In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White). As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can become from their children in a social media world.
The documentary opens with the introduction of two boys who are
During the years 2008 through 2012, The University of Montana, and the town of Missoula Montana, had the justice department investigating hundreds of sexual assault cases that were springing from the University. Journalist, and distinguished author, Jon Krakauer researches the abundance of campus rapes that occurred over a four-year period. Krakauer saw this college town to be a perfect place to further educate himself, and others, as to why many women do not seek help from authorities after being sexually assaulted. In the book written by Jon Krakauer, Missoula, Rape and the Justice system in a College Town, is a typical college town who’s prized football team inspires their loving fan base, received national attention when authorities
Earlier this week, on Memorial Day, police officers in Roseville, California arrested a gang of seven men for allegedly touching several young girls inappropriately at a local waterpark. Curiously, though, the various media outlets that have reported on the incident have all effectively covered up what sort of people would target 14-year-old girls in a group and then abuse them like they did by leaving out some key information about the suspects’ backgrounds.
In Devin Faraci’s article “Child Molestor Victor Salva Directing Third Jeepers Creepers Movie” in his opinion, Faraci provides a detailed news report on child molestor Victor Salva being hired as the director for the new “Jeepers Creepers” movie. Appalled by the news, Faraci gives a brief history of Victor Salva’s crimes and reinstates that even though contrary to the public belief that Victor Salva, accused and having served time for his rape of 12 year old child actor Nathan Forrest Winters, star of Salvas’ film “Clownhouse” and owning child pornography, Salva, after serving his sentence continued to shoot films with child actors regardless of his sexual predator nature.
Our Guys by Bernard Lefkowitz (1998) is an account of the gang rape of a mentally disabled girl, Leslie Faber that took place in Glen Ridge in March 1989. Kevin and Kyle Scherzer, Bryant Grober, Paul and Chris Archer, Richard Corcoran Jr., the most popular high school athletes in the town, participated in or observed the group rape of Leslie. Although Glen Ridge was a small and peaceful suburb, it is a perfect example of America’s jock culture where status is associated with sports and being a man is linked aggression. In this essay, we will argue that from both a micro and macro-level analysis, Glen Ridge’s social institutions perpetuated the cycle of violence and how society blames the victim rather than the perpetrators of the crime since
The Steubenville and Glen Ridge rape cases are two very similar cases. The perpetrators were football student athletes with promising futures and the victims were teenage girls whose capability of consenting to the acts done to them were questioned. One of the victims was seventeen-years old and had an intelligence quotient of 64 and the reading comprehension of a second grader. The second victim was sixteen-years old and was publicly assaulted while she was completely intoxicated. This paper will discuss each victim and their perpetrators, as well as the trial sentencing and prosecution. It will explore the different reactions from the community and the debate over the victim’s responsibility leading towards the incident. In both rape
There were groups that were assaulted in 2012 from multiple located in California New Orleans, Chicago, and New Delhi which Solnit utilizes to depict the severity of gang rape and how terrible the violence of these assaults. Solnit has provided us a very well document and compelling argument that sexual violence against women is all too common. Additionally, Solnit provides options on how to review these incidents as she states, “If you’d rather talk about bus rapes than gang rapes” (Solnit 523).
This case study will examine the ethical issues journalists face when reporting rape and sexual assault stories, with specific analysis on the story published in Rolling Stone magazine titled: ‘A Rape On Campus.’ It will demonstrate the poor decisions made by journalists through their lack of fact checking and their negative portrayal of character. I will use ethical theory and self-regulation codes to establish where the journalist in question crossed the line in their reporting. This case study will highlight the impact of the article and will establish better methods of practice to avoid a repetition of this style of reporting in future rape/sexual assault cases.
This non-profit agency services to victims of rape and any type of sexual assault and provides trained advocates to offer hospital and/or legal accompaniments. The agency also provides specialized crisis counseling for victims and their families (contactburlco.org). My work at Contact was focused on a grant called Media Literacy, which offered preventative education within school systems and the community. Media literacy helped students and individuals learn the importance of becoming critical consumers of the media in order to develop their own opinions, as well as understand how media messages shape our culture and society (medialiteracyproject.org). Advocating for media justice is important when discussing the Violence Against Women Act in terms of thinking about how the media portrays women and the issues of violence. Today, we see countless media in which women are being objectified and also how the media desensitizes viewers to violence. While working at Contact of Burlington County I was able to teach youth to be proactive media consumers and media upstanders by choosing to make a positive stand on behalf of themselves and others. The Violence Against Women Act also provides programs to combat these views on domestic
In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenaged girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug while he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White) As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for the today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected parents become from their children in a social media world.
In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here.”(White) and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (White). Montages, long and subjective shots, close-ups, and personal sketches highlight the conflicts and tragedies that the girls face, submerging the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can be from their children in a social media world.
The murder of Skylar Neese was a case that shocked the entire nation. It was a case of betrayal and heartbreak that once solved brought about more questions than it did answers and left a cloak of fear over the town and citizens of Sky City, West Virginia. July 6, 2012 was a night no one in the town would have ever imagined possible or could ever forget. Skylar Neese was just an average sixteen-year-old girl who believed she was going out for a night of fun; that quickly turned south as she was attacked and stabbed to death by her two best friends, Sheila and Rachel. They were also sixteen-year-old girls whom defied all gender norms as they crossed the line from innocent female high school students to murderers. This paper will analyze the
During the Steubenville rape case, the media’s sympathies went out to the boys because the whole incident was a misunderstanding and Mays and Richmond were just “boys being boys”. Gorgias blames Helen for the misfortune that happened to their country, just like the media blamed the 16 year old girl for what she made these two star football players and good students give
This essay will look at how various forms of media examine female and child offenders, and how these same criminals can also be viewed as being victims. The media is able to shape the way the public perceive a certain criminal through aspects such as personal information, history of violence and appearance (Fries, 1820). Therefore, creating the opportunity to generate a media story in which the ideal criminal is involved. Included within the essay will be how the medias fixation with gendered and social norms can cause a female or child offender to be considered as being depraved. Also, this essay will demonstrate how today’s media supports the now discredited theory of criminologist, Cesare Lombroso, that asserted physical attributes
According to the end credits of the film Audrie & Daisy, “Young people 12-19 years-old experience the highest rates of rape and sexual violence in the United States. 68% of sexual assaults are never reported to the police, and 98% of perpetrators will never spend a day in prison.” I found these statistics and the film to be incredibly shocking and devastating. To recap the film, Audrie & Daisy is about the true stories of young women whose sexual assaults have been caught on camera. The film also examines the ripple effects sexual violence has on the victims’ families, friends, schools, and their communities.
But this causes that some crimes are to be thought as not important enough to get coverage. Most of the victims of these crimes hide in the dark. ““Few studies have examined newspaper rape coverage and concluded that rape stories have fewer details than stories about murder or assault and do not provide information that puts the crime into perspective (1602).” Some solutions to this problematic representation of rape victims in the news media are education and social media. Because of rape culture in our society, many of the rape aggressors are often times tried for a minimum sentence which is not enough for the action he committed. Many who don’t agree can have a voice through social media. “Today feminist bloggers utilize social media in order to respond to rape culture, and hold accountable those responsible for its practices when mainstream news media, police and school authorities do not. (67) Education is another possible solution for this problem. ““Project Sister, a Pomona-based organization dedicated to helping victims of sexual and domestic violence, offers several education programs, with age-specific lessons for kindergarteners through the