To be able to understand how war brings out the worst in people, we need to consider how intentional suffering toward the ‘enemy’ brings out the worst in people and to what extent. Vonnegut uses the protagonist, Billy, as a reflection on the trauma of war experienced by an individual, and the coping mechanisms displayed by Billy, including; time travel and withdrawing from reality into a fantasy world. The author explores post-traumatic stress throughout the text and puts it into use and gives it value in the context, enabling the reader to experience Billy’s mental chaos as a consequence of his involvement with war. Ultimately, war can be viewed as a desperate measure of countries attempting to reach their former glory and thrive for economic success, in exchange for the well-being of all people affected by war. …show more content…
He states that the bombing was “a tower of smoke and flame to commemorate the rage and heartbreak of so many who had their lives warped or ruined by indescribable greed and vanity and cruelty of Germany”. The innocent people of the city of Dresden were victimised in the chaos of war. The operation was defensively justified by the Allies, the British and American Air Forces, as destroying a major industrial and communication base of Germany. Although the city was reportedly “undefended and [contained] no war industries or troop concentrations”. Vonnegut himself finds in cruel acts, a patriot way to view the war. War has indeed brought out the worst in Vonnegut
When British and American forces raided the city with firebombs, Vonnegut and his fellow captives were saved due to their underground imprisonment. The bombing killed more than 135,000 people, most of whom were innocent civilians, more than the deaths of Hiroshima and Nagasaki combined. After the bombing, Vonnegut was given the morbid task of carrying the corpses from Air-Raid shelters, including women, children, and the elderly; dead from concussions, fire, or suffocation. In a letter to his father, Vonnegut described his job and the reaction of the locals, “Civilians cursed us and threw rocks as we carried bodies to huge pyres in the city,” (Boomhower). His distressing internment in Dresden not only furthered his anti-war sentiments, but also established a reoccurring theme in his books: the irrationality of government and the senselessness of war. Vonnegut saw the bombing of Dresden and the slaughter of innocents as wasteful and meaningless. He could not comprehend the purpose of destroying a “beautiful” and fully functional civilization (Wiswell 5). The annihilation of the city and lives of the innocent affirmed his views of war as a waste, and even lead to his feeling that, “civilization ended in World War I” (Vitale). This view indicated Vonnegut believed World War II was a meaningless act committed by the uncivilized.
Actions tested there ethical and moral values. After this point these soldiers have to cope with the cause and effect from their actions. Coping can cause mental illnesses, and addiction but also you can cope with these some things plus more things such as love, and mortality. This is the most important struggle that had to take care of for their survival. But why is this still relevant to today's society? Tim o’brien used many methods while writing this book to help the reader to understand the soldiers experiences and feelings throughout the war. These methods include imagery, repetition, hyperbole, metaphors, allusions, and many
Over the past few decades, the war changed everyone’s perspective. According to NCBI, 61% civilians suffer from psychological disorders caused by wars. Specifically, two books, Night and Persepolis, talks about the author experiences during the war and their struggles. Elie Wiesel, the author of Night, documents his childhood when he was maltreated by the Nazis, and Marjane Satrapi, author of Persepolis, share her experiences during the Iraq-Iran war of how it change her. War changes childhood because of near-death experiences, family departure, and witness horrific acts of violence.
In the spring of 1945, near the end of World War II, American and British bombers rained a hail of fire upon the city of Dresden, Germany. With an estimated 135,000 dead, Dresden is known as one of the deadliest attacks in History, nearly twice as many deaths than the atomic bombing of Hiroshima. Kurt Vonnegut was among the few who lived through the firestorm; he wrote a book about it in fact. Slaughter House-Five (1969) is a fictional recount of his experience of the war. Many of the events (at least the parts set in WWII) are real experiences of Kurt. The people in the war are, for the most part, real; Vonnegut just changes all the names. The main character, however does not
The effect of combat on the human mind has been noticed often, but very seldom studied. Since World War II and the Vietnam War, America has seen how war veterans have been affected after combat—sometimes, it makes the news. 11% of America’s homeless population are veterans, and most suffer from mental illness as well as substance abuse issues, but often times, this is swept under the rug. Kurt Vonnegut, author of Slaughterhouse-Five, was a WWII veteran himself and understood how war changes people firsthand. In Slaughterhouse-Five, Billy Pilgrim is drafted for war during World War II and is sent to Germany. He survives the bombing of Dresden, just like Vonnegut did himself. Kurt Vonnegut creates veteran and civilian characters in Slaughterhouse-Five in order to express that humans are
Before one can fully understand Kurt Vonnegut's ideas and opinions about war, it is vital to know the history of Vonnegut as a prisoner of war. Vonnegut's troop was captured and taken to a camp in Germany in tiny and absolutely awful box cars
Kurt Vonnegut’s Slaughterhouse Five is a telling work of fiction that blends the author’s experiences with the horror of war with a touch of science fiction and a healthy dose of humor. The novel guides us through the experiences of a man on a journey in both directions of time, through war, and the delusions brought on by the horrors therein. The pilgrimage Billy is on is broken up by milestones that read “so it goes”. The journey is a vessel for Vonnegut to show the reader how war can desensitize a man to death and cause him to recede into coping mechanisms, but that a man cannot be desensitized to suffering.
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
Most historians that disagree with the decision to bomb Dresden say that the reasons given to justify this attack were not substantial enough to morally vindicate these actions. They say that the reasons provided by the Allied forces are weak and lacking in multiple respects. The historians that disagree claim often that the main reason for bombing Dresden supplied by the United States Airforce was that it would shorten the war significantly. However, these historians go on to quote Kurt Vonnegut, author of Slaughterhouse 5, in which Vonnegut states, “the bombing of Dresden did not shorten the war by one second,” (Vonnegut). The bombing was simply to induce terror upon the Germans as the Allies knew that there would be significant effects on the time in which it would take the war to end according to Vonnegut.
He gropes for the fork, seizes it and drives it with all his force against his heart, then he snatches up a shoe and strikes with it against the handle as hard as he can" (192). This shows an example of how the war has left behind a tattered man who feels that he must commit suicide to escape his misery. Accordingly, not only has this book shown how the war has affected an entire generation, but it has also shown the specific impact on
Where innumerous catastrophic events are simultaneously occurring and altering the mental capability of its viewers eternally, war is senseless killing. The participants of war that are ‘fortunate’ enough to survive become emotionally distraught civilians. Regardless of the age of the people entering war, unless one obtains the mental capacity to witness numerous deaths and stay unaffected, he or she is not equipped to enter war. Kurt Vonnegut portrays the horrors of war in Slaughterhouse Five, through the utilization of satire, symbolism, and imagery.
In contrast, the author uses George as a metaphor for those who would fight, kill, and die in the war; this element is an important part of the author’s persuasive strategy. W.D. Howells wants to appeal to the values and the emotional sensibility of his audience, for this reason, Howells portrays George as passive and unsure of himself. George is fearful of the war and he sees no glory in it. He believes that God is peaceful and the idea that God would advocate for war runs counter to George’s belief in peace. In short, the author uses George’s story to illustrate the consequences of war for the reader. This strategy works to persuade a resistant audience to relate to George, hence, lowering their resistance to the anti-war message of this piece.
The author writes of many different human beings, showing that each one thinks war is ultimately, the worst thing. While in the war, Billy is in the hospital during his imprisonment by the Germans. There is an old general there who was a teacher before joining in the war efforts. One day, in a conversation with Billy and another older man in the hospital, the general starts to talk about what he thinks of the war. He says, "You know-- we’ve had to imagine the war here, and we have imagined that it was being fought by aging men like ourselves. We had forgotten that wars were fought by babies. When I saw those freshly shaved faces, it was a shock. "‘My God, my God----’ I said to myself, ‘It’s the Children’s Crusade’" (p. 106). This general feels that war is nothing but babies being murdered by one another. He is disturbed by the thought of war and the fact that so many young people are dying for its cause.
The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing
As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.