The Divine Feminine : Contrasting Irish Mythology 's Conceptions Of Equality

Patriarchal culture has dominated society throughout history. Males have control in many aspects of life and women have continued to fight for equal rights in society. There are many ways women have contributed to the fight for equality; some more physical and other less abrasive. Education and Literature gave the voice to a few women in a male-centered world. Poet Lady Mary Wroth captures the injustices experienced by women in the feminine narrative of Sonnet 9 from her collection of sonnets, songs, and lyrics entitled 'Pamphilia to Amphilantus. In this poem, Wroth explores the thoughts of elite women in the 1700s and uses aspects of her own cultural and historic circumstance to convey the theme of a religious patriarchal society.

In the text Mythology by Edith Hamilton, women are portrayed as being property and objects. During this time women were seen to be not as "good" as men. They saw perfection in relationships between men and young male adults as the best relationships to have. However, homosexuality was frowned upon. Men were considered knowledgeable and educated, but women were seen as a burden placed on man by the Gods. When it came to women nothing was valuable about them but their beauty. When a woman was beautiful she was wanted by many men: a man would do almost anything to have the possession of a beautiful woman and have her as his property. It was as if a woman’s role was to only be a man’s beautiful possession and to procreate the lineage of a

In Greek mythology, there are many stories pertaining to divine vengeance and mortals. There are many different reasons as to why the gods penalize humans, and likewise, an assortment of punishments cast down upon these offenders. Throughout the book, Powell gives many examples of the wrath of the gods and the differences in their punishment styles based on their gender. Male gods do not usually punish male offenders with a quick and easy death. They prefer to use a more prolonged and torturous style of punishment; where as female gods use a quick, more destructive punishment that affects more than just the offenders themselves.

Gwen Harwood’s work frequently focuses on woman being demoralised by society’s practices that reduce her to a lesser being. A common worldwide value that Harwood rejects as the normality in life with her poems. Harwood battles against the traditions that she believes support this downgrading by continually returning to the issue. Due to Harwood’s existence in a time where women of Australia still fought to vote and for a pay check to match a man’s, Harwood too displays her support. “The Lions Bride” is centred on the subject of marriage and entails the ugliness of the situations that are specific to women. This remains relevant to the modern world because of the ongoing struggle for equality. By using a wedding as a

Throughout this course, we learned that women’s studies originated as a concern at the time that “women and men noticed the absence, misrepresentation, and trivialization of women [in addition to] the ways women were systematically excluded from many positions of power and authority” (Shaw, Lee 1). In the past, men had more privileges than women. Women have battled for centuries against certain patterns of inadequacy that all women experience. Every culture and customs has divergent female

Female Resolutions in Celtic Mythology (#1) Although a handful of female characters in Celtic Mythology embody a great deal of power, such as, Morrígan, a war goddess, who “[can] destroy those who might be subdued”, most of them are unable to deal with repercussions, that is, the result and effect of their actions. In the text, “The Exile of the Sons of Uisliu”, king Conchubur separates Derdriu, daughter of Fedilmid, from the rest of the Ulaid as a mean to “rear her as [he] see[s] fit [because]…she will be [his] companion [since] none of the Ulaid warriors dare [to] oppose him” (Gantz, 260). In other words, the story in the text begins with a submissive theme where neither the warriors nor Derdriu have any power over the situation, therefore,

A reoccuring theme seen in many mideval text is the desire of women. In The Wooing of Etain, women have a desirable hold on men and society. Etain is viewed at the most goregous and desirable woman in Ireland. Although, the sterotypical idea within societies is that men have the power to control the women, family members and individuals within their communities. But, this did not occur in the Wooing of Etain, Etians mother did not approve of her marriage and decided to turn her into an insect and create a storm that would blow her away. This shows the control and power women have in the Wooing of Etain which there is a lack of in other mideval texts.

Although, when explaining how the half man half ox came to be, the man having relations with the ox was not subject to dishonor, but instead it was said to just be “a particular vice of that people”(74). Here, Gerald suggests that although it was a man that acted dishonorably something beautiful came out of it, while the children of the bestial women are not spoken of most likely because they were so wretched. Gerald seems to be relating cultural hybridity to the act of interspecies crossbreeding, ultimately allowing the reader to relate it to filth. By showing different forms of miscegenation, Gerald makes each variation seem negative to his readers, which makes Ireland as a whole look like a place for hybrid “mongrels”.

The setting for “The Fatal Sisters” is an eleventh century, war-ridden Ireland.  The nation’s fate appears to rest upon the shoulders of a few bloodthirsty

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities.

Women withstood a multitude of limitations in the medieval era. Due to the political, social, and religious restrictions women encountered, historians neglected to realize that they demonstrated agency. The female experience is something that has been overlooked until recently. Unfortunately, without the knowledge of how women found ways to exert their power, we are experiencing a deficit of knowledge in this period. Through the close examination of the primary sources: The Gospel of Mary, Dhouda’s Liber Manualis, and Chaucer’s Canterbury Tales, the creative means of female force are displayed.

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women's roles in today's society. Although there are a few similarities to women's roles in today's society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women's roles today we will see that the roles have many differences and few similarities.

Lila Abu-Lughod also writes about feminism in regard to culture. “ It has been important for most feminists to locate sex differences in culture, not biology or nature,” (Abu-Lughod, p. 144). There have been many cultural differences between women and men, “ a different voice” perhaps from Anglo-American feminist Gilligan and her followers, (Abu-Lughod, p. 145), as well as an explanation of the differences, “ whether through a socially informed psychoanalytic theory, a Marxist-derived theory of the effects of the division of labour and women’s role in social reproduction, an analysis of maternal practice or even a theory of sexual exploitation,” (Abu-Lughod, p. 145).

Feminist theory analyzes the gender inequality that women have faced throughout the years due to a patriarchal society. Women were expected to fit the traditional female and conform to the gender norms that society has constructed. According to A Brief Introduction to Critical Theory, “Feminism embodies a way of reading that investigates the text’s investment in or reaction to the patriarchal power structures that have dominated Western culture” (227). Patriarchal power has oppressed women economically, socially, and politically. Women were associated more with domesticity than with politics and financial situations. They were not provided the same educational opportunities as men. These issues have been addressed by people, such as Mary

During the postcolonial times the presence of the Roman Catholic Church dominated the Republic of Ireland making Irish Christianity the largest religion. It is through marriage that Eveline is able to fulfill the personal desire enculturated within her through society. O’Brien identifies in Study: An Irish Quarterly Review that Eveline believes that by becoming Frank’s wife, she can “completely valorise her female identity” (207). By becoming a married woman she would gain ‘respect’, as Joyce explains, “then she would be married – she, Eveline. People would treat her with respect then. She would not be treated as her mother had been” (73). It is through Frank that Eveline can find her