‘Write down I am an arab
You stole the groves of my forefathers
And the land I used to till
You left me nothing but these rocks
And from them, I must wrest a load of bread
For my eight children
Write down from the top of the first page:
I neither hate others not steal their property
But, when I am hungry
I will eat the flesh of my ursurper!’
-Identity Card, Mahmoud Darwish, 1964
What this article aims at discussing is consequence that the theft of the colonizers had physically and spiritually on post-colonial authors and literature. The most obvious effect is exile and loss of land, although other end results such as the destruction of cultural psyche, loss of language, the issue of nationalism, hybridism and suppression to name a few. I will, however, touch upon exile and loss of land, according to several poets from different areas of the world, as these are the most lingering issues that we see in the political status quo. How were exile and the loss of land projected into the consciousness of post-colonial authors and poets, some of who experienced one or both of these disparities?
I will begin with Mahmoud Darwish, a Palestinian poet who wrote endlessly about land, exile and migration and displacement through the exiled mind and heart. The Nakba resulted in the loss of Palestine to him but not completely as he is an extension of it and thus there is still hope through his poetry. His exile in 1948 when he was still a child deeply affected his work. Romance and anger
Within this review of Gomez’s work is a comparison of the “truth” I knew and the “truth” I now know. Upon completing Reversing Sail, I argued with my own thoughts regarding Africans and their status prior, and post, enslavement.
Richard Van Camp's, The Lesser Blessed, contains elements that classify the novel with both Indigenous and Modern genres. Featuring both genres in a text can lead to contradicting themes that form a binary. This binary has the potential to limit the extent readers can connect to the story, suggesting the presence of a barrier. Barriers hinder the readers' lack of understanding or relatability to either Indigenous or Modern works of literature. This paper will serve to analyze how Richard Van Camp deconstructs the binary by having the sides work together rather than against one another. Furthermore, this paper will discuss how by breaking down the binary, Richard Van Camp is allowing his novel to be accessible to all readers.
During the early formation of our nation, many great authors were putting their thoughts and feelings down on paper. These early American writers were the foundation upon which the literary culture of America was founded. Among these are the early writings of John Smith, Anne Bradstreet and Thomas Jefferson. Their writings were completed during a time of exploration and colonization characterized by many historical political and cultural transitions, and their literature accurately describes the events of that period. The literary works of these important authors convey the hardships that they experienced in a new land, as well as the evolution of the government and culture.
Language can be a powerful tool which can build individuals up but it can also tear them down. When reading Literature through a post-colonial lens it can give us the needed tools to provide or grasp the information in order to reveal the bigger picture in the story. “Post-colonialism examines the manner in which emerging societies grapple with the challenges of self- determination.” (Aladren, 2013) In one way we can see that approach of colonist being conveyed through the native tongue which tends to be taught to its subjects. Such examples can be seen in Shakespeare’s The Tempest (Act1 & 2) and the The Epic of Gilgamesh which illustrates how a “savage” can be domesticated simply by learning the imperialist language. As the subjects Caliban and Enkidu encounter these dominating issues due to the situation they face once they are introduce to oppressors culture.
The reader gets a rare and exotic understanding of a totally foreign and ancient culture experiencing the growing pains of colonial expansion during the British domination
For this essay I have chosen to use the identity lens for the postcolonial theory review. There are three literary works I will be analyzing: The Epic of Gilgamesh, The Tempest, and The Heart of Darkness. Each of these literary works introduces us to characters dealing with struggles impacting identities. The identity lens will show the connection between the colonizers and colonized and better define the struggles of the colonizer.
The captivity narrative and the slave narrative are two types of literary works, which were very common during the 17th and the 18th century. The captivity narrative usually involves an innocent white woman who is taken captive by an Indian tribe, who the woman describes as savages in most of the cases. On the other hand, the slave narrative focuses on the quality of life that slaves were facing before the time of the abolishment of slavery. Although the captivity narrative and the slave narrative show some similarities, they are completely different. We can observe the differences by analyzing two literary works, A Narrative of The Captivity and Restoration of Mrs. Mary Rowlandson by Mary Rowlandson and From The Interesting Narrative of the Life of Olaudah Equiano, or Gustavas Vassa, the African, Written by Himself by Olaudah Equiano. A Narrative of The Captivity and Restoration of Mrs. Mary Rowlandson is a narrative written by Mary Rowlandson herself, which sheds light on her own experiences revolving captivity. The Interesting Narrative of The Life of Olaudah Equiano gives the reader insight into the life of a slave, the treatments they endure, and usually their freedom, whether it be through escaping or other means. Both narratives usually include real-life accounts, however, the differences lie in the structure of the narrative, the purpose that the narrative is trying to lay out and the treatment of the parties who are living these experiences.
Exploration during the postcolonial era was very popular in footings for people to try and reach out to find ways to set up ground for themselves. In Gilgamesh, the Tempest, and Heart of Darkness, it seems oppression and race played an important factor as to how one coexisted from events that took place to express all that existed during this period. From both good to bad, one feeling strong to weak, or even included or excluded, oppression and race were amongst the many postcolonial lenses that could be viewed from these three pieces of literature. These three stories reveal how racial difference is used to justify oppression during the time of the colonial period.
Ever since, Palestinians have had to adapt to new places and cultures in order to survive, which makes it more difficult for them to preserve their own. Said presents several examples of transculturation throughout the essay. For instance, the use of the Mercedes, even though Said describes it in negative terms, the use of the Mercedes has come in handy for Palestinians. Enduring one disaster after another, Palestinian identity is arduous to preserve in exile. It is a struggle of having no country. Our country is a big part of who we are. As we are born, we are destined to become a part of it. It becomes part of our identity. Things that we grew up with meant something to us. We usually treasure things that became part of our lives. Even unconsciously, we take hold of it. Home brings us memories, memories that we want to hold on up to our last breath.
Exile, is defined as a state of being barred from one’s native country. How could that even be possible; Being kicked out of a place of inhabitance. Many say that you’d have to do something unthinkable to have a punishment as grim as exile. During the lawless time of monsters and unruly Kings, the Anglo-Saxon era of poems make that all very practical. The creators of each poem discuss the personal endeavors of each exile and how they each come to their own acceptance, or not. “The seafarer”, “Wanderer”, and the “Wife’s Lament” use various literary devices to express the emotional toil, sorrow, and each theme of their exile.
Nearly 11.6 million Mexican immigrants reside in America and nearly 70% of these are not naturalized citizens of the United States (migrationpolicy.org). Immigration is a major issue in American politics and it will only get bigger, with current presidential candidate Donald Trump seeing it as a major issue that cannot continue. However, despite many of these views Mexican immigrants should be granted amnesty (given they haven’t committed any past crimes) and more Mexican immigrants should be allowed in America.
The role of Fanon’s native intellectuals links up with Gramsci’s ideas on the organic intellectual. Both examples work successfully with the masses of society and with their local communities. They are not ‘here today and gone tomorrow’. With the disappearance of public or organic intellectuals, culture and public life would most definitely go into decline. The traumas and sufferings of the oppressed reveal that concepts of colonialism
It is easy to see that current events and issues of the world around them have had an impact on authors and what they have written from the stories in this time period. The Native American authors wrote stories describing life during and after white man came to America. We read Oratory’s by two Native American’s COCHISE and CHARLOT. They gave heart-wrenching speeches, giving great details into the history of the tribes and the devastating effect the white man had on them. Author Zitkala Sa gave us a powerful interpretation of her life as a Indian and how the white’s coming to America affected her life.
binary oppositions in V.S. Naipaul’s short story ‘The Flag on the Island’. This aim is achieved via using Derrida’s deconstruction and Bhabha’s definition of these terms. Considering culture as a means of domination to get possession of control over the instruments of ‘collective self-definition’ is considered as a very significant policy in the political and cultural conflict for emancipation. This article focuses on a tension between recently autonomous nation and former colonial beliefs which results in binarism between modern and traditional values that led to the denigration of non-Western cultures. Therefore, the writer attempts to show how the characters of this story make effort to abolish this idea and retrieve the local and native traditions that were destructed during colonialism. This study concentrates on all characters and examines their contradictions and their effort for consistency that can be discussed through a deconstructive analysis.
In “A Small Place” by Jamaica Kincaid, Kincaid explicitly describes the effects and consequences that imperialism had on Antigua, while implicitly condemning imperialism for the effects and consequences indigenous people endured through allegory. Examining the results of imperialism in a cultural aspect provides a deeper connection for the audience to fathom the struggle people of Antigua experienced. Kincaid illustrates herself as the main protagonist who directly speaks to the audience as if they are the ignorant tourist. Through the utilization of the second person perspective, she immerses the reader emotionally, which through the experience proves to be more captivating.