In Wendell Berry’s chapter, The Body and the Earth, he discusses the connection between all earthly inhabitants, and its descent into misguided chaos by impact of time, evolution, and industry. He uses evidence from historical literature, religious mindset, the development of gender roles and consumerism of the 1950s, and how one defines love, marriage, and interconnectedness between what Berry calls “members of Creation.” His opinions of sexual monogamy and the importance of self-discovery via entrance into the “wilderness” are expressed clearly, but as the essay moves through each sub-chapter, his explanations become scattered and difficult to follow. For example, Berry’s ideas on religion and the relationship between body and soul as …show more content…
To say we are insignificant is not to say we do not have unique qualities, but rather gives perspective to our design. Creation provides a space for human intellectual growth but cannot be mastered by humanity. He continues into the next sub-chapter, how one can “measure” him or herself within Creation. By acceptance of our place in the universe, we are whole. Berry’s mention of the farmer and an understanding of his farm is a constant theme in this essay. Agriculture, a distribution of products born from the earth and its entrance into our bodies as nourishment, describes an interdependence. The development of highways, industry, and daily routine of work and obligation, has caused a romanticization of wilderness. High mountain tops and deep forests are sold as “scenic.” Berry reminds the reader that wilderness had once bred communities and civilization, and that by direct use of the land, we are taught to respect and surrender to it. But by invention of skyscrapers, airplanes, we are able to sit higher than these mountain tops and this is his first representation of disconnect from Creation. Mechanical invention leads one to parallel themselves with godliness, magnifying self worth and a sense of significance. What is misunderstood is that through this magnification, because there is no control or limit, we “raise higher the cloud of megadeath.” Our significance is not proved by the weight of our material wealth, rather
In the 2015 article for The Atlantic “Farmland without Farmers”, Berry writes a thought-provoking piece about how industrial agriculture has taken over American landscapes, and as a result, stewards and culture are lost. Berry gives us the impression that an urge to change is needed, and the sense of knowledge and community is required to help farms thrive again.
Roderick Frazier Nash’s book, Wilderness and the American Mind, compiled contemporary debates about wilderness by outlining the changing positions concerning wilderness throughout history. In chapter 11, “Aldo Leopold: Prophet,” Nash discuses Aldo Leopold’s house metaphor. Here, Leopold refers to six vacant lots and what it would mean to build houses on all six lots. He describes how the first few houses might make sense; however once you build upon all six lots you no longer remember the meaning of the homes. He argues that they somehow the sixth house would become “stupidity.” Conversely, I disagree with this theory. I feel each house, so to speak, is built differently and suits different needs and wants. Just as in the wilderness,
In the essay, “A Literature of Place”, Barry Lopez expresses the importance of nature as it applies to human life. Through this he states that humans’ imagination are inspired by the scenery around them. Lopez revolves around a central perspective; Ancient american literature has always been rooted in nature. By acknowledging that modern human identity has been interpreted by nature, Lopez describes how the landscape of an area can shape the structure of the communities and how it can help with spiritual collapse. Nature writing has often been summarised by being one of the oldest threads in american literature. With our nation's aging one needs to reflect on their literary past; therefore, Lopez insists that we find our path to nature that
Abbey detests the lives we lead, particularly in the city. A life in which we heavily rely on invented technologies for our convenience. He especially criticizes how the “development” of nature sites in general, or for the mere reason to serve the people and accommodate the people’s “needs” in the wild. It is for this reason that Abbey craves to live outside of the society’s influence and rule, and to live out on one’s own in solitude. The wilderness gives him a sense of freedom and offers him a refuge from humanity’s cultural dependency on the ever-constant development of technology. To him, it is a shame, and even a sin to life, to see humanity consuming and exploiting the very thing that sustains us:
In his essay, The Trouble with Wilderness, William Cronon discusses the importance of preserving wilderness. Nature has been deteriorating since the introduction of the human species, and Cronon attributes this issue to the destructive nature of humans. The essay begins with his thesis “the time has come to rethink wilderness” (Cronon 1). He challenges the reader to find the difference between wilderness and wildness. Cronon’s biggest fear is violating the holiness of nature.
In the story, The Natural, certain characters and events are portrayed in a distinctive way that makes this story unique to other books and shows the typical writing style of the narrator. The author uses a repetitive writing technique that is impossible to overlook. The writer of this book is able to catch the reader’s eye with his concept of the importance of beautiful description. The Natural, by Bernard Malamud, uses great imagery that makes the story appealing.
...And the Earth Did Not Devour Him is not a story of one character, but rather of a people. Rivera, much like in the Actos of El Teatro Campesino, basically uses a stock character. Although each story seemingly gives more detail and specificity to the character, it can also be interpreted as doing the exact opposite. In telling of the life of one, Rivera in turn reveals the lives of many. Even though specific details of each of their lives were obviously different, the core issues still remained; Chicanos needed change and they needed it immediately. One of the most noticeable techniques Rivera uses within his novel is the constant changing of the point-of-view. The novel is centered on an unnamed male protagonist, however, throughout the story the point-of-view ranges from that of a mother praying for her son unwillingly fighting in Vietnam to that of an omniscient narrator, capable of entering anyone’s heads. This often times seemed to be very random and even abrupt. However, it was through the sporadic sprinklings of changes in point-of-views that Rivera was able to not only showcase cultural struggles of the time, but also call for social change as well as reveal the confusion and uncertainty of the people themselves.
Wendell Berry’s literary work “An Entrance to the Wood” is a personal essay that reflects on the struggles of human ambition. Berry shows a path where readers can make a connection to the natural world. As society is evolving, we are rushing through life and not experiencing our surroundings. He wants readers to create an image of their own thoughts through his perspective. Berry combines distinctive styles to consider the reality of human ambition.
The short story, “The Wild Parks and Forest Reservations of the West,” by John Muir paints a picture of the necessity of human interaction with the wilderness. In his story Muir pleads with his audience to gain more appreciation of nature and to understand their impact on it by using religion, pathos, and imagery.
Embedded in the human spirit is the notion that people possess an innate sense of being an individual, free to think, act, and understand the world surrounding them. In George Orwell’s 1984, individuality is removed to support the Party’s abilities in controlling and exploiting the masses. Yet, despite their success in suppressing the citizens of Oceania there is something rooted in humanity that although can be repressed, still remains implanted within the deepest parts of a person’s mind. In the novel, while the Party attempts to annihilate all human instincts in order to acquire pure and absolute power, it is unknown to them that despite their best efforts there lies something much more dominant in the human mind which although can be inhibited may never be entirely eliminated. As Winston ponders revolutionary ideas, his physical body unknowing to his conscious mind, is complacent with his innermost thoughts to rebel in any way possible. Winston’s thoughts of unorthodoxy become enhanced through Julia because he discovers someone who desires and understands him, conjuring up something instinctual in him which has been waiting to be released. To care and protect someone else becomes instinctive when he/she experiences suffering or pain and this kind of understanding is acknowledged through the only people Winston believes express any sanity in a corrupt world: the proletarians. A person’s impulse to resist an oppressive nature is instinctual and this is validated through
Nature and wilderness were very important ideas to some extant for St. John de Crevecoeur and Ralph Waldo Emerson, each had their own opinions and ideas that contrasted against each other and were somewhat similar to each other. Emerson who valued it and looked at the nature as something to proud of had used it many times in his works as examples and that we are part of nature as well and make whatever choices from it as it can from us. While Crevecoeur believes that in every land it has its own form of culture as it does its own kind of nature, and describes how the land and nature was then and how it will be giving details of it in his pieces of work. How they use and see nature is described equally important in both their works “the American Scholar” and “What is an American” but shows how different their views really are in them.
And this dissatisfaction only occurs because our “now” is seen as a monotonous blur, because we are preoccupied with hope, born of dissatisfaction, and refuse to cease running. In his poem, The Peace of Wild Things, Wendell Berry acknowledges this, and through his verse reveals this distinctly human preoccupation as a source of suffering, and his reconciliation with nature as the remedy:
In Thomas Cole’s Essay on American Scenery, the reader is able to appreciate Cole’s predilection and love for the American scenery. It is his belief this scenery is superior to the European scenery, since the latter’s “primitive features of scenery have long since been destroyed or modified … to accommodate the tastes and necessities of a dense population.” However, Cole presents his audience with a gloomy prophecy about America’s future, which he believes will be the same as Europe’s. Still, while acknowledging that industrialization could eventually take over many natural regions, Cole is hopeful that nature will remain victorious, since it will still be predominant. Because of this, he advises the American people to take advantage of
Through removal and technology, humans have started to become isolated from the wilderness and the nature around them. This view distinctly contrasts with Thoreau’s perspective. “Though he [Thoreau] never put humans on the same moral level as animals or trees, for example, he does see them all linked as the expression of Spirit, which may only be described in terms of natural laws and unified fluid processes. The self is both humbled and empowered in its cosmic perspective,” states Ann Woodlief. The technologies that distract and consume us, and separate us from the natural world are apparent. Many people and children ins cities have seen little to no natural-grown things such as grass and trees. Even these things are often domesticated and tamed. Many people who have never been to a National Park or gone hiking through the wilderness do not understand its unruly, unforgiving, wild nature. These aspects, thought terrifying to many, are much of why the wilderness is so beautiful and striking to the human heart. “Thoreau builds a critique of American culture upon his conviction that ‘the mind can be permanently profaned by the habit of attending to trivial things, so that all our thoughts shall be tinged with triviality,’” pronounces Rick Furtak, quoting Thoreau’s Life
“Existence.....what a strange word. He, set out by determination & curiosity, knows no existence, knows nothing [relevant] to himself. The petty destinations of others & everything on this world, in this world, he knows the answers to. Yet they have no purpose to him. He seeks knowledge of the unthinkable, of the [indefinable], of the unknown. He explores the everything...using his mind, the most powerful tool known to him. Not a physical barrier blocking the limits of exploration, time thru thought thru dimensions....the everything is his realm. Yet, the more he thinks, hoping to find answers to his questions, the more come up. Amazingly, the petty things mean much to him at this time, how he wants to be normal, not this transceiver of