The Fall of the House of Usher by Edgar Allan Poe

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The crumbling walls and foundations symbolize the crumbling of his mind, suggesting that all must come to an end eventually. Additionally, The Haunted House isn't just a spooky setting; it's a journey into our minds. For instance, the mansion's ghostly manifestations symbolize the mental strain haunting the Usher family (Poe). Through the Usher family's story, Poe shows how psychological scars can affect people and their environment, pushing readers to face their own inner struggles. Lastly, when the narrator escapes from the falling mansion, it's like a fresh start, a new beginning.

Poe’s use of play on words contributes to the sense of confusion and disarray. For example, Usher, is not only the family name, but it could also be interpreted as the exact definition of usher, which means to show or guide someone to a certain place. This is what Roderick did when he invited the narrator to the house. Roderick “ushered” him into a whole new world of darkness and deception. This may explain the reason of the house’s downfall. There was a compassionate man that entered the house, which led to an imbalance. The house, almost like a person, could not handle the change within and it crumbled into the ground.

The interior of the house, much like the exterior, has a very strong presence of female symbolism. The interior symbolism correlates more to the more intimate aspects of Roderick’s character. Inside the house, a symbolic womb is created and then is offset by more of the stagnation that plagues the outside. The narrator enters the house through “the Gothic archway of the hall” (Poe

When writing “The Fall of the House of Usher,” Poe used the setting outside of the mansion to illustrate the theme of the fear of death. From the outset, the Rodrick Usher’s home is portrayed in a way that gives the reader a feeling of alarm. For example, the narrator mentions the house gives him a feeling of “insufferable gloom” (Usher 1). By pointing this out, the reader begins to feel on edge as the connotation of “gloom” is unwelcoming and distressing. The home is also said to have “vacant eye like windows” (Usher 1) which make the narrator

Fear is among one of the most universal human emotions that everyone is interconnected at one point or another during their lifetime. In the gothic stories, “The Fall of the House of Usher” and “House Taken Over” written by Edgar Allan Poe and Julio Cortazar respectively. Edgar Allen Poe writes about how the character Mr. Usher, who because of his mental illness and delusions, cannot come to terms with his reality. Cortazar writes about the relationship between a brother and sister who have normal everyday lives and have strange and odd nightmare that haunts them. The

Another story told in the first-person, “Fall of the House of Usher” is told from the perspective of an unnamed narrator, as he visits a childhood friend, Roderick Usher. The only other major character in the story is Madeline Usher, Roderick’s twin sister. The story takes place in Roderick’s manor, which has fallen into a state of extreme disrepair. The narrator takes note of this dilapidation, and the estate’s condition becomes a key theme in the story. Roderick’s quarters are dimly lit, with barely any light coming in through the windows. Later in the story, a severe storm hits, and the Narrator is in his room as the estate weathers it.

“The Fall of the House of Usher” by Edgar Allan Poe is an ominous tale, told in retrospect, of a man who visited an old friend, Roderick Usher, who was dying of a mental illness. This visit was quite different then how the narrator believed it would be. The narrator explained the “insufferable gloom” he felt when he saw the mansion, and this dreary feeling only grew stronger the longer he stayed (Poe 1265). The narrator endured the bleak time with his old friend whose condition only worsened. Roderick’s sister was ill as well and eventually died. They buried her in the basement only to have her crawl out alive days later. This shock scared Roderick to death while the sister’s illness finally took her life. The narrator ran out of the mansion completely unnerved as the House of Usher crumbled to the ground.

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

Poe uses the house metaphorically to show how the usher family's mind is unstable and how they isolate themselves from the outside world. The narrator himself deals with the insanity of Roderick Usher, who was one of the two survivors living in the house along with his twin Madeline. Poe's story starts with a really long sentence recording the

The "fabric gave little token of instability"-- or the mansion itself did not tell of the turmoil it concealed. The story takes place in autumn, a season associated with death. When the story's tension is about to reach its crescendo, a storm comes up, a "rising tempest." This is a symbol for the "tempest" brewing in Roderick Usher's mind. Poe's use of foreshadowing is just enough to clue the reader into what will happen, but not enough to give it away.Character traits are displayed through how the setting affects, influences, and reveals the characters.

Rather than the positive upward approach of life and rebirth, Poe shows characters like Roderick and Madeline Usher move on the road to a downward direction towards decay and death, he also presents the same downward pessimistic approach in the description of the house.

In “Fall of the House of Usher”, Edgar Allan Poe uses parallels between Roderick Usher and the House to illustrate how one affects the other. The House particularly compares to the physical appearance with Roderick Usher. To illustrate, Rodericks physical appearance is crumbling, much like the Houses “crumbling condition of the individual stones” (Poe 323). With human like qualities, the Houses “vacant eyelike windows” are a direct parallel to Rodericks “large eye, liquid and luminous” (Poe 322-324). In other words, the Usher family is so connected to their home that Roderick begins to physically look like the worn down, dark and mysterious House that is his abode. Not only does the House have similar physical parallels, but Rodericks

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

Hence, Poe appropriates a setting that seems to contaminate the characters. Just as the atmosphere and landscape seem translated into the characters, the house, as another primary feature of setting, functions as a symbol for the Usher family. The narrator even mentions initially that “House of Usher” had come to represent both family and home. Therefore, the house itself can be seen as an embodiment of the family. Poe emphasizes this symbolism by personifying the house, providing it with the anatomy of humans: “eye-like windows” and clothing: a “veil.” Moreover, the house is deteriorating just as the family is. The Ushers, Roderick and his sister Madeline, have no relatives, only themselves, and both are suffering with unusual illness. Finally, after Roderick and Madeline die, likewise the house completely breaks apart, characterizing the fate of the family.