The Jackhammer Syndrome Poem Analysis

Many individuals will often experience the initial judgments of others due to their innate unconventional behaviour and actions. However, despite their strange, unfamiliar actions, they are able to embrace this individualistic nature that vastly differs from others. In the excerpt from The Orchid Thief, Susan Orlean suggests that when individuals decide to embrace their eccentric beliefs and values, they are capable of instigating unexpected positive change within society and affect other people’s initial perception of them. Furthermore, because of their desire to retain their own unconventional behaviour rather than succumb to the mainstream society, the individual is capable of developing a unique, distinctive identity and earning the respect

Obsession has been used as a controversial tool in literature for many years. It provokes strong feelings in people because of the different ways obsession can take form, whether it be soft and affectionate, or aggressive and violent. Often, the targets of obsession are females. In The Great Gatsby, The Virgin Suicides, Lolita and Fear, there are men who obsess over a female character. These female characters are all shown to be powerless, whether it be at the hands of their obsessor or because of other factors in their lives.

How can someone pursue a personal desire if they spent their life trying to conform? Alden Nowlan’s short story, “The Glass Roses” explores this through the protagonist, Stephen. Stephen’s personal desire to feel accepted conflicts with his feeling of having to become like the pulp cutters because he is not mentally or physically ready to fit in with grown men. This results in Chris finding a way to become his own person. Stephen’s journey to pursue his personal desire is shown through setting, character development, and symbolism.

Each part was broken up after a noticeable shift and atmospheric changes in the poem. The first part of the poem is during “Sad is the man...with one”(Ln 1-2), and repeats again at “In a room...on his father”(Ln 6-9). These lines create a shift into a narrative stage. It puts a pause on the poem to introduce or explain the scene in the poem. The narrative is important because it shows the point of view of the poem. The second shift is created with “Already the man...should never disappoint”(Ln 10-18). This shift is when the father is thinking about his fears and desires, to be more blunt, the father’s fantasies. It creates an unrealistic tone to the poem an shows the father’s dismay when he cannot remember a story for his son. The last shift begins with “His five-year-old...scratches his ear”(Ln 3-5), and ends with “But the boy...up to silence”(Ln 19-23). This shift bring the poem into reality. In fact the poem states that the “emotional rather than logical equation”(Ln 20) is where most people get confused and frustrated at the world. The poem also states the conflict of fantasy and reality. This conflict is what creates the the multiple shifts and the complicated relationship between the father and the

How can young adults pursue personal desire if they are trying to conform into society's unwritten rules? Every day, young men face conflicts where they are forced to make a decision. For array of young male individuals, they are entering the coming-of-age stage where they must choose a path they will pursue in their future lives. In the short story “The Glass Roses”, Alden Nowlan suggests the idea that young men are impressionable by external forces, which then alter their pursuit in life and he explores this idea through the protagonist Stephen. Stephen along with many young males struggle to choose between personal desire into shaping their own identity or conforming into society's expectations from them. Stephens journey in chasing personal desire is demonstrated in the short story through the setting, the conflicts that take place in the story and character development. Moreover, the location of where young male adults mature can have an immense alteration.

Sexual transgression and sexual exploration is one of the most highly talked about topics in today’s society. The path to sexual liberation within society begins with experimentation and exploration, followed by personal acceptance, and finally, although not always, societal acceptance. Although we have come a long way on the path of acceptance of different sexual transgressions, the stories of Kate Chopin’s The Awakening, Tennessee Williams’ “Vieux Carre,” and Lyle Saxon’s “The Centaur Plays Croquet” show that this type of acceptance has not always been the case. Each story plays an integral role when looking at the steps on the path to societal acceptance. Chopin 's story dives deep into the area of experimentation and exploration, whereas Saxon 's story looks more at the areas of personal acceptance, and Williams ' story lies more along the area of societal acceptance, and whether or not acceptance is always the end result.

Robyn Schiff’s A Woman of Property is a study concerning the darker powers along with their everyday domestic insurgencies. Several American poets/poetess have for a long time sought to ingather symbols from their daily lives, from its whine gratifications as well as from shallow-end disappointments to help depict, communicate, and to impress certain notions in the minds of their readers. Among these poets/poetess is Robyn Schiff. In the context of Schiff’s writings, motivation may be considered as a light switch in a room that is in darkness. However, Schiff’s poems more deliberately try to blur the brightness of a fancy that is a little incisive. The poems, in this third volume of her poetry work, promise to save her from uncertainties,

On a ordinary day, and a ordinary date, Zac was dating a girl and they just went out to dinner. He really likes the girl and he didn’t want to get married at the time, but she did. So when she got really personal and asked if he want to get married. Zac just said ‘’No’’ and was saying how he wanted to travel to mexico and go fishing with a pretty girl like her. So they just talked about what they wanted and she realized they both wanted completely different thing. So she just broke up with Zac. He decided to head to mexico that night as soon as possible. He packed up all his things and headed to the coast of mexico. When he got there he went and bought a nice little house just on

In any given situation, individuals experience conflicts when pursuing a personal desire as particular desires do not conform to the rules that societies standardize for individuals. Individuals quickly adapt to the modernization of the advancement of humanity and technology. Nevertheless, there may be a controversy deciding between obeying society's regulations of consistently keeping up with the innovative contemporary behaviour or sticking with subjective or independent aspirations. In the short story The Pedestrian by Ray Bradbury, Leonard Mead’s complication between pursuing his personal desire and choosing to conform creates an issue with the development as an individual. Symbols within the story that further highlighted the distinct difference between personal desires and deciding to conform include Mr. Mead’s shoes, television, and the houses. Moreover, each symbol that was stated demonstrates a diverse idiosyncratic characteristic about the protagonist as does the psychological components of Mr. Mead such as word choice, speech, behaviour and mental processes. However, throughout the story, the protagonist, Mr. Leonard Mead is exemplified through a third person limitedpoint of view as it gradually illuminates the understanding that society’s need for conformation and an individual's needs may produce a consequential disagreement of discrepancy. Ray Bradbury’s short story suggest that conflicts between pursuing a personal desire and

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

One can unknowingly suffer for the sake of society’s convenience. Both authors, Ray Bradbury and Ursula Le Guin, demonstrate the suffering that the protagonist endures in order to serve their society. A variety of rhetorical strategies and modes contribute to the overall role of the protagonists. Ray Bradbury uses personification and the rhetorical mode of pathos to convey the oblivious suffering that the protagonist, the “smart house”, undergoes. Ursula Le Guin utilizes diction and the rhetorical mode of pathos to demonstrate the society’s dependency on the life of a young, hopeless boy. Through the authors’ use of diction, personification, and the rhetorical mode of pathos, readers can view both short stories in a new criticism lense and juxtapose two societies that feature a suffering aspect in each story.

Many individuals often have a strong inclination to pursue their own unconventional beliefs and values rather than conform to the mainstream society. Through their peculiar thoughts, they will be able to embrace their individualistic characteristics that vastly differ from others. In the excerpt from “The Orchid Thief”, Susan Orlean suggests that despite an individual’s unique, strange actions that others may be unable to comprehend, they are capable of instigating positive changes within themselves and society. Because of their eccentric actions, they receive the questioning of outsiders; however, as others begin to gradually understand the individual, they eventually begin to accept their distinctiveness actions. Due to their strange, unfamiliar

Susan Orlean’s Orchid Fever follows the story of John Laroche and his many obsessions. From turtles to Ice Age fossils to lapidaries to old mirrors—Laroche has been passionate with a lot of things since he was just a kid. This often leads him to collect every single kind of his current obsession. He is the type of person whose “passions boil up quickly and end abruptly, like tornadoes.” In the end, one of his crazy obsessions left him with fine and court costs to pay, and a six-month probation.

He transitions the tone of the poem from one of despair and hopelessness to one of encouragement which adds a realistic effect to the poem while still encouraging the reader. There is a thin line between being completely discouraging and being realistic; the speaker in the story seems to keep the perfect balance between these two lines. With the skillfully organized tone, the author helps the reader better understand the mood of the story as well as the difficult

Obsession is defined as “the domination of one’s thoughts or feelings by a persistent idea or desire.” The desire for nonconformity is a praiseworthy attribute but when taken too far, it can be disadvantageous to one’s goals and ambitions. While it is essential for one to seek transient passions, it is also crucial to mollify this pursuit, with concern with actual use. The threats of overindulgence are notably apparent in the case of John, the protagonist of Virginia Woolf’s “Solid Objects”, whose passion for knickknacks turns into a subtle obsession. Woolf expresses her strong criticism of John by intensifying his wasted potentiality and his fixation with fleeting dreams while she commends Charles for his dependability and practicality.