20 years. The impact she had on gender roles was significant because she never tried to hide her gender, yet she dressed as a king. Hatshepsut took a role that was never intended for women to have control of, and did the job as successful or even more successful than males in the same filed of work. During her time of ruling she created, renovated

While there are several notable Egyptian temples, monuments, and tombs; this paper will focus on the analysis and evaluation of the Mortuary Temple of Queen Hatshepsut at Deir el-Bahri, C. 1458 BC. First and foremost, it is important to identify the historical figure who influenced this construction of this temple. Queen Hatshepsut ascended to the throne of Egypt after her son’s passing and was the first and only female pharaoh in about 1473 BC; nearly a thousand years after the construction of the Pyramids at Giza. The

In the late 19th century, the Seated Statue of Ramesses II was uncovered in the Temple of Harsaphes, Heracleopolis, by Sir William Flinders Petrie (Horne 1985, 22). Currently, it rests in the Mummies Gallery in the Egyptian section of the Penn Museum. The king sits heroically with his hands resting on his lap and wears the nemes headdress on his head. Made of quartzite sandstone, the statue sits at an impressive height of 226 cm, with a width of 74 cm and length of 149 cm. On his arms, there are faint traces of red and the nemes headdress has touches of blue and yellow. When it was originally crafted, the statue’s colors would have been more prominent than they currently are; there also would have been a false beard inset that has been lost to history.

Amun and religion played a large role in Hatshepsut’s reign due to the use of a higher being to consolidate her reign. The limestone bust of Hatshepsut as Osiris, a portrait from her mortuary temple at Deir el Bahari depicts her as the male god Osiris, giving her a sense of power as she is depicted as a powerful god, god of

Hatshepsut became a dominant leader during the New Kingdom when she attained legitimate power when she declared herself as Pharaoh. After her husband, Thutmose II died prematurely; he had left a son named Thutmose III that was born to a lesser wife to his successor of the New Kingdom. As Thutmose III was quite young when he ascended the throne, Hatshepsut had the duty to co-regent with the young pharaoh. Together, they reigned for three years. Soon, political crisis started to arise which made Hatshepsut to take on the role of pharaoh in order to save her kingdom. When she enthroned herself, she started to make statues of herself having a beard, muscles and holding a flock and flail. She depicted herself as a man through these statues. Hatshepsut

During the time of Ancient Egypt, having strong Pharaohs was essential to the maintenance and growth of the civilization, as the Pharaohs were believed to be living Gods. Although leadership of Ancient Egypt was often male dominated, there were admirable female Pharaohs who successfully gained power and left behind a positive legacy; one woman to achieve this was Hatshepsut, meaning ‘foremost of female nobles’. Her innovation and determination allowed her to maintain her position of Pharaoh for about twenty years (1479-1458 BCE). Hatshepsut was considered to be a very successful leader because of her confidence and ambition, magnificent building projects, and establishment of a strong trading network.

The Large Kneeling Statue of Hatshepsut is a magnificent piece of art located in the Egyptian section next to many other statues of the great pharaoh Hatshepsut. Out of all the statues of Hatshepsut, the Large Kneeling Statue of Hatshepsut was kept in the best shape and caught a lot of attention from the people in the room. Its great size is something truly remarkable, considering it was built in the New Kingdom of Ancient Egypt. More importantly, this statue is the first structure in art that depicts a woman leader. Not only is it a truly unique piece of work, but also it is a piece that is revolutionary for its time. The massive size of this statue leaves one wondering if women have always been just as powerful as men, if not more.

The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.

Through the propaganda she used and hoodwinking of the general populace into believing that she was a man when she was quite obviously a woman, Hatshepsut was able to subvert the patriarchal order to become Pharaoh of Egypt in 1473 BC. By becoming the monarch, Hatshepsut forfeited her representation as a beautiful woman and instead “chose to be represented as a man in both statues and illustrations on temple walls” (Thomas, 2003, p. 9). In doing this she shifted the predominantly male-based system into one that accepted her as a female ruler. An ancient