The Chrysanthemums: A Woman Bound By Society

Everything is everything in the world of short stories. Steinbeck's The Chrysanthemums is full of thick rhetoric that raises questions and stirs the mind and imagination. Everything from the title, to the last line needs to be thought about more than once. The story isn't just about a farmer's wife who likes pretty flowers. Not in the least! The Chrysanthemums is a story about how Elisa Allen is forced to a life that she feels is trapping her. The story is set in the early twentieth century and these times don't allow for just any woman to leave her ordinary, socially and politically correct life. Feminism is a large part of the story, and main character Elisa Allen's language, actions, and even the way she is described play a large

Gender and sexuality – Gender plays a large role in the story of Daisy Miller. In the beginning and at the end, Winterbourne is known to be “studying” in Geneva. What this really means is that he is spending time with older, foreign coquettes. On the other hand, Daisy Miller is heavily looked down upon especially when she is in Rome. When Winterbourne arrives in Rome, his aunt tells him “When she comes to a party she brings with her a gentleman with a good deal of manner and a wonderful mustache.” Also, people continue to question her actions throughout the novella. For example, when Daisy Miller explains that she is going to the Pincio, Mrs. Walker replies with, “Alone, my dear—at this hour?” The carriage scene is another example of this happening. Both Mrs. Walker and Winterbourne tell her that she should go home because they are worried about her reputation being ruined by her walking the streets of Rome. In conclusion, Winterbourne is never confronted about what he does with older foreign ladies whether it is in the beginning or in the end of the novella. However, Daisy Miller’s actions are criticized. Both gender and the attraction between Winterbourne and Daisy Miller play a large theme. Winterbourne’s ultimate desire is to have Daisy Miller to himself to ultimately marry

Firstly, Elisa and Mrs. Mallard related in the fact that they both faced the sad reality that women in their time periods were unbearably unequal to men. For example, in "The Chrysanthemums," it was clear that women had no say in the business aspects of things such as running a ranch. This is

In John Steinbeck’s Of Mice and Men, Curley’s wife symbolizes established sexism, highlighting the ongoing struggle for gender equality

In The Chrysanthemum, Elisa Allen’s character is clearly the result of oppression in a male dominated community. Early on, Steinbeck makes it a point to establish her femininity (or lack there of) as the result of her marriage to, and life with, a common rancher and farmer:

Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills,

From all areas of the world, people have been changing their forms of government in an attempt to decide on what’s best for their country. Apart from most, Communism is targeted toward making all equal, and it eliminates the concept of a dictator. The contradictory fact is that the concept fails when people cannot reach an agreement themselves, and then they realize a leader is needed to make the final decisions. Of course, with greed to be on top, people do not stray from this empty position for long. As unfortunate as it is, even when people decide to become equal, someone always wants to be the king. When this thirst for power is between men and women rather than the dictator and the country, men try to be in control while women serve

     At the same time, the readings of the women's masculinity and androgyny must be similarly reconsidered. While Irving reads Lena as one who "conforms more readily than Ántonia" and assimilates in a manner "too complete" in that "she, like Jim, is lethargic" (100), I would argue that Lena's refusal to marry and her achievement of the independent, successful life she sought belie any ready categorization of reinforced hegemony, undermining standard patriarchal demands; and her success can be contrasted with Jim's loveless marriage and the vague reference to the "disappointments" that have failed to quell his "naturally romantic and ardent disposition" (4). Similarly, as Gilbert and Gubar highlight, the happiness of the "masculine" hired girls stands in stark contrast with the emotional restriction to which town wives are subjected: "Energetic and jolly, Mrs. Harling must stop all the activities of her household so as to devote herself entirely to her husband" (197). While it may be true that "their disturbing androgynous qualities, and their unwillingness to accept traditional female roles" position the hired girls as "outsiders" (Wussow 52) and that these facts can be read as critical of the feminine, it seems more

”(Of Mice and Men, 31) And that was all she ever was, and ever will be, besides a corpse, that is. In Of Mice and Men by John Steinbeck, there is merely one female character, a character that is not even acknowledged with a name, but simply as a man’s wife. This is nothing new, in the majority of cultures all over the world, women have been considered to be nothing more than toys; simply objects for men to play with, nameless objects who do as men told them. Women have been treated as less than citizens for centuries, scandalized and shamed for merely existing, and even have unofficially been declared war against.

John Steinbeck’s, The Chrysanthemums, was published in 1938 in a book of short stories, entitled The Long Valley. The Chrysanthemums has been a rather powerful draw for scholars because of its wide gap for interpretations and analysis of its main protagonist character, Elisa Allen and also the unique descriptions used to portray the deeper meaning behind the setting of the story. Themes of sexuality, oppression of women, as well as other numerous types of conflict portrayed in this rather somber short story have made it a popular study among scholars and students alike. Steinbeck also uses literary elements including a dramatic tone, rich symbolism, and personification which increase the stories feeling and value exponentially. Steinbeck

In John Steinbeck's "The Chrysanthemums," Elisa Allen's chrysanthemums are important to her and define her femininity. Elisa mothers the chrysanthemums, which are her figurative children. Her attachment to the flowers is visible by Elisa guarding them with a "wire fence that protect[s] her flower garden from" animals (Steinbeck 2). A mother never wishes harm upon her children; likewise, the fence prevents strong animals from nearing Elisa's flowers. With all the care she possesses, Elisa "look[s] down among the close-growing stems.

“Chrysanthemums” by John Steinbeck was written in 1937 when the transition of women from typical housewife standards to the working world was occurring. Steinbeck’s feature character, Elisa, an atypical woman with a love for gardening, embodies the pressures that women face from society when they attempt to express themselves in ways that go against societal standards. In “Chrysanthemums,” Steinbeck uses symbolism to reveal how societal standards cause women to miss out on opportunities and become frustrated because of their inability to express themselves.

John steinbeck's’ chrysanthemum is a inside look on sexism and gender in the 1930s. The main protagonist Elisa is a conduit for us to see the problems in american society. Through character relationships and conflict, the main character internal conflict and even the world around her, all act as an anvil to pound out a perspective on. For context the 19th amendment was passed in the 1920s, and to many the women's movement was over women had achieved equal rights they could vote. And yet we know that not to be the case.

Women characters also depict the feminist critical approach throughout the novel. Society views women as being inferior to men. For example, The Awakening states that Mr. Pontellier, “… looking at his wife as one looks at a valuable piece of property which has suffered some damage,” (3), which shows he does not appreciate his wife. He treats Edna as if she was an object that he owned, and had full possession of. Although it takes a while for these women to break free, they end up realizing

The short story “The Chrysanthemums” by John Steinbeck tells the story of Elisa Allen, a woman living with her husband in the Salinas Valley. Elisa is unsatisfied with her role as a rancher’s wife and would like to gain more independence and importance, yet she lives in a time when women were generally not as independent as men. The singular effect of entrapment is present throughout aspects of Elisa’s life from her personal identity, to her relationship with her husband, to her interactions with the pot mender. When the travelling pot mender arrives and speaks of his lifestyle, Elisa’s desire to see and do more in life is stirred. In the end he discards Elisa’s importance, which leaves her feeling dejected. Ultimately, she becomes defeated in her pursuit for a more meaningful existence. In “The Chrysanthemums,” author John Steinbeck represents the theme of gender inequality through the development of Elisa’s primary dilemma of a lack of purpose and importance in a society that did not see men and women as equals.