The Godfather, directed by Francis Coppola follows a family deeply entangled in the New York organized crime world. The film is a classic, and at one point was the highest grossing film in American History. Winning countless awards, such as the Oscar for Best Picture, Best Actor, and Best Adapted Screenplay. The film isSomething that goes unnoticed in the film, but plays a huge impact on how the film is perceived is the camera work. The God Father uses various camera techniques, such as visual obstruction, lighting manipulation, and a variety of camera angles to enhance the mood of the scene.
In many of the scenes in the God Father, there is some type of visual obstruction prohibiting the viewer from seeing a full, uninterrupted screen. The effect of this has on the film is that it places the viewer in the movie, making it feel more authentic. For the majority of the opening scene, while speaking to the God Father, Bonasers body is covering the right third of the screen. When the camera perspectives changes and Bonaser come into frame, the Godfather’s head covers the lower third of the screen. During the interaction between the two characters, the viewer doesn’t ever get a clear shot of either of them speaking. Such obstruction is incredibly intentional. The effect this has on the scene is that it makes it feel more authentic. The obstruction places the viewer in the scene, emulating the perspective one would get if they were actually sitting behind either of the characters.
Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film critique will analyze “The Godfather,” beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing additional theories
One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family
There are quite a lot of widespread stereotypes of Italian Americans in “The Godfather” movies which involve characters, Italian foods, family, and violence. Food plays a huge role in The Godfather movies. Characters in the movies are always seen eating Italian food such as pasta. If the directors were not referring to any specific ethnic group than why were all the movies showing characters with Italian names eating foods that were known to be “Italian” foods. Also, violence is a major key in the movie which is also stereotyped to Italian Americans by them being associated with crime and the mafia. “ Thus, rather than helping to overcome the negative image of Italian-Americans fostered by entertainment programming, the media reinforces
The Gangster film ‘Scarface’ (DePalma) is about the rise and eventual fall of Cuban immigrant, Tony Montana. Throughout the film the viewer witnesses how Tony Montana goes from a criminal in Cuba to a drug overlord in America. The average viewer cannot connect to the arc of Tony Montana. But, the average viewer can connect to what Tony Montana is working for, the American dream. Brain DePalma chooses purposefully to have a hyper-masculine, narcissistic, megalomaniac immigrant as the main character of a story of American dream. In ‘Scarface’, DePalma show the universality of the American dream. By utilizing various filming techniques, DePalma shows how the American dream is available for everyone.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration we are able to know exactly what is going through a particular character’s mind. Finally, wonderful editing made great use of point of view and multiple jump cuts, which added to the sensation that we are undergoing the same experiences as the characters on screen. I will go into further detail and specify scenes that convey these elements as the essay progresses. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.
The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.
The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize the family back to shape. Directed by Francis Ford Coppola and based from the novel of the same name written by Mario Puzo. It received critical acclaim by critics and was cited as an influence by real life mobsters due to its rather realistic portrayal of gangster life and Cosa Nostra.
Fairytales have been told for thousands of years. Some of the most famous fairy tales were German in origin and were collected by the Grimm brothers. Jakob Grimm and Wilhelm Grimm were scholars that spent most of their time together. In 1838, they began writing a German dictionary while they were working as librarians. In 1840 king Fredrich Wilhelm IV sent both brothers to the Royal Academy of Sciences. (Gioia) (pp.12-13) Following this the two brothers spent the rest of their lives teaching at the University of Berlin. The two brothers were also known for other projects such as, books about mythology, scholarly works on topics such as, linguistics and medieval studies. They also worked on compiling an ambitious German
8 When you refer to the narrative of the story, use the present tense, as in the following: “Sammy decides that he can no longer continue to work at the store.” Don’t write: “Sammy decided that he could no longer
Special effects play a huge roll in modern day films; they are mainly used to grab the attention of the audience. In the making of THE GODFATHER, very few special effects were used. The director, Francis Ford Coppola was able to capture the audience’s attention with a terrific cast, and a captivating story line. The movie explores many aspects of real life such as family responsibility, a father's legacy, the need to earn respect and the corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's masterpiece. The movie ran close to three hours and every scene was better then the last; not boring the viewer throughout the entire performance.
“The Godfather Part II” is the second movie in the Godfather trilogy, and mentioned as one of the best movies of all time. Is this a fair criticism of the movie? Well, the only way to find out is to dissect a movie and what makes it great. A movie can be critiqued in a variety of ways, but one of the main criticisms is how the visuals explain the story, and bring it to life. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest. With movies, one effective way to critique a movie is to observe the believability, and impact of the acting. Film is a visual media, this is a known fact, however, fitting music can contribute to setting the mood, and tone of a movie. What most makes a movie worth watching is the story, and how it is laid out throughout.
Another aspect of this film is that it is in black and white. This gives it a serious tone. The lighting they used also gave a dramatic effect. There is a scene where two gentlemen are talking but you can see Kane dancing in the reflection of the window. This reminds the audience that he is still important to the scene even though he isn't directly involved. This
The lighting in "The Godfather," is very dim and is often said to be compared with a Rembrant. The lighting suggest many things throughout the film like a painting. The light scenes in the movie are to portray the Corleone family as good people, someone you could relate to not look down upon.
The film, The Godfather, was released on March 24, 1972. The time period that the movie was set in was 1945, which was the time period of the Mafia. This film is based around two families fighting throughout the film. One of the main characters, Michael Corleone, changes throughout the movie deciding whether or not he should join in on the family business and take his fathers position (Vito Corleone) as Godfather. As a viewer, I did not enjoy this film due to the darkness and wickedness behind it. Although, many believe it to be one of the greatest movies of all time, in my opinion, the film was not a success.
“A man who doesn’t spend time with his family, can never be a real man” - Mario Puzo, The Godfather. As described in the novel Godfather, Don Corleone is a man who is passionate for obtaining respect, as well as repaying the favor. Don, a man of power, and much wisdom is very persuasive in using force to get what he wants. Throughout the Godfather, it will take many twists and turns into the lives of the mafia. It will reveal a world of crime, men on the run. Drugs, what such things