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The Body Speaks Summary

Decent Essays

Chapter seven of Lorna Marshall’s (2008) The Body Speaks explores the topic of “what stops us working” and rethinks the relationship we have with our body and how our body takes an active, and important role in performance. Marshall’s (2008) observations suggest that the human requirements to be a good performer compare to how the majority of us would want to live – “physically and emotionally alive, open and responsive” (Marshall, 2008, p.119). It’s apparent that in order to succeed in a role and produce vivacious and authentic performances, we must channel these qualities as well as choosing an appropriate audience response like Marshall suggests. Marshall (2008) also touches upon the ‘no pain, no gain’ ideology of the 1980s suggesting that the harder and more difficult the work, the more worthwhile it is. In addition, it is important that the element of pleasure is present when working to develop a performance as “pleasure is a necessary performing skill” (Marshall, 2008, p.121). This element of pleasure, and Marshall’s (2008) idea that we should shift the idea of work into the “‘game’ category”, has been evident in the workshops and is important to keep in mind when working towards a performance as it’s essential to understand that we’re allowed to feel pleasure in a work environment as it helps to develop skills for performing, and …show more content…

This links to Robert Leach’s (2008) idea of play (active play, playing with things and playing with others) being a performance - to an extent - due to the “measure of pretending” and the “world of make-believe”. His argument is that everything we do in life is seen as a performance with unfixed identities, and it can be helpful to use these aspects in performance on

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