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The Kill List Sociology

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The Kill List is a British horror film, considered hybrid, coinciding with black comedy, horror comedy, psychological horror, family drama, hitman action-thriller, war, crime thriller, cult, violent drama.
The film incorporates violence throughout, from the first scene with domestic disharmony, to verbal violence, continuing with actual violence, metaphysical violence with the hammer scene, violence between Jay and Gal, and ends with Jay violently stabbing the ‘Hunchback’.
As the narrative progresses, Jay sinks further into darkness. As Cherry states ‘horror films are socially reflective’ (Cherry, 2010: 169) and the film comments on fears and anxieties of a contemporary British society, the three figures on the kill list, representing institutional …show more content…

The family take on a macabre form, Shel piggybacking Sam, and Jay’s stabbing them on the ground, shown in slow motion, foreshadowing the final scene. When Jay and Gal want to abort the job, they are told their family will be killed. With no choice, Jay continues the job however the threat to family becomes internal at the cottage after Jay discovers his car tyres are slashed. However in trying to protect his family from the threat, the irony is that they die at the hands of him in the final scene.
During the argument, a medium shot shows Sam laid on his bedroom floor entertaining himself with a toy, overlaid with sound of his parents arguing. This informs the audience that this is nothing new. In the foreground, to the left of the frame is a toy castle, which hints at the horror genre but rather a contemporary setting.
In contrast to the family’s suburban location, the cult members are located within the landscape and represent the wilderness and unpredictable nature. The Kill List operates ‘within the subgenre of ‘Urbanoia’, essential elements binary oppositions - ‘modern’ against the ‘primitive’, ‘present’ against the ‘past’ (Rose, 2009) and

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