Essay about The Cherry Orchard

Create a sample list of owners and properties. Your list will be similar in structure to that in Figure 1:30, but it will concern owners and properties rather than owners and pets. Your list should include, a minimum, owner name, phone and billing address, as well as property name, type and address.

The Fruit Avenue Plume (FAP) Superfund site (Site) is identified on the National Priorities List (NPL) as a chlorinated solvent groundwater plume, located in the downtown area of Albuquerque, New Mexico (Figure 1). The site originally consisted of a groundwater-contaminant plume, spanning multiple aquifer zones up to 544 feet deep; it was approximately 3,500 feet long and ranged in width from 550 to 1,300 feet.

Discuss the above quote with reference to your experiences of preparing to direct/design a Chekhov play.

Anton Chekhov hardly restrained from writing the dreary aspects of life during his writing career. Noted as one of Russia’s most prominent realist writers of the late 19th century, Chekhov’s work ranged from critical issues concerning the mental health system in “Ward No.6” to illustrating the tiresome cycle occurring for ordinary people sensing they are incomplete with their dull, normal life in “The Lady with the Dog.” “The Lady with the Dog,” in particular portrays characters of Chekhov’s facing an unreachable desire; Gurov and Anna. This desire emulates two contrasting forces represented by the double-lives the couple lives, one being that of realism and boredom, and the other of strict passion and romanticism. Gurov and “the lady with

Madame Ranevsky neglects that she is poor and gives out money, which increases her debt. She was born an aristocrat and doesn’t understand the meaning of how money was earned. Her brother, on page 13, describes it as “scattering the money .” But yet he makes no attempt to stop her spending. Anya says, “She's already sold her villa near Mentone; she's nothing left...mother's got a footman now, Yasha; we've brought him here.”(Chekhov 5). This quote gives us insight on how malicious her spending habits are. She hires unnecessary help that she can’t afford. She herself says, “I had a lot of money yesterday...I go squandering aimlessly. [Drops the purse, scattering gold coins] There, I’ve dropped it all!” (Chekhov 19). The scattering of the coins is an actual visual of how she neglects money since she lets them fall to the ground, showing no

A Tree Grows in Brooklyn focuses on a poor American family in the early 1900s. They faced many hardships including those related to obstetrics. Medical care was not reliable during this time period and caused a variety of problems. The poor had the worst birthing conditions and were at a high risk for complications concerning themselves and the child. Betty Smith provides an accurate representation of medical care relating to delivery, infant mortality, and pregnancy at the turn of the twentieth century in her book A Tree Grows in Brooklyn.

Although Chekhov emphasized in the beginning of the text that money holds power as shown by Anna and Modest Alexeich’s relationship, Chekhov shifts the power dynamic by introducing Anna’s beauty and sense of empowerment and now Anna has a new sense of awareness and power. Following the ball, His Excellency “[thanks Anna] for her part in the bazaar” and asked her permission to come again (283). After establishing herself and her influence at the ball, His Excellency’s visit to Anna truly places emphasis on her role at the ball. Having one of the highest member of society personally visit and thank Anna gave her the highest sense of empowerment as this moment proves to be significant. Most notably when her husband looks at her with the “cringingly respectful expression that she was accustomed to see on his face in the presence of the illustrious and the powerful,” and she confidently and clearly articulated the following statement, “Get out, you blockhead!” (283). Compared to the confined and powerless young lady Chekhov presented in the beginning of the plot,

Later in the story, during one of Anna's Moscow visits, she cries again and as Chekhov foreshadows, Gurov reacts similarly. This time Gurov slips off the bed, out from beneath Anna and sits in an armchair. Paying no attention to her sorrows he then, ". . . rang and ordered tea; and then, while he drank tea, she went on . . ." (309-310). Not only is Chekhov's foreshadowing similar in both stories, he also uses magnificent details in the setting that intensify the reader's interest.

The stories of Anton Chekhov mark a focal moment in European fiction. This is the point where 19th realist caucus of the short stories started their transformation into modern form. As such, his work straddles two traditions. The first is that of the anti-romantic realism which has a sharp observation of external social detail. It has human behavior conveyed within tight plot. The second is the modern psychological realism in which the action in typically internal and expressed in associative narrative that is built on epiphanic moments. In consideration of the two sides, Chekhov developed powerful personal styles that presage modernism without losing traditional frills of the form. This essay will discuss the Chekhov's portrayal of women.

In each version of the story, the narrator changes. This allows two different point of views to develop in each story. In Chekhov’s

    Anton Chekhov uses The Cherry Orchard, to openly present the decline of an aristocratic Russian family as a microcosm of the rapid decline of the old Russia at the end of the nineteenth century--but also provides an ominous foreshadowing of the 1917 Bolshevik Revolution in the disparate ideals of his characters, Trofimov and Lopakhin, however unintentionally. The Gayev family and their plight is intended as a symbolic microcosm of the fall of the aristocracy in society at large. Though the merchant Lopakhin is presented as the character who holds values of the new, post-aristocratic age, the student Trofimov espouses the political sentiments that will ultimately replace both the

At the beginning of this novel, poverty is already a constant theme. For example, Raskolnikov began feeling nervous, ashamed, and even sickened at the thought of just

When he heard of the critical conditions of his sister and Sveta’s boy respectively, he did not hesitate to use his first two wishes to save them respectively. His sister had a fatal lung cancer; “The fish undid it in an instant-the words barely out of Sergei's mouth.”.(lines 135-137) And

The author portrayed the banker as a foolish and greedy man, and since Chekhov characterized him as static, he never changed. His inability to alter his ways resulted in him making an extraordinarily rash bet and later on him wanting to kill a man in cold blood. “That is not true! I bet you two million that you

The past is constantly mentioned by the characters in this play. Even the cherry orchard as property, is a symbol of the Old Russian regime. The end of the Old Regime therefore, is portrayed by Chekhov when at the end of the play Lohpakin becomes the owner of the estate and cuts the cherry orchard. Chekhov, as a contemporary observer, uses his play to criticize some aspects of the emancipation of 1861. The message he leaves is that although the emancipation was an important step towards freedom, it was not the only one to be made. This message, besides being given throughout the novel, is also stated by Trofimov, an idealist student who realizes how far Russia is from achieving real freedom. At the end of Act 2, Trofivom tells Anya, Madame Ranevskaya’s 17-year-old daughter: “...In order to start living in the present, we first have to redeem our past, make an end of it, and we can only do that through suffering…” .