The Great Gatsby by F. Scott Fitzgerald

‘ "Whenever you feel like criticizing anyone," he told me, "just remember the advantages that you 've had..." In consequence I 'm inclined to reserve all judgments.’

"Never has symbolism played such a crucial part in the very foundation of a novel as it does in Scott Fitzgerald's masterpiece, The Great Gatsby." Harold Bloom has written about this book. The author used several types of symbolism in The Great Gatsby. The colours are probably the easiest to be recognized and guessed what they symbolized. According to the definition “symbolism” is "the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships."

The Prince, a philosophical work of literature introduces maxims that have become a part of American Literature from the past to present day. In one of America’s well known classic, The Great Gatsby, a story of the spontaneous Jazz Age filled with power struggles, a materialistic society, and the infamous affairs of the twenties create maxims for a character in the novel. Machiavelli’s maxims have had an impact in many writings and continue throughout this novel. Daisy, the most intriguing and charming character brings the defense, rebellion, and promising traits it takes to become a successful prince.

At its most simplistic form, nostalgia is a sentimental longing for the past. It is a subtle phenomenon that is associated with a person or place. Fitzgerald plays this concept into his novel The Great Gatsby, which is narrated by a character named Nick Carraway. Nick tells of his neighbor Gatsby, who goes to extreme lengths to reclaim a lost love. Throughout the novel, Gatsby serves as a conduit for humanity’s nostalgic depictions of the past. He accumulates massive amounts of wealth and even changes his identity in efforts to relive something that has already passed. Fitzgerald draws from this, and conceptualizes how nostalgia distorts a person’s overall perception of being.

You can’t change the past the outcome will be different each time. There’s no guarantee that the outcome is going to be what you want or like, because each time the circumstance have changed. In The Great Gatsby by F. Scott Fitzgerald, tells of a man name Gatsby who came from a poor upbringing believed he was destined for greatness, and set out to obtain the American dream, and wanted to be acceptance by the rich society. While in the military he met Daisy Buchanan, who ended up symbolizing everything he wanted wealth, class, and being part of a high society. She was like gold to him, and the idea of her inspired him to pursue his dreams of having it all. I disagree with Gatsby who believed he could change the past, it’s okay to remember the past, but when it consumes the future then he is stuck hoping for something that has long passed him by, or no matter how hard he tries he cannot duplicate it.

The Great Gatsby by F. Scott Fitzgerald is a novel that has a large focus on the ideas of the American Dream and social class in the 1920s. In the novel, the people of West Egg and East Egg are people of the upper who have earned money either through inheritance or working hard and have had many opportunities to make their American Dream a reality. The people of the Valley of Ashes are people of lower class who have little to no money and have to work all their lives to make ends meet. Even though both social classes strive for the same thing, The American Dream, neither of them will ever truly achieve it. Fitzgerald uses a vast contrast in the settings of East Egg, West Egg, and

In The Great Gatsby, the major male figures could be defined as both guys and men as their characters at certain times go beyond just guys trying to fulfill their need for “neat stuff” or accomplishing “pointless challenges”, and develop into men with real emotional qualities, expressing their wants and desires for the woman they both love, or in Nicks case: the respect and admiration he feels for Gatsby towards the end of the story. Throughout Barry’s essay, are stereotypes he attributes solely to guys in order to draw a distinction between what makes a guy, and how they differ from men. In the subsequent paragraphs, I will attempt to analyze each of the major male characters with Barry’s definitions of “guyness”, and demonstrate what makes these characters both guys and men.

Most Americans work hard to be better than others, achieve perfection, and hide their imperfections. Americans will do anything to hide their imperfections. This idea is present in F. Scott Fitzgerald’s novel, The Great Gatsby and in Tennessee William’s play, A Streetcar Named Desire. In The Great Gatsby, Daisy Buchanan, Jordan Baker and Jay Gatsby appear to be living the wealthy and perfect American lifestyle compared to Nick Carraway, a man who was born and raised in the midwest and is renting a small house in West Egg, Long Island. However, Nick realizes that these innocent looking people use white to cover up their corruption and moral dishonesty. This is similar to when Blanche shows up at her sister’s doorstep wearing all white in A

In Fitzgerald 's The Great Gatsby, all the characters are attempting to achieve a state of happiness in their lives. The main characters are divided into two groups: the rich upper class and the poorer lower class, which struggles to attain a higher position. Though the major players seek only to change their lives for the better, as in real life, the idealism and morality of the American Dream is inevitably crushed beneath the harsh reality of life, leaving their lives without meaning or purpose.

The point that I am going to talk about the story The Great Gatsby is the way they took care of materialistic things all through the story. A vital topic of The Great Gatsby by F. Scott Fitzgerald is riches and the procedure of achieving it. This longing for material riches and belonging is known as realism. Jay Gatsby and Daisy Buchanan are both amazingly materialistic and put a great deal of quality into the belonging and abundance of a man while Nick Carraway doesn 't show any materialistic cravings and complements the complexity between characters. Gatsby 's realism is driven by his yearning for riches. He adores the thought of Daisy since she is the encapsulation of riches and the perfect way of life of ceaseless overabundance. Daisy then again speaks to a definitive materialistic way of life. She doesn 't have the same aching as Gatsby since she was naturally introduced to a privileged family. Rather she underestimates inordinate living and is entranced with all things lavish on the grounds that she needs to keep up the riches she has and never lose it. Scratch is the special case to the guideline. He stresses the divergence in the middle of himself and Gatsby or Daisy. He is the control to whom Gatsby and Daisy can be thought about.

Many consider The Great Gatsby a beautiful love story. A literary review site, for example, says about Fitzgerald’s most famous work: “The Great Gatsby is probably F. Scott Fitzgerald 's greatest novel […] Gatsby is really nothing more than a man desperate for love”(The Great Gatsby Review). Popular opinion paints Gatsby as such: A man desperate for love, devoid of any evil. But a closer look uncovers a new side of Jay Gatsby because Gatsby, underneath his glorious façade, is a sociopath.

Is it possible to repeat the past? Can one really recreate something that happened years before? According to Jay Gatsby in F. Scott Fitzgerald’s The Great Gatsby it is possible; and it has been done for the book The Great Gatsby itself. The Great Gatsby has been adapted into film many times by various directors; however, there are two that are considered most popular. The first really popular The Great Gatsby was Jack Clayton’s version that was released in 1974, and more recently Baz Luhrmann’s version that was released in 2013. Since the two movies are based on the same book, they have some of the same characteristics, but both movies are distinct. The two different movie directors make the movies distinct by: differences in how the characters are portrayed, the parties that are thrown, and the overall mood of the films.

In the book, The Great Gatsby, written by F. Scott Fitzgerald, Gatsby is exemplified through many symbols and idols. Fitzgerald uses cars to represent wealth, success, status, and glamour. As Friedrich Nietzsche states, “There are more idols in the world than there are realities.” Nietzsche’s quote shows how idols and symbols are used to create impressions. Images are powerful and set a stage for others to judge one’s character, enabling human beings to avoid seeing what realities are. Idols are potent enough to mask the truth. In the novel, despite Gatsby 's own insecurities, he is viewed as an idol in society. Idols impact and influence Gatsby’s life and those living around him. Gatsby’s car represents an idol, illustrating his wealth, capturing attention, creating impressions, and covering misconceptions throughout life in the West Egg.

One phrase that an American is bound to hear at some point in his or her life, is the American Dream, but most don’t fully understand that concept. The majority of people never really have, they always think it’s supposed to be tangible, but it’s not. In his novel, The Great Gatsby, F. Scott Fitzgerald criticizes many aspects of American culture. One aspect that he criticizes very strongly is the American Dream. Fitzgerald shows the misconception that many have of what the Dream really is. He also shows that heritage is the most influential factor as to whether or not someone would manage to live the Dream. F. Scott Fitzgerald uses the book to show how many Americans do not fully understand what it means to have the American Dream.

After World War I, America offered the potential for boundless financial and social opportunities for those willing to work hard—an American Dream. The American Dream is defined as someone starting low on the economic or social level, and working hard towards prosperity and or wealth and fame. Establishing fame, becoming wealthy, having lavish luxuries, and a happy family would come to symbolize this dream. For some, however, striving for and realizing that dream ruined them, as many acquired wealth only to pursue pleasure. Even though the characters in F. Scott Fitzgerald’s, The Great Gatsby appear to relish the freedom of the 1920s, their lives demonstrate the emptiness that results when wealth and pleasure become ends in themselves. Specifically, the empty lives of three characters from this novel— George Wilson, Jay Gatsby, and Daisy Buchanan—show that chasing hollow dreams results only in misery.