Some of Ellis's uncertainty passed when he returned the safe ground of his profession, and spoke in a colder, more clinical tone, attempting to remind himself that girl across was him was a patient, one that needed help. And, that, imagining her as a sexual object, whilst simultaneously attempting to convince Emily not to view herself that way, was a conflict that wouldnt' end well. However, as he finished his summation, ensuring his voice was strong, and contained a certainty; one that he, as a male, a doctor, and years of life experience should be accepted as a greater authority than her; McHugh could retained the image of Emily, bent over, mouth open in pleasure, firm, young tits bouncing, as he fucked her on his desk. On the sofa, with …show more content…
The dichotomy between the pleasure that she'd received, and the knowledge that she'd been fooled by a predator. But then, how could it be wrong, if it was consensual, was that really rape? When Emily uttered the word, McHugh shook his head, and opened his mouth to explain. Statutory rape, not rape, that were was difference, and once could be enjoyed, because it only became rape after the fact, and had nothing to do with consent or force, but totally to do with age and Trudea holding a position of authority over her. However, he quickly clamped his jaw shut, when he reminded himself, that apart from the consensual acts, Emily truly had been raped, by force, by Trudeua as well, and he was trying to downplay and justify the man's actions, and the consequences of those, to the girl sitting across from …show more content…
A bad experience, it was, and I'll be honest, not because of the sex. You say you enjoyed it?" Ellis raised a brown, "Then, that enjoyment was you being in control of your sexuality, was it not?" A rhetorical question, McHugh continued. "So, the issue wasn't and is not sex, the issue was the lies and the deceit, that you were taken advantage of. So, with the right man. Eliss waved his hand in the air, not of the boys at school, because they will all just be after the same thing as Trudeau, but when you find someone that you connect with emotionally, and who is honest in his intentions and with his emotions; rare, but out there; you'll be able to fully express your sexuality with him, without abandon. It's not a man who wants to fuck you that you should be concerned about, Emily, for one who didn't would be more of a concern, but it's the why. Does he want to fuck you for the body and beauty you possess, or are you beautiful to him, because of who you are? Does he understand you, and want to help heal your wounds, or simply to pleasure
Tom slammed the door behind him, and walked to his vehicle, which had been parked askew in the driveway in his earlier haste to get inside to Lila. It was only when he entered, and the sound of the ignition broke the silence, and the headlights, the darkness, that he paused to think of what had occurred. Regardless of the surprise gift that had arrived at his office, and the note that had accompanied it, Tom instinctively knew that the acts he’d perpetrated inside weren’t what Lila had wanted. How could any women wish to be struck about the face, called a slut and a whore, and be humiliated and degraded by the man she loved. Possibly in a roleplay, but that hadn’t been roleplay, or what Lila had wanted, but what Tom had. And the, recognition, of the stranger who’d invaded his mind, and raped his wife brought a nausea to the pit of his stomach, and as Tom reversed the car, with his gaze fixated on the living room windows, he wound
All of it was consumed by his physical exertions, and with his body covering the smaller woman's, the man raped her without mercy. Eech thrust came faster, and was harder than the last as as he bent his knees, then uncurled his legs to drive his meat into her deeper. Her walls spread around him, and as he fucked her, one hand slipped from her arms to hook into the tresses as the nape of her neck. However, instead of tearing at it, as he had previously, he used his grip to shove her face-down on the sofa, so that her face was out of view, and her own sounds muffled. Tom Ross didn't want to even look at her, or hear at her, as Lila Ross was no longer a human being, simply just simply a toy with a cunt to be used for his pleasure, and soon the room was filled with the sounds of his harsh breathing, pants and groans, the slap of his balls against her thighs, and his cock brutallly slamming in and out of her
In chapter 8 Nick tells Gatsby that he should leave town before his car is identified and anything happens to him. Jay tells Nick the story of how him and Daisy first met while he was in the military but got deployed overseas during ww1 and then went to Oxford in the United Kingdom. He also states that by the time he returned Daisy was already in a relationship. Nick tells the audience that Jay lied to Daisy about his financial situation to try and impress and get her to love him again. Some of Gatsby’s servants recommend draining Jay’s pool, but he declines because he has not been in it once yet this entire summer. George Wilson decides that whoever was driving the car must have been the one that his wife was having an affair with. George
Towards the middle of the book Nick finally got to know Mr.Gatsby a little better. Gatsby had made it clear to Nick that he shouldn’t believe the rumours that he heard because Gatsby doesn’t want Nick to get the wrong impression of him. The reason behind this is because he knew that Nick had a closeness with Daisy so he was trying hard to impress those surrounding Daisy’s family life because
The Great Gatsby, directed by Baz Luhrmann, makes the audiences to notice themselves in dilemmas. The director aimed to give confusions by subtly removing the line between the good and evil. Through this the audiences will start to think about morality and corruption within themselves and within our society. These dilemmas are conveyed through the use of techniques such as shots, contrasting features and music
In a court of law, it is imperative that judiciary representatives evaluate and consider conflicting contentions from opposing sides of an argument. Since every human possesses a level of bias, the duty of the representatives requires practice in order to be considered “advanced”. This aspect of the legal field poses similarities to a method commonly used in literature. Authors utilize dichotomies and parallels to enhance the reader’s understanding of a novel. F. Scott Fitzgerald implements dichotomies within the first three chapters/parties of The Great Gatsby to further his reader’s comprehension of setting, characterization, values, and essential intimations in his storyline.
After reading The Great Gatsby by F. Scott Fitzgerald, I was able to gather a small playlist of songs that can relate to the book. The lyrics in these songs relate to scenes, symbols, and different characters in the book.
Although the timeline is kept vague in The Great Gatsby, F. Scott Fitzgerald makes it clear that his work of art is based in the early 1920’s between World War I and the Prohibition. This was a transitional period in the United States. America changed after the war and as a result, so did life. The idea of the perfect life fluctuated as troops began flooding back to the United States, migrating to cities, picking up jobs, and buying houses for their new or planned families. The economy was booming, jazz became the new popular music, woman (more commonly referred to as “flappers”) and men were expressing their freedom by having parties and hanging out in clubs or bars, Henry Ford just introduced the Model-T which made automobiles
A great person is someone who can accomplish something that most can’t. In the great Gatsby, by F. scott fitzgerald, a man named Nick carraway moves to West Egg New York to fulfil his work bonds and stalks sales man. When nick goes to one of gatsby's party he is stunned by how amazing gatsby's house is this is when Nick finds out that gatsby is great. Gatsby is great because he is generous and kind to his friends and devotes a lot to others in chapter 3 fitzgerald stats that gatsby has a man at his house that he did not even know lived there. This mans name is klipspringer, when gatsby finds out he does not care he lets klipspringer live there any ways this shows how nice gatsby can be to people he does not even know. Gatsby is great because he started out with nothing and became rich, he also is great because he was doing all of it for love.
When the two station attendants try to exploit the men, McMurphy helps them gain the upper hand by posing as criminally insane (Fick). Even though the patients “become men”, adult sexuality is conspicuously absent from the novel. It is mainly the men’s cause to “remain boys on their own terms” (Fick par. 8). McMurphy’s women are boys’ companions. Candy and Sandy are good bad girls. “McMurphy’s sexuality complements a personal consistency that obliterates the distinction between past and present. Returning from the fishing trip, for example, he stops by his childhood house and tells the men of his own sexual initiation” (Fick par. 9).
Upon first glance, The Great Gatsby appears to be describing a character from the novel, which it is. The title and other characters describes him as great. In the first chapter, the narrator Nick, says “If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away” (2) about Gatsby. Because of this, The Great Gatsby by Scott F. Fitzgerald is better named The Great Gatsby because it helps bring emphasis to the one of the main characters, Gatsby, gives the reader the ability to understand better because of the titles simplicity, and also leads to irony about his greatness.
Her we get a small glimpse at the Daisy’s true emotions; she’s sad, however she uses the “beautiful shirts” as a distraction to hide that what she’s really sad about is not shirts, but she’s sad because she realizes she’s missed the experience and life she could’ve had with Gatsby. Gatsby throwing the shirts “mounted higher” upon her just like her feelings had for him, all of these emotions were piling up and all falling on her just ask Gatsby’s shirts were. Daisy didn’t just cry, she cries “stormily,” due to all of the feelings she had to conceal for five years, not just her feelings for Gatsby, but her pain from him leaving, the pain from not being able to choose him over Tom, and the pain of not having the life she intended on having. The
What makes the culture of the 1920's different from the decades beforehand? It was the decade in which there was a major explosion in the availability of new consumer goods that were previously rarely available. This includes washing machines, refrigerators, radios, vacuum cleaners, and lets not forget, most importantly, automobiles!
A narrator, by definition, is how an author chooses to portray information to readers in their work. An author’s choice, in how to tell a story is ideal to the effect it has on readers. In F. Scott Fitzgerald’s timeless classic The Great Gatsby, Nick Carraway tells the entire story as a first-person, peripheral narrator. Fitzgerald purposefully chooses Nick as a partially removed character, with very few emotions and personal opinions. By doing so, readers experience the same ambiguity of other character’s thoughts, are carried smoothly throughout the plot, and Nick’s nonjudgmental character lets readers form opinions of their own.
The use of dichotomy has been a technique used by many authors and is especially used by F. Scott Fitzgerald, or as he refers to it as “Double Vision.” He purposefully uses this ‘double vision’ with regards to setting, characterization, and values. In the first three chapters of The Great Gatsby, Nick leads us through three parties, one set in East Egg at the Buchanan's, another set in New York City at Myrtle’s, and the last party in West Egg at Gatsby’s. Each party had their own unique style, for example, who is present, what people their do, and food or decorations.