The Glass Menagerie And A Streetcar Named Desire

    Tennessee Williams is one of the greatest American playwrights. He was constantly shocking audiences with themes such as homosexuality, drug addictions, and rape. He broke free from taboos on such subjects, paving the way for future playwrights. He also was a very good writer. One of the things he is famous for is his dialogue, which is very poetic.

Men: The ones worthy of praise whereas women are just accessories to be flaunted then left in the closet when not worn. Tennessee Williams reinforces this idea throughout the course of the play by the use of the characters Stella, Blanche, Stanley, Steve and Eunice; and their relationships with each other.

    Tennessee Williams allows the main characters in the plays, A Streetcar Named Desire and The Glass Menagerie, to live miserable lives, which they first try to deny and later try to change.  The downfall and denial of the Southern gentlewoman is a common theme in both plays.  The characters, Blanche DuBois from A Streetcar Named Desire and Amanda from The Glass Menagerie are prime examples.  Blanche and Amanda have had, and continue to have, many struggles in their lives.  The problem is that Williams never lets the two women work through these problems and move on.  The two ladies are allowed to destroy themselves and Williams invites the audience to watch them in

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

Tennessee Williams’ A Streetcar Named Desire is a web of themes, complicated scenarios, and clashes between the characters. Therefore, it might’ve been somehow difficult to find out who the protagonist of this play is if it wasn’t for Aristotle’s ideas of a good tragedy because neither of the main characters, Stanley Kowalski and Blanche Dubois, is completely good nor bad. According to Aristotle’s Poetics, a good tragedy requires the protagonist to undergo a change of status which only happens with Blanche Dubois.

Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.

Like many people in the world, the characters in Tennessee William’s play, A Streetcar Named Desire, are troubled by anxiety and insecurities. Life in New Orleans during the 1940s was characterized by the incredible variety of music, lively and bright atmosphere, and diverse population, while in the midst of the ongoing World War II. Culture was rich and fruitful because the city developed into a “melting pot” of people from all over the world. Due to the wide-range in population, the people of New Orleans adopted an identity like no other. Instead of their identity being entirely pieced together, almost like a puzzle, the people took on one that was shared by the entire community. However, with this being said, people had the ability to use this to their advantage and mask their true selves. This idea translates well into the play A Streetcar Named Desire, and is exhibited through the character Blanche. In A Streetcar Named Desire, Tennessee Williams uses the theme of vanity to reveal the importance of appearance, and the insecurities of Blanche and how they influence her actions.

The most prominent woman figure in this play is Linda, but the male characters in this play also give us insight into women’s roles and help feed the feminist analyses

There are nine types of heroes in this world, each of them with their own unique stories, plots, cliches etc. Among those is the classic tragic hero, one who is destined to fail no matter what. In a Streetcar Named Desire, the tragic hero is Blanche Dubois, an aging Southern Belle living in a state of perpetual panic about her fading beauty. In this essay it will be discussed what makes Blanche a tragic hero and how she compares to a typical tragic hero.

A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

In the play, A Streetcar Named Desire, by Tennessee Williams, gender roles were reflected on gender roles in the American Society in the 50’s. The male gender was predominant while the female gender was considered less powerful. Williams really emphasizes this stereotype, yet he focuses on the females in the play the whole time.

In his plays, A Streetcar Named Desire by Tennessee Williams uses different ways to show in the play of social realism. It show each of individual character and focusing on how particular way of viewpoint contrast with men, and the perspective of looking at women. The play explores struggle of two character Stanley and Blanche, between appearances and reality which made the play’s plot more affected reality. Throughout this play, it show the symbolize of the gender roles and the power of men over women in the 1940’s in New Orleans.

When analyzing The Glass Menagerie by Tennessee Williams and A Raisin in the Sun by Lorraine Hansberry, common ground can be established between both works. This is because The Glass Menagerie and A Raisin in the Sun are two plays that highlight the significance of gender roles. They specifically make a point of the ways in which gender roles impacted individuals during the 1930s and 1950s. Society established gender roles to create a set of norms everyone should follow. These norms determine one’s behavior based on his or her true sex or the sex he or she associates with. However, issues arise when people feel pressured and forced to live up to society's expectations. In The Glass Menagerie and A Raisin in the Sun, the concept of gender roles ignites feeling of oppression and inferiority in not only women, but also men.

In the play, A Streetcar Named Desire, by Tennessee Williams, the representation of male and female characters are based on gender stereotypes, which represent a patriarchal society. The way in which Tennessee Williams portrays the main characters: Blanche, Stanley and Stella, by using gender stereotypes demonstrates the patriarchal society`s value, norms and beliefs of the 1940s.

Lori Freshwater interprets both plays, Death of a Salesman and A Streetcar Named Desire, as being primarily optimistic plays that make meaning out of the meaningless, but Freshwater’s reading does not account for the darker, lonelier, hopelessness that is seen throughout both plays. She writes, “Hearts that Refuse to Burn: American Existentialism in the plays of Arthur Miller and Tennessee Williams,” to further her point that the authors, Miller and Williams, had optimistic views when writing their plays, but just how optimistic are they? Both of their characters live in a dark, unforgiving world that is filled with obstacles. When they think they find light there is a shadow cast right behind it. Their lives are formed by the overcoming