The Handmaid 's Tale By Margaret Atwood

Over the past 200 years sexual liberation and freedom have become topics of discussions prevalent within western culture and society. With the recent exploration of sexuality a new concept of sexual and gender identity has emerged and is being analyzed in various fields of study. The ideology behind what defines gender and how society explains sex beyond biology has changed at a rapid pace. In response various attempts to create specific and catch all definitions of growing gender and sexual minorities has been on going. This has resulted in the concept of gender becoming a multi- layered shifting hypothesis to which society is adapting. Since the 19th-century, philosophers and theorists have continued to scrutinize gender beyond biological and social interpretation. Margaret Atwood 's The Handmaid 's Tale captures the limitations and social implications forced upon a set gender based on societal expectations. Gender is a social construct that limits the individual to the restrictions and traditions of a society, or if it’s an individually formed self-identification of sex and sexuality that is formed autonomously. Evidence of gender establishment can be seen within literary works and supported by various schools of gender and sexuality theory.

The basis for chaos and forced conformity in Gilead arises from the various naming methodologies that have been established. From the opening chapters, readers are exposed to the subdivision of women into their respective roles in society. These different labels include “Marthas”, “Wives”, “Handmaids”, “Econowives”, and “Unwomen”. Although these assigned names allow the regime to organize masses of people, they have simply created an unruly hierarchy, where the Wives at the top continually exercise their authority over other women in the households. In the first Ceremony, Serena Joy physical asserts this hierarchy by using the “rings of her left hand [to] cut into [Offred’s] fingers” (pg.107). Apart from women, the names for different locations further indicate the regime’s attempts at manipulation.

In Gilead the social relationship that once existed between men and women is a thing of the past. In the former society women had value and felt good about themselves and how they looked. However, in the new society the men have stripped the women of their freedom and equality and lowered them to varying degrees of status. The young healthy women are labeled handmaids and are "issued" (24) by the government to various high-ranking officials in order to offer them the opportunity to create offspring. Getting pregnant is their only hope of survival. Females who are not of childbearing age are called Marthas because their purpose is to work and serve the men. A third category of women is labeled Unwomen because of their worthlessness in this male dominated society. All three categories are divided into colonies to prevent their rebelling against the system. Also, within each colony communication is limited and higher education is denied. In order to enforce this kind of oppressive social structure, the government uses various forms of intimidation.

THE OPPRESSION OF WOMEN IN ATWOOD’S THE HANDMAID’S TALE AND THEIR WAYS OF RESISTING THE REGIME

It isn't just handmaids, or even only women that have forfeited their personal identity; men have lost theirs as well. Their loss of individualism is symbolized by their generic titles. There are three classes of men in Gilead: the 'Commanders,' the Doctors, and the 'Eyes.' Like the color-coded uniforms of the women, the generic titles of the men announce their function. The Commanders are supposed to fertilize the handmaids; the Doctors examine the handmaids monthly to check for possible problems with their reproductive organs; the Eyes are the spy network of Gilead and are responsible for enforcing discipline. Also like the women's color coded-uniforms, the men's generic titles deprive them of their individuality and reduce them to mere task objects.

Throughout the course of world history on Earth, humans have always worked harder and harder in order to improve society and make it more perfect, although it still hasn’t been done quite yet, because it is merely impossible to achieve perfection in a world with close to seven billion people. There is a very distinct difference between a utopia, which can also be known as perfection, and a dystopia, which can also be known as a tragedy; and the outcomes normally generate from the people in charge or the authority that sets up the foundation, the rules, and the regulations for a society. In the Handmaid’s Tale by Margaret Atwood, The Republic of Gilead is created by a powerful authority group called the Eyes after a huge government take over and the assassination of the US president. It’s very strict rules and goals are set up to protect women, to increase childbirth, and to keep all violence, men, and powerful social media under control. The novel is set in a first person point of view and the narrator, Offred, tells her story to us readers about her experiences as a handmaid and how her life was completely turned upside down. Throughout the course of the novel Offred reveals many sides of herself; although her thoughts do not remain consistent, her personality and opinion tends to change revealing, that she is hesitant and strong because she learns to make the best of what she has and silently overcome the system of the Republic of Gilead.

Written by Margaret Atwood, The Handmaid’s Tale is a dystopian novel set in the near future where the United States is overthrown and a military dictatorship forms called the Republic of Gilead. Gilead is a society that reconsolidates power and creates a new hierarchical regime that limits women entirely of their rights. The rulers of this dystopia are centrally concerned with dominating their subjects through the control of their experiences, time, memory, and history. A woman called Offred narrates the story and works as a Handmaid for reproductive purposes only. In her storytelling, Offred describes flashbacks consisting of portions of her life before the revolution. These flashbacks are the only thing that keeps her going in this

In addition to the important roles that women play in the regime, this setting also portrays the will and intelligence of women. Offred seeks knowledge as she meets with the Commander; she longs for touch and intimacy as she risks everything to spend her nights with Nick. Moira strives to leave the confines of the regime as she continuously found ways to escape. Even as she is recaptured, she chooses to stay at Jezebel’s to live. Although given death if no child is beared, Handmaids voluntarily “prayed for emptiness, so we would be worthy to be filled: with grace, with love, with self-denial, semen and babies” (194). Despite their role to bear children and given death if they failed to do so, essentially, Handmaids have a choice in whether they accept that death or survive by finding ways to get pregnant. These instances show that women are not merely simple creatures who are controlled by men because what they do is still a decision of their own. Nevertheless, all of the progress that women fought for is gone: their reproductive rights, economic rights, social rights. Women are not allowed to get abortions, and they are forced into bearing children for their Commanders. Women have no outside jobs; they merely complete chores for their household. They are given no social power; they are monitored for what they say and what they can do in public. Such strict confines of

The literary masterpiece The Handmaid’s Tale by Margaret Atwood, is a story not unlike a cold fire; hope peeking through the miserable and meaningless world in which the protagonist gets trapped. The society depicts the discrimination towards femininity, blaming women for their low birth rate and taking away the right from the females to be educated ,forbidding them from reading or writing. These appear in Ethan Alter’s observations that:

In the book The Handmaid 's Tale by Margaret Atwood, the foremost theme is identity, due to the fact that the city where the entire novel takes place in, the city known as the Republic of Gilead, often shortened to Gilead, strips fertile women of their identities. Gilead is a society that demands the women who are able to have offspring be stripped of all the identity and rights. By demeaning these women, they no longer view themselves as an individual, but rather as a group- the group of Handmaids. It is because of the laws that have been established that individuality has been demolished. From these points that will be raised, it can be concluded that a handmaid’s role in Gilead is more important than their happiness, and mental wellbeing.

The women in Gilead have no rights. They have to obey the rules and commands that are given by the commanders in charge or from the Aunts who also get their orders from the commander. They are forbidden to read and write. The handmaids are allowed to leave the home of the commander and his wife once a day to go to the market. Iranian women were subjected to similar laws to those in Gilead. Iranian women are not allowed to choose or control various aspects

In Margaret Atwood’s The Handmaid’s Tale, power is emphasized multiple times throughout the text. The plot of the story consists of wealthy men being the overseers of the economy. Since the birth rate of healthy children has drastically decreased due to environmental problems, women are only wanted for their ability to reproduce offspring and replenish the world. Therefore, the poorer women are taken away from their homes and placed with wealthy couples to bear offspring for them. The main character, Offred, is one of the many women who was taken from her family and placed in the home of a Commander and his wife. Since the role of each societal class’ power has changed, different characters in the text have subtle ways of displaying power.

In the beginning, Offred sees her body as important and views it as an instrument. The burdens of Offred’s daily life in Gilead eventually change the way that Offred sees things about herself. As she states, “[She] used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will,” (Atwood 73). Before she saw her body as different but since everything in Gilead changed, Offred no longer really cares which causes her to feel like an object. The idea that the handmaid’s are the ones that are used for getting them pregnant makes mainly Offred feel that she is in control. Offred states, “It makes me feel more in control, as if there is a choice, a decision that could be made one way or the other,” (Atwood 269). Offred describes the control of Gilead like if they made the choice for them. This put a lot of pressure on Offred as she is forced to things that she doesn’t want to do. It doesn’t only put pressure on her but it also subjects the other handmaid’s to do other things. The inequality makes the handmaid’s property of the commanders. As it states, “Give me children, or else I die,” (Atwood 61). It is basically dehumanizing them into simple sex objects. The life of the handmaid’s are restricted. This is a big inequality issue as the men

What will the future bring? What will happen as feminists speak out, women work out of home, pornography spreads and is battled, and the desire for children dwindles? Perhaps life on Earth will improve. Maybe women will have the rights they demand, porn will be defeated, and people will respect women’s bodies. Maybe mothers will miraculously have the perfect number of children: just the right amount to keep the population within its limits. Or perhaps a deterioration will occur, as Margaret Atwood predicted in The Handmaid’s Tale. Atwood’s setting is futuristic, compelling, and terrifyingly believable. Her main character relates to the readers as real people. Her themes laced in the plot, from exposition to resolution, stem from conflicts with other characters, inner struggles, and heart wrenching losses. Readers are captivated as Atwood intertwines her literary elements, and warns the audience of a possible reality. Margaret Atwood tells the tale of a handmaid, and Atwood enlightens those partaking of her vision to the potential of such a degenerate future.

he Handmaid’s Tale is a modernist novel by Margaret Atwood. It explores a dystopian future in which society has become an extreme hierarchy. Each individual has been assigned a role with it’s own regulations, which if not met lead to the person 's disposal. Offred, the main character, has known a time when life was still ‘normal’ but as society changed she had to take on the role of a Handmaid. A Handmaid’s purpose is to be impregnated and bear children for her superiors. Do not go gentle into that good night is a poem by Dylan Thomas. He too discusses the theme of purpose, but in a very different way. Both use structure, characterization, and imagery to provide a wide perspective on the theme of purpose.