"The Dark Knight" is grimly magisterial. It's a summer blockbuster that contemplates near-total civic disaster: Crowds surge, tractor-trailers flip, and buildings explode, but the pop violence feels heavy, mournful. Light barely escapes the film's gravitational pull.
Yet flitting through this 10-ton expressionist murk is a diseased butterfly with stringy hair and a maniacal giggle. Played by a dead actor, he's the most alive thing here.
It's not quite fair to say that the late Heath Ledger steals "The Dark Knight" from Christian Bale and the forces of (problematic) good, but, as the Joker, he is the movie's animating principle and anarchic spark - an unstoppable force colliding with the immovable objects of Batman and director
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Confusion reigns in the opening scenes; loose threads abound toward the end (including one major figure literally left hanging).
Yet the generous midsection works as an agonized big-muscle action film about a conflicted superhero. As Bruce Wayne, Bale is gravely shallow, and he lacks the sense of fun Robert Downey Jr. gave his obscenely rich playboy in "Iron Man." Bruce uses his secret identity as a hidden camera to glean information from the city's upper echelons, but he's not quite there otherwise. This, oddly, is what makes him interesting, both to us and to assistant DA and ex-girlfriend Rachel Dawes (Maggie Gyllenhaal, taking over from Katie Holmes and providing the character - at last - with a spine and a brain).
Batman's a whole other story. The filmmakers have worked out the mask problems from the previous film; Bale fills the suit with grace and danger. His voice is disguised as well - it's now a bass-heavy synthesized whisper. The character seems more than ever an extension of his high-tech toys (like the neat-o Bat-scooter that pops out of the Batmobile at one point, ecstatically rearing up like the Lone Ranger's Silver). He represents a citizen's darkest urges, though, and it eats at him. He's Dirty Harry crossed with Hamlet.
The complicated plot involves Batman, Gordon, and Dent putting the squeeze on the mobsters, who look to the
The main conflicts in the world of The Dark Knight Returns revolve around escalating crime in Gotham city and forces of the authority attempting to control it. The authority should be a moral force and represent justice. The figures that represent the authority should be selfless and work only to promote the integrity of law and order. Authority proves to be contradictory in Miller’s novel as the authoritative figures express qualities of vigilantism and overall moral ambiguity.
The Dark Knight (2008), directed by Christopher Nolan, demonstrates the idea of good versus evil. Batman is known as the protagonist, and Joker is known as the ultimate villain. The representation of crime in the film is seen from the actions of both characters. The film essentially depicts the act of deviance meaning, “behaviour that violates social norms, including laws”. In normality the government would have the greatest amount of power, but in the Gotham city, power is complex. There is minimal structure of law and order in Gotham city due to powerful people like Batman and the Joker. Citizens of Gotham city can no longer fight for themselves in a world filled with supernatural powers. Therefore, the only hope that citizens have rest in the hands of Batman. Although Batman attempts to save Gotham city from Joker’s criminal intentions. Batman, however, also plays a role in deviant activity while attempting to catch the Joker. Realistically, Batman violates the moral code due to destructive behaviour, and putting the lives of citizens at harm. He does not care for social norms, nor whether his acts are of legality. He is devoted to combat organized crime with Harvey Dent, a district attorney in Gotham city. Batman is in fact, the definition of crime, he understands but does not abide to individual rights and social contracts which make up the rule of law. In addition, the man behind Batman, Bruce Wayne also portrays a form of deviance by disguising himself as Batman.
Though Batman tries to be portrayed as a hero, he is only a vigilante since he helps the law, but is not a part of it. This means that he fights crime, but is not a member of the police force or other civil duties that
The Joker has no alter ego. He walks around the way he is with his deformed face full of scars and in some versions, with his bright colored hair and bleached skin, always with that maniac, chilling laughter which always makes the hair on the back of my neck stand up. He has no personal agenda to all the brutality he inflicts, no thirst for revenge or materialistic goals made him reach this point. He lives to dismantle the codes the society lives by and all he hopes for is to rip apart the expected codes of morality, so the people can then be free of any faith, any belief of right or wrong. He creates situations for the people of his town
At the beginning of the movie we are introduced to the Joker who is set on creating mayhem and villainy for the sheer sport of it. All he wants is to bring the world down to his level and make them see through his eyes and thus understand that all men are inherently evil.He is antisocial in all ways, but seems to have more realism than anyone else. He robs a bank that is owned by Gotham’s gangs and by doing so makes himself a target for them. Batman is left puzzled by this a strained villain who seems to pose no real threat, except that he needs to be caught. Through the movie Joker is seemly one-step ahead of Batman until the District Attorney, Harvey Dent, realizes that The Joker is a mad genius and needs to be sought after.
Throughout “The Dark Knight” by Christopher Nolan crime and deviance is seen throughout the film. Crime and deviance in The Dark Knight has two faces as society accepts crime for those whose are helping them and at the same time punishes those who are punished. Society in Gotham accepts crime when the Batman commits it to help for the betterment of society; however, crime is not accepted when it is committed by mob bosses, gangs, criminal cops, and most importantly through the joker. The forms of deviancy/crime which are seen throughout the film is the Labeling Approach, Human Rights Approach, and Human Diversity Approach.
In a movie where good and evil are divided by a very thin line, the Dark Knight rises up to fight against injustice and corruption in Gotham City. An action sequel to the original Batman Begins, this installment is a lot darker filled with more explosion, twists, and suspense. For the first time, a comic has been integrated into the issues of the real world. With the help of District Attorney Harvey Dent and Lieutenant Gordon, Batman sets out to dismantle the remaining mob members and clean the streets of Gotham for good. Their success is only short-lived when they encounter the Joker, a mysterious mastermind who is out to prove that nobility cannot hold in a world of anarchy.
Alfred Pennyworth, Bruce Wayne’s butler, enters the Batcave in his typical dress, a tuxedo. “Any updates on the robbery, Master Bruce?” asked Alfred with his sophisticated English accent. Bruce says with a sigh, “I’m afraid not, Alfred.” “Well, I brought you some coffee in case you are down here for a while more.” The butler said. “Thanks Alfred.” Said Bruce. “Always welcome, Master Bruce.” Then the butler strolled into the industrial looking steel-grate elevator, and exited the Batcave.
Batman: The Dark Knight directed by Christopher Nolan is non-stop action thriller that continually did the unexpected. The film is based off of the original Batman comic book but additionally changes the perception of the everyday world as good to naturally bad. Throughout the movie, Batman stands for honesty and goodness while the Joker is a symbolism of chaos and evil. Both sides are forced to make quick-witted decisions in order to stop the opposing vigilante from doing his desired work. The citizens of Gotham are put in the heart of this circumstance and feel obligated to go against their values to stop the chaos. Numerous people habitually pursue their dreams and values but often become blinded from their
The artistic representation of the Batman myth is an important cultural artifact of our time because it represents modern society's thirst for heroic ideals in popular entertainment. Since his creation, readers and viewers have admired Batman's unique ability to battle villainy, transcend the law and administer justice. As cultivators of the noir genre in film as well as in literature, Americans have always identified with this enigmatic hero, who exists on the margins of society and yet represents one of the largest corporations in the world. The evolution of Batman in particular and the superhero genre in general (from comic book to television to film and back again) has seen in the latest adaptation from Christopher Nolan's Batman revamp a veritable tilting point for the character once known as the World's Greatest Detective. This paper will analyze why Batman is an important cultural artifact of our day, how he came into being, what he means for society, and how he will be treated in the future.
In 2005 Christopher Nolan spearheaded the commercial re-boot of the Batman franchise with the movie Batman Begins, the movie achieved wide critical acclaim, and, subsequently generated, talk of a sequel. In the summer of 2008, after a vast amount of advertising and viral marketing, the highly anticipated sequel was finally released. The film 'The Dark Knight' grossed almost $67,165,092 in its first day and went on to break countless box office records. Later the next year the film won 2 Oscars and was nominated for a further 6, one award won was the 'Best Supporting Actor' award which the late Heath Ledger posthumously received, for his portrayal of the 'Joker'. Due to Ledger's untimely death the film gained even more
The Dark Knight is an action hero film from 2008 directed and co-written by Christopher Nolan. It is Christopher Nolan’s second film based on the comic hero Batman, and it’s the second movie to the 2005 Batman Begins. As Roger Ebert explains, “It creates characters we come to care about. That’s because of the performances, because of the direction, because of the writing, and because of the superlative technical quality of the entire production.” The stars include Christian Bale, Heath Ledger, Maggie Gyllenhaal, Aaron Eckhart, Michael Caine, Gary Oldman, and Morgan Freeman. This is the second film to Batman Begins Batman is out to hunt down a crime mafia in Gotham City, until a criminal named The Joker wants to make Batman fall victim to his schemes, The Joker puts Gotham City into terror and obligates Batman to choose between being a hero or a vigilante.
Now in these days everyone one likes to read comic books since they became part of our society. What makes them interesting is how entertaining they could get giving us different points of views on different stories of superheroes. Many of us believe that “Classic superheroes stories are wildly fun, suspenseful and exciting” (Tom and Matt Morris) forgetting the idea of what really makes a hero. Different perceptions of superheroes are considered based on their wrong actions and way of thinking. Frank’s Miller Batman: The Dark Knight Returns is one of the comic books that make us “rethink the conception of the superhero and press each of us to reconsider some of the fundamental moral principles
Bruce Wayne uses all of the strength he possesses in order to keep Batman from being free despite his relentless struggles to break free from the chains that keep him. The usage of dramatic lines the author uses and the constant shadows creates the imagery of captivity and the innermost thoughts and struggles that Bruce Wayne possesses deep inside. Cell bars represent the windows on the panels of this
There are two main characters that the storyline revolves around, Batman and the Joker. Batman serves as the guardian of Gotham City. The Joker, however, stands as the villain who strives to create a world of chaos. Hobbes’ theory on state of nature says that society is the sole reason that humans act civilized. Hobbes’ believes in the “state of war,”, which is a way of life that is proven to be brutal and short. The Joker’s main goal is to prove that people have the natural capability to do evil. While he attempts to prove this throughout his many twisted plans, he is driven to eliminate the one thing that keeps Gotham City from turning hopeless and chaotic, Batman. Without its protector, Gotham City would soon turn to a “state of war.” Hobbes’ also says, “Fear makes natural man want to escape the