The Devil In The White City Analysis

Devil in the White City written by Erik Larson is a true story based on the building of the most important fair in the United States of America, the 1893 Columbian Exposition World’s Fair in Chicago. Erik Larson also told the story of the psychopathic murderer; H.H. Holmes used his World’s Fair Hotel as an evil castle to lure in young women who came to see the fair. The story starts off with Larson describing that Chicago won the Congressional vote to host the World’s Fair and beat out its competition New York City. In only two short years, the White City was built. The fair brought in an estimated 40 million visitors in the only six months it was open. Daniel Burnham was the chief architect of the World’s Fair. Burnham had the staggering

Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?

In the book The Devil in The White City by Erik Larson, the city of Chicago is used to show the great failures and successes of the United States. The story takes place a few years before and during the 1893 World’s Columbian Exposition (World’s Fair) in Chicago. Larson focuses on the stories of Daniel Burnham, the director at the exposition, and Dr. H.H. Holmes, a serial killer. Daniel Burnham shows how America is a land of opportunity, and even in the face of many hardships succeeds in his goal of having a successful exposition. The Devil in The White City reflects the extremes of character in America because it shows American ingenuity, optimistic naivete, and the complete loss of morality.

Erik Larson has organized The Devil in the White City chronologically, alternating between the construction of the 1893 Chicago World’s Fair and the evolution of a serial killer. In doing so, Larson is able to explore the details of the fair in-depth, while keeping the interest of the reader. By using this organizational structure, Larson is also able to tell the gruesome tale of a serial killer without scaring away his audience. Overall, the pairing of these two stories helps to balance out the novel.

(insert an attention grabber, such as a quote or question). In Erik Larson's “The Devil in the White City”, (a nonfiction novel that spans the years surrounding the building of the 1893 Chicago World's Fair) that recreates the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World’s Fair and H. H. Holmes, the serial killer who exploits the fair to find his victims. Larson uses intense imagery, juxtaposition, and allusion to create pure and immoral tones between Daniel Burnham and H. H. Holmes. In the novel Larson uses intenses imagery to thoroughly illustrate the coexistence of good and evil.

The U.S.A., a superpower of varying converging forces entering the twentieth century, led by the 1893 Chicago World’s Fair. In Erik Larson’s book, The Devil in the White City, he illustrates the entire Fair, from start to finish. Before the famous Chicago World’s Fair, there were countless problems the city and the nation faced. There was pollution almost everywhere the eye could see, then the infamous Chicago fire of 1871, and the notorious Civil War. Chicago was a dismal and unfavorable city, that is, until the renowned 1893 Chicago World’s Fair. Led by Daniel Burnham, the city saw a colossal change in its environment and people. The three main converging forces that created a blueprint for America to enter the twentieth century was

In the nonfiction novel The Devil in the White City, Erik Larson uses Imagery, dark tone, and oxymorons to portray H. H. Holmes, whose point of view is half of the story, as the Devil incarnate: evil and subhuman.

The Columbian World’s Exposition of 1893 marked an important time in American history. The overall fame of the World’s Columbian Exposition, or also known as the Chicago World’s Fair, is in large part due to the spread of ideas and inventions that originated at the fair itself. The novel, The Devil in the White City by Erik Larson, depicts a clear portrait of the fair’s impact in the time leading up to, during, and after the exposition. The fair established itself as a metaphorical historical monument, in the way that it honored the past and served as a memorial to Columbus, and the way that it impacted future societies and events. The fair began as a show of superiority on part of American society, over all other countries, like France or England. Regarding competition, the fair sought to “Out-Eiffel” Gustave Eiffel, architect of the Eiffel Tower, for architecture, and to outclass the rest of the world in all other fields. The fair also served to foreshadow the growing powers of America both intellectually and militarily; the spirit and ideas shown at the fair showed the emergence of intellectual superiority that would only serve as a sample of the achievements of society that were yet to come. The intellectual productions of the fair can be attributed to the architectural firm coordinating the event, Burnham and Root. The firm was headed by Daniel Burnham and John Root, both accredited as the brightest in their field. Under their management, the Chicago World’s Fair

Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has

The theme of good and evil is prevalent throughout Erik Larson’s book, The Devil in the White City, as David Burnham and H.H. Holmes provide two contrasting personality types. Holmes, a psychopath, is extremely dangerous and lethal while on the other hand, Burnham is hardworking and is in the midst of doing a great honor for the city of Chicago. The juxtaposition of good and evil in the book is evident as Larson trades off characters.

“The sight is so inspiring that all conversation stopped, and all were lost in admiration of this grand sight. The equal of it I have never seen, and i doubt very much if i shall again’” (Larson 271). Erik Larson’s nonfiction novel The Devil in the White City centers around the Chicago World’s Fair, also known as The World’s Columbian Exposition, and two of the men whose lives were intertwined: Daniel Burnham and H. H. Holmes. Daniel Burnham was the chief architect who built the World’s fair with a grandeur image in his mind; in contrast, H. H. Holmes used the fair to masquerade his horrific and numerous murders, exploiting the fair. In The Devil in the White City, author Erik Larson uses vivid imagery, captivating tone, and figurative language to portray the dreamlike qualities of the White City.

The nonfiction novel The Devil in the White City written by Erik Larson primarily takes place in Chicago between the years 1890-1893. This novel tells the story of Daniel Burnham, an architect in charge of building the Chicago World's Fair, and H.H. Holmes, a serial killer who uses the fair to lure his victims.

Erik Larson is the author of Devil in the White City, a book paralleling the story of H.H.Holmes and the building of the Chicago World Fair. At the beginning we are introduced to the beginning of the next world fair. It is going to be held in Chicago, a city known for being dirty and having disease and sewer problems. In contrast, the architects of the world fair want it to be known as the white city, a place of wonder and history full enough to spend a week exploring. At the same time, we are also introduced to Holmes, whose given name was Herman Webster Mudgett, and the beginning of his obsession with women, that he later murders. Larson constructs his book differently than other authors, using organization, contrast, and emotions in unique

The attachment “Murder, magic, and madness at the fair that changed america” to the title hardly does the novel justice. Erik Larson’s The Devil in the White City, a nonfiction novel that surrounds the 1893 Chicago World’s Fair, also known as The World’s Columbian Exposition. The novel follows the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World's Fair and H.H. Holmes, the serial killer who exploits the fair to find his victims. Many new inventions were introduced at the fair, such as Juicy Fruit gum, the Ferris Wheel, and many other novel ideas that impacted the lives of many people for generations. The beautiful fair Burnham creates provides the perfect distraction and lure for Holmes’ activities. In his novel The Devil in the White City, Erik Larson suggests that good and evil coexist in the world by using charged language, imagery and juxtaposition to show although people view the fair as a perfect dreamland immune to evil, it still lurks outside in the dark, influencing the rest of the world.

The book The Devil In the White City by Erik Larson re-tells the story of Chicago’s World Fair, while H.H. Holmes, also known as “America’s first serial killer”, emerges as a dark force within the fair. Switching back and forth between the experiences of the head fair administrator, Burnham, and the other directors along with the evils of Holmes, the reader begins to understand the world of tragedy and crime that lies behind the public’s excitement. From a devastating storm to the deaths of multiple builders, suspense builds as tragedy is followed by more tragedy. Through the use of contrasting ideas and ethical clauses highlighted by symbolisms and descriptions within the book, Erik Larson creates an underlying argument that one’s pursuit of pride and success often causes destruction and comes at the price of another’s well-being.