Edna’s Awakening The idea of owning one’s destiny, to be one’s own master, remains the dream and desire for many. This very thought of obtaining a unique stroke and carving a new path from society’s traditions is a condition rooted in everyone. However, what makes an individual truly exemplary is their ability to pursue this feeling. Edna, the main character in Chopin’s The Awakening, represents the very definition of a struggle in finding one’s identity. Kate Chopin specifically points to this theme of an inner struggle to find one’s identity in Chapter XXVIII by utilizing word repetition, figurative language, and striking descriptions. Chapter XXVIII, at a quick glance, seems to be a broken paragraph with a repeating sentence structure littered with tidbits of the plot. The chapter acts as a mere storyline successor to the events following Arobin’s leave. However, the chapter’s repeating sentences really serve as an alert for Edna’s deeper turmoil. Kate Chopin decisively drops down the words “There was…” as the opener for four consecutive sentences. The repetition of “There was” demonstrates not only the multitude …show more content…
The strong neutral adjectives of “assailed her… the unexpected… unaccustomed” in the beginning weave a background information of this foreign feeling in Edna’s path. However towards the end of the chapter, Chopin uses the words, “neither shame nor remorse… dull pang… not love… not love” to express a negative connotation to her overall feelings. Her use in conflicting adjectives serve as a tool to shift the overall mood of the paragraph from uncertain to almost afraid and empty. This shift emphasizes the importance of Edna attempting to overcome her struggle for identity being a rollercoaster of swaying emotions. This momentum helps create an environment of a never certain result in her ongoing path to
Chapter 1 is more of an introduction to some important characters. We learn that Mr. Pontellier isn’t around often, and isn’t much of a family man. We meet Edna and Robert, who have a seemingly romantic connection. This chapter will likely affect the story as the relationship between Edna and Robert continues to build and cause turmoil. In Chapter 2 we learn that Edna and Robert are both aesthetically pleasing, and that Robert is not wealthy because he rolls his own cigarettes. Robert reveals he will be traveling to Mexico at the end of the summer. This chapter affects the story because Robert’s trip to Mexico will deeply affect Edna and their relationship. In Chapter 3 we learn that Mr. Pontellier and Edna’s relationship isn’t all it’s cracked up to be. Mr. Pontellier leaves for the week even during their summer vacation to work, so he is rarely around. This chapter will affect the story because the problems in their marriage will contribute to Edna’s development as an individual. Chapter 4 reveals more about Edna to the reader. We learn she is not a “mother-woman”, meaning she doesn’t put her kids or spouse before herself. We also learn she is the lone non-Creole around, and is not comfortable talking about sex, unlike the Creoles. This will play into the story as a whole because Edna’s feelings of distance from the Creole community will play into her growth as a character. Chapter 5 reveals more about Robert, and how every summer he devotes his feelings to a woman,
Kate Chopin’s The Awakening recounts Edna Pontellier’s journey to self-discovery and independence, in a society where women are supposed to be proper and dependent. In chapter VI of The Awakening, Kate Chopin uses imagery of light and the ocean to describe her awakening and foreshadow the end of Edna’s journey to independence, and ultimately, her death.
This is the point in the story where Edna starts listening to her voices inside her gives into her inner desires. She continues to struggle with the fact that she married out of convenience and she has two sons that she really does not want to mother as well as the fact that she loves being an artist. In chapter x, Edna goes to the sea only to realize that all her swimming lesson had finally paid off that summer and she was swimming. Chopin describes this even like a baby finally getting enough confidence to walk and the baby walks realizing its own strength and power. While swimming, she soon gets tired and has quick feeling overcome her of the possibility of drowning but quickly swims back to shore. She has conquered her greatest fear and now feels like a new woman that is no longer afraid of her true feelings. Edna’s affair with Robert continues and he eventually leaves Grand Isle and her and her family returns home.
The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.
Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in
The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert.
Due to the restrictions put on Edna not only by her husband’s dedication to appearance, but by the society that encourages women to be viewed almost as property in a marriage instead of an equal participant in the relationship, Edna grows increasingly dissatisfied with her lifestyle, and feels as if she has been living two separate lives. The reader can sense this duality within Edna, even before she meets Robert leading the reader to believe that while the affair was the lynchpin for her awakening, there was always some dissatisfaction with her role in society. Chopin illustrates this when she describes Edna’s duality, stating: “Even as a child, she had lived her own small life all within herself. At a very early period she had apprehended
In the story about Edna Pontellier a major theme is her omitted self discovery. In the story we can see how Chopin uses style, tone and content to make the reader understand how it was for a person challenging many of the beliefs of the society at the beginning of the twentieth century.
Chopin tells of this younger woman with an older husband who runs with her intuition in search of her own mind. Another presentation of Romanticism in The Awakening is described during Edna's search for individualism when she says of her that "...no longer was she content to 'feed upon opinion' when her own soul had invited her" (124). Edna Pontellier has a desire to be her own person in her own world when she is placed in a setting that refuses to permit such an action.
In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions
She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.
One theme apparent in Kate Chopin's novel, The Awakening, is the consequence of solitude when independence is chosen over conformity. The novel's protagonist, Edna Pontellier, is faced with this consequence after she embarks on a journey of self-discovery. "As Edna's ability to express herself grows, the number of people who can understand her newfound language shrinks" (Ward 3). Edna's awakening from a conforming, Victorian wife and mother, into an emotional and sexual woman takes place through the use of self-expression in three forms: emotional language, art, and physical passion.
In Kate Chopin’s The Awakening, two people who have the ultimate influence on Edna are Mademoiselle Reisz, and Robert Lebrun.
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
In Chapter 8, Madame Ratignolle pulls Robert aside and asks him to leave Edna alone. She explains that Edna,” Is not one of us; she is not like us. She might make the unfortunate blunder of taking you seriously.” Chopin’s use of repetition in Adele’s dialogue puts emphasis on Edna’s uniqueness and labels her as an outcast. Adele sees Edna drifting further and further away from the social norms of their accustomed society and wishes to stop her before its too late. Chopin also uses this scene to foreshadow Robert’s unwillingness to commit to Edna as he brushes off Madame Ratignolle’s warning, seeing his relationship with Edna as a fling rather than being the passionate lover Edna craves.